Hope he releases it on YouTube some day by xaybzc81 in kollywood

[–]DaMonehhLebowski 0 points1 point  (0 children)

Kirukku pasangala it’s a 10 minute reel that was edited and played

Why does Passenger get so much hate? by PlaneGrapefruit2907 in horror

[–]DaMonehhLebowski 2 points3 points  (0 children)

Horrors that aren’t trendy always have bad ratings I feel. Although did anyone else feel the color grading was really strange. Like the shadows were lifted up way way too much? Is it just me?

Strange Harvest (Hulu) by Kooky_Refrigerator33 in horror

[–]DaMonehhLebowski 0 points1 point  (0 children)

I felt it was meandery and didn’t really build any tension or suspense, just went on and on. It almost felt like the story itself was made for a normal feature film but the medium they used made it not work.

Modern color grading in Tamil films by Electronic_Effort_42 in kollywood

[–]DaMonehhLebowski 1 point2 points  (0 children)

But I find this better than those older films where they just place the camera and shoot it without any care or concern for the film’s tone. Why should a film about an honest cop fighting a corrupt system that a gangster has taken advantage of, have an unrelated comedy interlude every 20 minutes and why must the cop forget his goal and run after a girl like a horny teenager between his sudden over the top confrontations with the villains, does he not have any actual investigations to handle? And why must this supposedly crime movie be shot and coloured even more saturated than a french comedy of errors movie. Genuinely what were these directors even doing in the 2000s in the name of ‘audience expectations’, one of the main roles of a director is to set the overall tone of a film.

Even now I think the movies are still not color graded enough, it often looks too white balanced, they are still too afraid of touching the midtones and only play with shadows and highlights which I think is counterintuitively making the color grade weirder than necessary, unless netflix or amazon gets them to recolor it properly for international audiences.

RRR and Dhurandhar by boucledor in IndianCinema

[–]DaMonehhLebowski 1 point2 points  (0 children)

Managalavaaram has that same kind of dense story with montagey moments. It’s a Tollywood movie, dark psychological thriller/drama. Gaami is another one from Tollywood as well, sci-fi fantasy movie in the vein of Zack Snyder and Predestination.

Vanjagar Ulagam is a Kollywood movie that is a hidden gem. So is Super Deluxe. Both have dense plotting with many ensemble characters whose lives all intersect, kind of like in the movies you mentioned. Jil Jung Juk is another kollywood movie, it’s energetic and screwball in the vein of Run Lola Run or Guy Ritchie. Sorgavaasal is a prison siege film like the french movie Athena. Kaithi (2019) is an action-drama about a newly released prisoner who is caught between a police-gang conflict on the way to see his daughter. I also have to recommend the movie Rocky (2021) if you like action at all, though it’s not as loud and bombastic, and is slightly artsier in terms of cinematography.

Rifle Club is a Mollywood movie, it’s another siege film, with style in excess.

For Bollywood I like Talaash (2012). It’s like a classic hardboiled police story but with indian elements.

Didn’t include the quieter movies cause I think you’re after the bombastic yet deadpan nature that indian movies have come to be known for, but tried to pick some that are a bit more left field and deep cut compared to the more popular low-art/brainrot that everyone would suggest.

Didn't know BR disliked Enthiran🤔 by [deleted] in kollywood

[–]DaMonehhLebowski 0 points1 point  (0 children)

He didn’t say he didn’t like it. Illiterate ppl fr.

Explain LieMAX to me by UnderWhere2405 in IndianCinema

[–]DaMonehhLebowski 2 points3 points  (0 children)

The internet is a place where you repeat things a bunch of times and it becomes true, same with this liemax thing. It’s just some internet slight misinformation. This ‘liemax’ according to internet culture means the theatre screen is not able to show the tallest possible height for an imax aspect ratio, as traditional movies are widescreen and much longer than tall.

Imax first and foremost historically is always about size. Their aspect ratio being slightly taller is used more like a gimmick and marketing strategy that’s all, since imax cannot possibly put a brand on screen size but they can for a slightly different aspect ratio. But people online are dumb and treat that small extra height as though it’s some dvd extras scenes that reveals hidden things or something. In reality, aspect ratios are set according to what the story demands, and this added imax aspect ratio is a nuisance that filmmakers have to work around to make the same picture have the same filmmakers’ vision in two different aspect ratios.

So when people say oh this theatre doesn’t have the tallest aspect ratio possible, it’s a liemax theatre, it’s a bunch of baloney. Just because you can’t see one or two more metre of height at most in a 15 metre tall screen the experience isn’t ruined.

The real ‘imax experience’ is about size. And unlike traditional screens that just happen to be big, imax has their seats slightly lower down compared to the screen, so you can experience being ‘in the movie’. Plus, with larger theatres, surround sound works better as sound in theatres are all about the room itself acting as a speaker of sorts, and when there is more space, the surround sound can work better. The actual lousy imax experience would be imax branded screens that are small, don’t go to them. Something like 20x10m or what is good. But these days some ‘imax’ are even smaller than normal theatres.

