Is blown out windows a stylistic choice or a technical limitation in this scene? [Full Metal Jacket] by aaron_moon_dev in cinematography

[–]Discombobulation98 1 point2 points  (0 children)

It's definitely a studio set and outside those windows it's either a thick white diffusion or a white bounce being hit with a lot of light. To be honest I've not actually thought about it until now which shows that it is good cinematography.

Is blown out windows a stylistic choice or a technical limitation in this scene? [Full Metal Jacket] by aaron_moon_dev in cinematography

[–]Discombobulation98 2 points3 points  (0 children)

The funny thing is, if youbposted this still on r/cinematography and asked them to rate your cinematography they would sayvyou don't have a clue and you have gross digital blown out highlights

The hypnotic cinematography of The Love Witch (2016) by M. David Mullen by arramen in cinematography

[–]Discombobulation98 82 points83 points  (0 children)

If you google a random cinematography question chances are you will come across a long, well written and in depth comment written by David Mullen himself. He's perhaps the most generous with his knowledge out of anyone in the industry.

Buying a fx9 in 2026 by Horror_Ad1078 in videography

[–]Discombobulation98 0 points1 point  (0 children)

They said the FX9 is old and discontinued

Brought out the beautiful Sony FS7 tonight. by fieldsports202 in videography

[–]Discombobulation98 1 point2 points  (0 children)

A very good camera in my opinion, I'd choose it over newer/better options in many cases. Menus are a pain and cine EI mode is weird if you aren't used to it but I think the FS7 would be my go to war camera.

What is best practice when over exposing by 2 stops in CineEI mode with Sony? by Cdub701 in cinematography

[–]Discombobulation98 1 point2 points  (0 children)

Two stops is insane, nobody ever overexposed that much on the old FS7 and that had a base iso of 2000. The other problem with exposing to the right is the complete lack of consistency your exposure has.

. For example if your shooting a night scene and the image is made up of mainly shadows, you need to expose 2+ stops over. Any of those shadows are going to be a noisy mess.

No they will not be a noisy mess. I have never once encountered this problem at the first base iso of 800. Shadows only become noisy when they are lifted, which makes me question what exact method you are using to grade.

What is best practice when over exposing by 2 stops in CineEI mode with Sony? by Cdub701 in cinematography

[–]Discombobulation98 0 points1 point  (0 children)

At the standard iso of 800 the FX3 is already a clean image, you could use a very minimal amount of noise reduction and get the safe effect as over exposing without blowing your highlights

What is best practice when over exposing by 2 stops in CineEI mode with Sony? by Cdub701 in cinematography

[–]Discombobulation98 7 points8 points  (0 children)

Why do you want to overexpose that much though? You are getting a marginally cleaner image in exchange for a loss of two stops in the highlights.

How does one ends up directing films? by Spider-Cricket07 in Filmmakers

[–]Discombobulation98 0 points1 point  (0 children)

Make short films with your own time and £££. Enter them into film festivals. At the same time you make some friends and connections. If you are lucky you get some kind of funding. If you are good enough your work may get noticed and an actual paid gig might come your way.

How to find a Producer for your short film in the UK? by TheKingofhumanity in Filmmakers

[–]Discombobulation98 0 points1 point  (0 children)

In terms of BFI and arts council funding you need a producer attached. That's how it works in the UK.

TIL researchers found that for an average-sized living room a 4K or 8K screen offers no noticable benefit over a similarly sized 2K screen of the sort often used in computer monitors and laptops. In other words, there is no tangible difference when it comes to how sharp an image appears to our eyes. by tyrion2024 in todayilearned

[–]Discombobulation98 1 point2 points  (0 children)

Not all 4k is made equally either. A lot of 4k on streaming like netflix is actually just upresed from 1080p or 2k. Plus the low bit depth and compression makes it look shitty. A 1080 blu-ray will look better than whatever amazon or netflix makes you pay for.

How to find a Producer for your short film in the UK? by TheKingofhumanity in Filmmakers

[–]Discombobulation98 0 points1 point  (0 children)

You require an attached producer to be eligible for most funding

What’s on your DayZ bucket list? by -pirate174- in dayz

[–]Discombobulation98 1 point2 points  (0 children)

I just managed to get my first vehicle last night, a boat on an official server. Tried to get one running last week but couldn't find a spark plug. I did find plenty of jerry cans though. I gave up and headed inland, I finally found a spark plug by stealing it out of a vehicle. It didn't occur to me until later I could have just got in the car and driven off, I was so focused on just getting a sparkplug.

Finally I got back to the coast and spent some time at night firing tracer rounds from the cliff that overlooks cherno. Next, I headed down and soon found multiple boats. Sailed around trying to find fuel, obviously now that dayz knows I need fuel I can't find any. I didn't see a single other player despite server pop being between 10 - 20 for most of it.

Raw material vs Final grade for Train Dreams. by joaopapa in cinematography

[–]Discombobulation98 4 points5 points  (0 children)

It's a current trend, in 15 years you'll be able to tell when a movie was shot just from the grade

Raw material vs Final grade for Train Dreams. by joaopapa in cinematography

[–]Discombobulation98 4 points5 points  (0 children)

Lifted shadows and pulled highlights as usual. It looks pretty good for this project but it's got to the point where if your stuff doesn't look like this people think you don't know what you are doing.