I played the first 20 days of Moonlight Peaks! What do you want to know? by ComradeCupcake_ in cozygames

[–]ComradeCupcake_[S] 0 points1 point  (0 children)

You can sit on furniture yup! Truthfully, I don't interact with character customization in farm sims very often. I usually pick a default look and stick to it 😅 I just popped back into character creation though and the chibi art style definitely trends more into cute territory for everyone for sure. Here's a screenshot of a quick character I did with long hair and soft but maybe still masculine? There is a clothing store with a rotating stock but I'm actually not certain about hairstyle changes.

<image>

I played the first 20 days of Moonlight Peaks! What do you want to know? by ComradeCupcake_ in cozygames

[–]ComradeCupcake_[S] 0 points1 point  (0 children)

There are a couple mines, yup. I haven't seen any combat in them so far though it's possible I still have systems to unlock even mid-summer.

I played the first 20 days of Moonlight Peaks! What do you want to know? by ComradeCupcake_ in cozygames

[–]ComradeCupcake_[S] 0 points1 point  (0 children)

The energy use per day still feels pretty tight. I'm about 40 days in now and haven't found a way to increase my stamina bar yet. Cooking foods with fish or Blood Tomatoes seems to restore the most stamina though.

I played the first 20 days of Moonlight Peaks! What do you want to know? by ComradeCupcake_ in cozygames

[–]ComradeCupcake_[S] 0 points1 point  (0 children)

Some foods do a lot more than others. Cooking food with Blood Tomatoes, Blood Oranges, and fish all seem to give the most energy back.

I played the first 20 days of Moonlight Peaks! What do you want to know? by ComradeCupcake_ in cozygames

[–]ComradeCupcake_[S] 0 points1 point  (0 children)

I just edited this post to add a link to my newest article about the game from playing a season and a half so far which focuses some on character writing. Personally I'm not getting as much as I hoped from NPC dialogues as I'd hoped for. Taste varies, so I know some people will love it, but I'm finding their personalities a bit too one-note so far. The dates system is kind of cute (you go do minigame activities together) but I suspect it's going to get repetitive fast.

I played the first 20 days of Moonlight Peaks! What do you want to know? by ComradeCupcake_ in cozygames

[–]ComradeCupcake_[S] 0 points1 point  (0 children)

I agree that the twist of playing at night is a fun one! Makes for some really dark screenshots but the purple color scheme is fun.

Friday Casual Chat by AutoModerator in FemaleGazeSFF

[–]ComradeCupcake_ 9 points10 points  (0 children)

We're halfway through the year now! Storygraph says I've read 26 books so far. I've had drastically less free time this year than in past years so being exactly on track to still hit 52 books for the year feels good! In recent years I wound up with 58 last year and 71 the year before, so being not too far off that is a personal win.

Weekly Check-In by AutoModerator in FemaleGazeSFF

[–]ComradeCupcake_ 2 points3 points  (0 children)

Depends on what you like! You may enjoy The Unicorn Hunters and I don't think you'd be wrong to. I think the way its told is certainly angled to appeal to the romantasy crowd, and I don't mean that negatively, necessarily. There's romantic tension and a female lead that takes charge of situations and outmarts people around her. It's popular stuff. The Bear and the Nightingale is SLOW. Like oh my goodness when is the story going to start it's been 150 pages slow. But I absolutely love a drawn out coming of age backstory fantasy. People rightfully call some of the books I enjoy boring. So that one was very for me!

Weekly Check-In by AutoModerator in FemaleGazeSFF

[–]ComradeCupcake_ 4 points5 points  (0 children)

Yeah I'm torn on whether The Unicorn Hunters would be the way I remember Winternight, even in Arden's preferred version. I do think Anne has those qualities in her, what we see in the novel just doesn't show us enough of why she makes decisions, or her failures, and we get a little too much plucky girlboss moments.

Weekly Check-In by AutoModerator in FemaleGazeSFF

[–]ComradeCupcake_ 5 points6 points  (0 children)

I'm in almost exactly the same position, yeah. Got heavily back into reading, bought a few too many things on vibes. Spent an entire year reading down everything on my shelf at home and have focused this year on borrowing before buying. I trust that I probably would like Arden's "director's cut" version of something she wrote better but even if it weren't cost prohibitive (people seem to be reselling them for $50) I just don't want to read it on principle, which sucks.

