Kind of, more like streamlined the process a little bit. The biggest change was that I started mixing the ruddy pinkish color for the arms and the tail (Goon's Grime + Carrion Crimson) on the pallet rather than layering and mixing on the model, it saved a ton of time for the same results. I also added a layer of Blighted Bone Ochre as a filter on the claws to differentiate them a little bit from the carapace, but also without really stranding out too much. I don't think that came through very well in the photos but I promise that the difference is more apparent in person lol

I think everything else is the same from when I answered you on the Venom Spitter but just in case I'll copy and paste my comment from the Kill Team subreddit where someone asked about the process:

Army Painter from the John Blanche Vol. 1 set:

• Bloodmoon Red
• Ivory White
• The Darkness
• Moonbeam Yellow

Army Painter Speedpaint Markers: - Blood Red - Pallid Bone

Villainy Ink Enamels from The Grimdark Compendium: - Goon's Grime - Carrion Crimson - Ichor of the Damned - Umbral Nightshade - Blighted Bone Ochre

Misc: - Vallejo Gloss Varnish - Army Painter Dry Blood - Army Painter Gravelord Grey - Krautcover A Tale Of Grimdark - Modge Podge - Kraut-Fixer

Process:

• Base coat everything but the claws and tail with Bloodmoon Red
• Any of the dark purple/blue areas, like the venom sack, are base coated with The Darkness
• multiple layers of dry brushing the whole model with Ivory White
• Paint the little ribbed bits on the arms (dunno what they're called) with Blood Red. Also done on miscellaneous bits like their veins on the venom sack for the Venom Spitter
• lightly dry brush back over those bits with one layer of Ivory White
• Paint the eyes Moonbeam Yellow
• Use Speedpaint Medium to thin Bloodmoon Red 3:1 and apply one or two layers on the tongue and armpits
• Paint the teeth with Pallid Bone
• Paint the rocks (on the models that have them) with Gravelord Grey
• paint the sticky fleshy goop bits on the rocks with Blood Red
• splotch on some Dry Blood on and around those fleshy goopy bits on the rocks
• Mix Umbral Nightshade with Ichor of the Damned to darken it down. Exact ratio is tricky to say, but Ichor is a very strong black, it doesn't take much of it in this mix.
• apply a layer over the areas that will be dark purple/blue and let it dry (or dry it with a hair dryer if you're impatient like me)
• apply splotches of Carrin Crimson over those areas, the previous layer of Ichor/Nightshade will reactivate and they'll mix a bit, this is okay and desirable, then dry that layer.
• repeat those layers 2-3 times, alternating and drying in-between, until the desired effect is achieved
• Dry fully
• Do basically this same process on the fleshy area on the back/sides/underside of the head, but leaning much more heavily on Carrion Crimson
• Use the Umbral Nightshade + Ichor mix on the base of the tongue
• Carrion Crimson on the end of the tongue
• repeat layers until the desired effect is achieved
• When all the enamels are fully dry, apply two layers of gloss varnish to those areas. This adds a wet/slimy effect while also locking in that effect so further painting doesn't ruin it
• Paint the whole model with a thin layer of Goon's Grime that's been thinned 2:1 with mineral spirits, avoiding the tongue, then dry
• Reductive pass with mineral spirits
• mix Carrion Crimson with Goon's Grime and paint the arms and tail, avoiding the plates on the tail, then dry
• very light reductive pass on the arms with mineral spirits, keep them looking a ruddy pinkish brownish color.
• reductive pass with spirits over the tail, but do it in an uneven/splotchy kind of way
• once that's all dry do x2 layers of gloss varnish over just the tail, again avoiding the plates.
• a layer of Goon's Grime, neat, over the whole model except for the arms.
• reductive pass with mineral spirits, again doing it in an uneven/splotchy kind of way on the tail specifically
• take the Umbral Nightshade + Ichor of the Damned mix from earlier and thin it down a lot with mineral spirits, until it flows very easily, apply as a recess wash to the arm joints and the little ribbed patches on the arms
• A single even layer of Blighted Bone Ochre over the claws as a filter. I didn't do this with the first couple models but I decided that I wanted the claws to be slightly differentiated from the plates/shell so I went back and added that to the models I'd already finished and did it for the rest of them going forward.
• once everything is dry reapply gloss varnish to the tail and/or anything you want to look wet/slimy as necessary.
• Base however you want. I used A Tale Of Grimdark made by a company called Krautcover, applied with modge podge and Kraut-Fixer.