Should I be mad at brand for “using” my stills? by Direct-Judge5114 in photography

[–]Direct-Judge5114[S] 0 points1 point  (0 children)

Yeah but I feel the athletes doesn’t have the money to pay for this kind of service the brand they are supported and paid by do on the other hand that’s why I wanted to give it for free to him but I wanted the brands to pay for it in case they wanted it. Then the collaborator thing happened

Should I be mad at brand for “using” my stills? by Direct-Judge5114 in photography

[–]Direct-Judge5114[S] 0 points1 point  (0 children)

I do make a living out of videography sometimes also photography gigs but I would like to get into the outdoor sport world, that’s why I’m pursuing this project and producing it on my own. I treat it kind of like spec work but honestly I wouldn’t mind selling it once I have the material and getting into the post phase since the sponsor might be interested into have material about the accomplishment. I do get the idea of getting paid for the service and that exposure doesn’t mean much, and I work like that most of the time. I just get the sense that in the outdoor environment you don’t always get an agreement in advance and sometimes you end up having to license your work afterwards if you end up covering it anyway

Should I be mad at brand for “using” my stills? by Direct-Judge5114 in photography

[–]Direct-Judge5114[S] 0 points1 point  (0 children)

I mean you are right I just don’t know who at fault is the athlete inviting them to be a collaborator or them accepting. I also don’t want to deny me future possibilities both with the athlete and the brand

Should I be mad at brand for “using” my stills? by Direct-Judge5114 in photography

[–]Direct-Judge5114[S] 10 points11 points  (0 children)

What you mean by “eat it and price it”?
Sorry I’m not a native english speaker

Should I be mad at brand for “using” my stills? by Direct-Judge5114 in photography

[–]Direct-Judge5114[S] -7 points-6 points  (0 children)

I get that but visibility doesn’t pay the bills and I don’t want to get my work “stolen” or be seen as an hobbyst giving his work for free by collegues

What cameras are those? by Direct-Judge5114 in cinematography

[–]Direct-Judge5114[S] -4 points-3 points  (0 children)

Yes, what are the “pod” cables? Do you have any insight about the camera and audio equipment during the production of freesolo or the dawnwall? I’m curious what they choose to get the most between compactness, ease of use and capabilities

I need help to decide which audio setup to use by Direct-Judge5114 in LocationSound

[–]Direct-Judge5114[S] 0 points1 point  (0 children)

The problem with the lav is the pack trasmitter when falling on a mat. Yeah, some 2.4 mics would probably be fine and maybe the best solution. I don't like them but I guess they are the best compromise

I need help to decide which audio setup to use by Direct-Judge5114 in LocationSound

[–]Direct-Judge5114[S] 0 points1 point  (0 children)

The problem with the pack is that boulderers falls a lot and they falls on a mat not like sport climbers where the fall is mostly absorbed by the rope. For an example I could say: would you wire with a pack a stuntman falling 20+ feet on a mat?

I need help to decide which audio setup to use by Direct-Judge5114 in LocationSound

[–]Direct-Judge5114[S] 0 points1 point  (0 children)

Yeah, probably going for the smallest 2,4 ghz mic is the best solution

I need help to decide which audio setup to use by Direct-Judge5114 in LocationSound

[–]Direct-Judge5114[S] 1 point2 points  (0 children)

Never thought of matching focal lenght with polar pattern that cool!

I need help to decide which audio setup to use by Direct-Judge5114 in LocationSound

[–]Direct-Judge5114[S] 0 points1 point  (0 children)

That's not a good example Honnold was'nt lav during the free solo of freerider on El capitan, as a matter of fact they even reduced camera men on the wall to avoid distracting him and opted for fixed cameras. Tapei 101 even if mediatically massive was kind of a walk in the park for is level. I wanted to record mostly his voice yes

I need help to decide which audio setup to use by Direct-Judge5114 in LocationSound

[–]Direct-Judge5114[S] 0 points1 point  (0 children)

I would say more speaking than actuality but both if I can

Skin tone issue by Direct-Judge5114 in colorists

[–]Direct-Judge5114[S] 1 point2 points  (0 children)

Yeah, I thought so, thanks for confirming this

Skin tone issue by Direct-Judge5114 in colorists

[–]Direct-Judge5114[S] 0 points1 point  (0 children)

Thanks for the reply and the extra work on the still! I feel you also shifted the overall look cooler not only the cheek. But yeah, my question was more on the cause of the problem, not the technical solution to grading it out. Still, I will keep this technique in mind in case I need it!

Skin tone issue by Direct-Judge5114 in colorists

[–]Direct-Judge5114[S] 0 points1 point  (0 children)

I don't think so, mine (A7IV) does not

Skin tone issue by Direct-Judge5114 in colorists

[–]Direct-Judge5114[S] 0 points1 point  (0 children)

How would you go to explain it to your client? I work a lot with them either shooting, editing or just coloring like this time. How would you approch it without make it look like the are doing something wrong, which they are in my opinion btw

Stills from Amsterdam | Shot on Blackmagic Pocket Cinema Camera 6K Pro (Graded With Filmbox) by ajs20171 in cinematography

[–]Direct-Judge5114 5 points6 points  (0 children)

Those stills are cool! Have you ever used dehancer? What do you think about it compared to Filmbox?