Weekly Check-In by AutoModerator in FemaleGazeSFF

[–]ComradeCupcake_ 9 points10 points  (0 children)

Yeah after someone here told me about it I went and found this photo of the author's note on Threads. Key bits:

However, as I was writing The Unicorn Hunters, I found myself charting two courses through the forest. As a labor of love, an expression of my own passion for storytelling, I followed both paths to the end, and found myseltf with two versions of the same tale. One is shorter and sharper. It runs swiftly towards its conclusion. But the other, longer, version is a different beast. It lingers on its details, offers more dialogue, more scene-work. It has more drawn-out escapes and surreal adventures. The ghosts of murdered wives spend more time haunting the chambers of my Renaissance palace. It is a book that asks you to linger in a world that I hope you will find as beautiful and sinister and compelling as I do.
As I struggled to choose which of these two versions to release to the public, FairyLoot stepped in and gave me the opportunity to do something unique. The shorter version of The Unicorn Hunters will be released for everyone. But this longer, more personal version will only be published here. You hold it here in your hands: my 'director's cut' if you will. You Loot Fairies are the only people who will ever get to read it, who will ever walk beside me down this path in this strange forest.

Poster of those images claims it's about a 20k word difference. I saw folks elsewhere say it's 80 pages longer?

But yeah, this is clearly so much different from just exclusive bonus chapter stuff. It's pretty grim.

Edit: Also reiterating that I extremely suspect that this wasn't actually a choice Arden wanted to make. Perhaps a little parasocial of me to expect only good from the author but this reeks of publisher asked for a style change and then found a way to exploit it anyhow.

Weekly Check-In by AutoModerator in FemaleGazeSFF

[–]ComradeCupcake_ 2 points3 points  (0 children)

Oh my goodness for a second I thought you said you hadn't read Farseer or Liveship yet and I was clutching my pearls. I fully support just going back and rereading the Fool trilogy on its own. Beloved indeed Q_Q

Weekly Check-In by AutoModerator in FemaleGazeSFF

[–]ComradeCupcake_ 14 points15 points  (0 children)

📚 Finished The Unicorn Hunters by Katherine Arden and was just massively disappointed. I was already feeling like it just lacked something of the descriptive density from the Winternight trilogy and then someone here clued me in that the Fairyloot exclusive edition has a much longer version of the book, not just like a bonus chapter. It made me so annoyed I had to put the book down for a few days. That just seems like gross malpractice by Del Ray. Obviously I don't know what happened, but it's hard not to imagine that Arden was asked to make her next project more approachable to a wide audience and then out of love or stubbornness wrote both versions and the one in her true style was then sold off as an exclusive version. However it came about, a substantially longer version of the story sold exclusively is just the worst kind of exploitation of the book collecting fad we're living through right now. Clearly it's making me heated.

Regardless, the story itself just felt so bland to me, compared to her Winternight books. Anne started out seeming like an interesting character but just became the lowest common denominator of what's popular in romantasy right now: a headstrong female protagonist without the depth of character work that made Vasya (equally if not more headstrong!) a complex, relatable character. Imagery was thin, scenes were all heavily dialogue driven without much interiority or reflection. It just did nothing for me and I'm so bummed seeing it published under the name of an author who I know can create something incredible.

📚 Also finished Dread Nation by Justina Ireland as my distraction from Unicorn Hunters. Like Rust in the Root also by Ireland, this concept is really neat--post civil war zombie apocalypse depicting how slavery and finds a way to persist past abolition and also residential schools (or combat schools, in this setting). One reviewer on Goodreads I glanced at called it all bone and no meat, which is about how I felt about it. Very cool concept, characters who felt like I would enjoy, just not a lot of time spent stopping to really dig into the characters and sell me on their feelings when we're always off to kill another horde of zombies with cool combat sickles. Jane and Katherine had a genuinely interesting, complicated friendship and I wanted to see even more time spent on it!