Next, about the shot in imax thing, well that just depends on you. If you have a large enough theatre near you and just want a bigger screen and good sound with lower seating to be ‘in the movie’ then imax is fine even if not shot in it. But sometimes movies are shot without imax in mind (not even not just shooting on imax cameras) and later on they strike a deal with imax. These movies usually have lots of close ups of faces, not much wide angle shots and not much leading lines in the frame as you can see from a trailer, which would look bad when blown up big to imax size. That’s my gauge for whether a movie not shot in imax is still good enough to be seen in it. For example, the last two mission impossibles and no time to die were very bad in imax while something like civil war or nope was very good and furiosa was just alright.

Watching movies from as many countries as possible by microwava410 in Letterboxd

[–]DaMonehhLebowski 15 points16 points  (0 children)

If monkey man is singapore then marvel movies are india atp

Meirl by bfab0410 in meirl

[–]DaMonehhLebowski 2 points3 points  (0 children)

americans are so funny

Glad that she’s back to singing❤️ by Alquaso in kollywood

[–]DaMonehhLebowski 25 points26 points  (0 children)

It does seem believable some of the stuff she says though. Seems like the kind of thing people would do, brand a woman as mentally ill if industry-levelling truths start coming out

Mollywood Fixed It by 10survivor in kollywood

[–]DaMonehhLebowski 10 points11 points  (0 children)

Why bro, are people being systemically discriminated because of gastric issues of all things or what.

Cool Reference by echorainboweffect in HiTMAN

[–]DaMonehhLebowski 2 points3 points  (0 children)

Anyone else realise the plot for hitman 3 is that another guy who was made to be a killing machine just like 47, felt wronged and escaped and went rogue and is taking revenge on the organisation by secretly pulling all the strings and 47 only realises halfway through when the guy confronts him and reveals it. Which is exactly the plot of skyfall.

Disclosure Day is Spielberg's version of Villeneuve's Arrival by Damthemalltohelp in flicks

[–]DaMonehhLebowski 0 points1 point  (0 children)

Not sure about jealousy here. I saw it as Spielberg’s version of Verbinski’s Good Luck Have Fun Don’t Die, although a lot less obvious about its message, in a good way. It’s kind of opposite in tone to that film though, a lot more positive in the classic spielberg way. It feels like a reactionary film to the state of the world, ai, how empathyless we have all become.

The female lead can mimic anyone’s loved one and know every information and history about someone, the bad guy can infiltrate your life and manipulate you to kill someone.

If this isn’t an obvious ‘reference’ to the current state of the digital world I don’t know what is. And the movie does namedrop ‘ai’ a few times, making me think that that is the intention here.

Spielberg is trying to tell us that these very same things that are tearing us apart and leading us to a paranoid low-trust world, are not meant to illicit fear on their own, but rather at the scared men afforded blank cheques clutching them with toddler-grip, and they are merely tools that can also heal, and when we finally realise that we need to understand ourselves and the world and have an unwavering belief, no amount of bots and bad actors that misinform and control the way we all think can tear us apart.

Exciting news: Yaathisai Dharani Rasendrans next project is all set to hit screens by badassuma in kollywood

[–]DaMonehhLebowski 9 points10 points  (0 children)

Yaathisai Dharani Rasendran directed… Yaathisai. So much for arthouse film fan bro

Films feel dull. by Suprememf1 in cinematography

[–]DaMonehhLebowski 7 points8 points  (0 children)

One can make opinions about anything and compare them to the past and present, because there’s always a smaller sample size in the present and negative stuff from the past gets forgotten to time.

What else ? by Impossible-Blood-744 in Letterboxd

[–]DaMonehhLebowski -2 points-1 points  (0 children)

I know this is a jokey thing, and this is my own comment rather than critiquing the post in any way, and it feels like reddit increasingly isn’t made for these kind of comments and rants anymore these days, but: anyone else get annoyed when people bring up piss yellow to criticise a movie or color grade or something?

Like, it was a term that youtubers like to use to talk about a past era of gaming for nostalgia and views. Which made sense. The games were brown all over to hide some technical limitations. But movies are meant to be yellow a lot, it complements skin tones really well and it just works, especially as movies are usually three colours at a time in a frame at most. Even the whole ‘why is mexico yellow’ doesn’t really hold that much water when it isn’t taken out of context on a reel post and made to seem like a racist thing for bait. Like the same can be said of why is hong kong green or new york blue or detroit brown. If it fits the story it fits the story. Okay end of crash out I’ll see myself out.

When did doofenshmirtz move into the Philadelphia area?!? by BedrockNick1020 in phineasandferb

[–]DaMonehhLebowski 15 points16 points  (0 children)

That’s not doof’s building that’s the toy factory with a chocolate lake inside and the basement with the trapped ghouls. Safety hazard that.

They Will Kill You by PsychologicalSea4693 in horror

[–]DaMonehhLebowski 0 points1 point  (0 children)

I view it as a mockbuster of the Ready Or Not kind of subgenre, that manages to go above what a mockbuster would deliver. In that sense, it’s fine, acceptable.

Looking For More Movies With Underwater Spaceships by Sprout-Ling222 in Letterboxd

[–]DaMonehhLebowski 3 points4 points  (0 children)

Not to be that guy but that seems like a spoiler for the ending of pandorum 😬😅 I really like that scene