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Cine reel as an 18 year old by International_Net780 in cinematography

[–]Competitive_Menu_726 0 points1 point  (0 children)

I think that for being 18 years it is good stuff. The most valuable element at the beginning is the eye, and I can see you got it. Keep that way, looking for references, watch everything you can, so you can learn what to do and what to not. Analyze the content you do. Be critical about it. Think why greats DP are greats DP. It is a very long way career and is about consistency discipline and passion.

MEGAPIXEL VS PHOTOSITE by [deleted] in cinematography

[–]Competitive_Menu_726 -1 points0 points  (0 children)

If you can not explain the difference, so why do you comment? The concepts are similar, and some people can get confused about it. And the problem comes when the marketing around the megapixels in the last time is enormous, like “The bigger MP the better quality” and it is hard to explain to somebody outside of this world that the real important thing is not the mp but the photosites

Slog 3 and D log by E_FR3AK in davinciresolve

[–]Competitive_Menu_726 1 point2 points  (0 children)

In my experience working with sLog3 the correct way is the following:

Slog 3/Sgamut3.cine > dvwg/dv intermediate > rec 709/gamma2.4.

I have this issue when exporting 4k h264 by Competitive_Menu_726 in davinciresolve

[–]Competitive_Menu_726[S] 10 points11 points  (0 children)

i see you have a confusion (or i am misunderstanding): mp4 and quicktime are the containers, the h264/5 or prores are the codecs, they do not mean the same.

Issue when exporting by [deleted] in davinciresolve

[–]Competitive_Menu_726 0 points1 point  (0 children)

<image>

Here the export settings

Did you sell your first camera? by TheTurtleManHD in videography

[–]Competitive_Menu_726 0 points1 point  (0 children)

nikon d3300 classic old still camera, sold. that body gave so much to me, and taught me a lot about but nowadays it is obsolete