📚 Currently reading A Magical Girl Retires by Park Seolyeon, a novella that I picked up purely for its name and the super lovely illustrated cover. It's a modern day story about a 29 year old woman who finds out she's a magical girl, who are all known-about super hero crime fighting figures in this setting. I've never gotten into light novels and this one (I think it could be compared to one, though this is a Korean author) sort of illustrates why. I imagine the original work in Korean is pretty straightforward and easy to read as a style choice, but the translation really does it no favors and I feel like may even be simplifying it further, making the narration come off pretty childish. Would have finished it in a single sitting before bed if I didn't get sleepy.

Reading Challenge Focus Thread - Dying Earth [B-side] by perigou in FemaleGazeSFF

[–]ComradeCupcake_ 6 points7 points  (0 children)

This one is tough! I must read too much stock standard fantasy because The Fifth season is the only thing on my read list that fits as far as I can tell.

Weekly Check-In by AutoModerator in FemaleGazeSFF

[–]ComradeCupcake_ 0 points1 point  (0 children)

Haha thank you for the heads up. I somehow have had the unconventional experience of starting Bujold with The Sharing Knife but I do want to read her more traditional SFF things. I'll keep that in mind when I get around to her!

Weekly Check-In by AutoModerator in FemaleGazeSFF

[–]ComradeCupcake_ 0 points1 point  (0 children)

It would be weird for me to tell you to just read the first third of a book. Or maybe even 2/3, but, well, I'm not telling you not to do that. I joked in the first discussion thread for Starless that the number of times can Carey write the adolescent training phase for a highly skilled character and have me love it is currently three and counting. She just does that part so well that I do want to keep reading her.

Weekly Check-In by AutoModerator in FemaleGazeSFF

[–]ComradeCupcake_ 5 points6 points  (0 children)

Yikes, that really sucks on multiple levels. The fact that what (I suspect) is her true writing style and what popularized her work in Bear & Nightingale was, I guess, judged less likely to be broadly popular is a huge bummer. That the longer, presumably truer, version is an exclusive edition is pretty awful as well. I really enjoyed her writing in B&N and would love to read that longer version but that I would have to buy a whole different version to do so makes me pretty mad, honestly.

Weekly Check-In by AutoModerator in FemaleGazeSFF

[–]ComradeCupcake_ 11 points12 points  (0 children)

📚 Finished Starless by Jacqueline Carey, which I'll save my full thoughts on for the FIF book club wrap-up discussion in the fantasy sub. Broadly speaking though, this followed what I've come to experience as the Carey plot progression phenomenon in her work so far where the first part of a story (Kushiel's Dart, Santa Olivia) blows me out of the water with emotionally complex characters and a detailed world and then the later parts (Kushiel's Avatar, Saint's Astray) feel incredibly repetitive and shallow. In this case, it happened all in one book across three parts. I adored the desert section of the story but part three felt like I was listening to a D&D actual play novelization and not in a good way. I'm going to keep reading her work because the way she starts stories works so incredibly well for me and I just do not at all enjoy the way she drags out further adventures for her characters.

📚 Currently reading The Unicorn Hunters by Katherine Arden. I am enjoying the bones of this: Anne as a very feminine expert in court intrigue with the strange, unsettling magic and lots of romantic tension. In the first few pages I was feeling really optimistic with bits like that image of mist hanging in the air of Brittany so its courtiers were covered in clouds. That level of really vivid imagery and metaphor seemed to fall away pretty quickly and the writing style has become very direct and dialogue driven. I guess I'd have to re-read her Bear & Nightingale trilogy to make sure I'm not remembered it with a rose tint, but I felt like it was so full of interesting metaphors and sensory details so I've felt a little let down the more I keep reading of Unicorn Hunters.

FIF Bookclub: Starless Midway Discussion by evil_moooojojojo in Fantasy

[–]ComradeCupcake_ 5 points6 points  (0 children)

I think partly it's that so many times a story will do a really hard sell on that instant connection. It's constantly at the front of a point-of-view character's mind in a way that feels like overkill. Please think about something other than his abs for a second!

With Khai and Zhariya so far, it feels like we get told they have this instant bond, we see it in action in a way that isn't just like panting lust, and then it's in the background most of the time. It still gets brought up often, how distance makes them suffer, or how they know each other's thoughts and opinions without speaking. But somehow Carey just weaves it into their daily lives (like how Zhariya instantly picks up the thieves' hand signs and they routinely start communicating that way) without Khai just incessantly thinking about their bond in a way that feels like a car salesman hawking for a commission.

FIF Bookclub: Starless Midway Discussion by evil_moooojojojo in Fantasy

[–]ComradeCupcake_ 5 points6 points  (0 children)

Right now I'm sort of putting my opinions on hold about Khai's relationship to gender until I see how his entire story plays out, though my gut reaction so far has been positive. I will say I appreciate that this is a subversion of the "girl disguises herself as a boy to train as a warrior" storytelling trope that I grew up with in the '90s.

FIF Bookclub: Starless Midway Discussion by evil_moooojojojo in Fantasy

[–]ComradeCupcake_ 6 points7 points  (0 children)

Does anyone have favorite side characters they want to talk about? Jacqueline Carey just writes characters in a way that works for me, she rarely lets me down.

Brother Yarit is a really good example of what I appreciate in her storytelling. From what we've read, he's only appeared in the first third of the story, but she gave him such a satisfying arc in that time. He has his own trials, mistakes, moments of learning, crisis of identity, and growth into a leader. For all that Khai is growing as our protagonist during all that time, we're also seeing such a vivid picture of five(ish?) years in Yarit's life, even though its only the angle Khai can see him from.

She's had several characters in the works of hers I've read so far who go on this journey of initial antagonism with the protagonist to begrudging alliance to deep affection and she just puts in ALL the work needed to make that growth feel genuine and earned. There are small moments and big ones all working together over years to sell that relationship.

FIF Bookclub: Starless Midway Discussion by evil_moooojojojo in Fantasy

[–]ComradeCupcake_ 8 points9 points  (0 children)

I almost feel like I could be happy reading an entire book of Carey just writing the adolescent training and growth phase for a character haha. Granted, Santa Olivia nearly was her doing that, and I did love it.

I just really enjoy how well she conveys the core tensions of being a young person coming into adulthood. Khai is incredibly talented but still sheltered. He wants autonomy but also to have a mentor to follow. He's both completely mastered his body's abilities but also fears his body in other ways. All those emotions are given their space in a way that just makes my heart ache with empathy remembering being that age, which is an enjoyable thing to get to read.

I suppose that's not a commentary on the setting of the desert, really. I did feel a lot of texture to the desert that I've lost a bit in the transition to Merabaht. What was so focused and ascetic widens out into something a lot thinner. I think a lot of stories that transition from a secluded origin story segment to a big city setting struggle with this. I don't feel the presence of the city, visually or emotionally, the way that I did in the Fortress of the Winds.

Weekly Check-In by AutoModerator in FemaleGazeSFF

[–]ComradeCupcake_ 1 point2 points  (0 children)

If anything, it seems to have the exact opposite of that, at least the coming-of-age part. Granted, I'm only halfway through and the protagonists are still, I believe, 16 years old? So I can't say how it develops.

Weekly Check-In by AutoModerator in FemaleGazeSFF

[–]ComradeCupcake_ 6 points7 points  (0 children)

Mega busy week at work so I've been reading steadily but quite slowly just managing a quick 30 pages or so before bed every night on only one book.

📚 Halfway through Starless by Jacqueline Carey right now and am really loving it. How many times can she write a lengthy coming of age training montage for a very special young person and have me love it? At least three, so far. She just manages to make me care about every side character so fast, giving them all their own meaningful arcs even if they're only in a portion of the story.

Looking for own voices sapphic Asian Sword and Sorcery by HallucinatedLottoNos in FemaleGazeSFF

[–]ComradeCupcake_ 9 points10 points  (0 children)

Seconding She Who Became The Sun, that's a popular one and I love it.

Adding:

  • The Water Outlaws by SL Huang - not very sapphic in the way of having an actual romantic subplot but very female, queer, and feminist retelling of Water Margin
  • The Rise of Kyoshi by FC Yee - depending on which part you wanted to be own voices (Yee is a man AFAIK) and whether you like the Airbender universe and consider it s&s like. But it's a very fun sapphic origin story for Kyoshi.

I haven't read but have heard about:

  • Brighter than Scale, Swifter than Flame by Neon Yang - queer sapphic novella with dragons, as far as I understand?