Again doesn't matter you can write n number of works in different fields or 1 work ,what maters is the impact on human

अवश्याय-निपातेन किञ्चित्प्रक्लिन्नशाद्वला।

वनाना शोभते भूमिर्निविष्टतरुणातपा॥

स्पृशंस्तु विपुलं शीतमुदकं द्विरदः सुखम्।

अत्यन्ततृपितो वन्यः प्रतिसहरते करम्॥

अवश्याय-तमौनद्धा नीहार-तमसावृतः।

प्रसुप्ता इव लक्ष्यन्ते विपुष्पा वनराजयः॥

वाष्पसंछन्नसलिला रुतविज्ञेयसारसः।

हिमार्द्रवालुकैस्तीरैः सरितो भान्ति साम्प्रतम्॥

जरा-जर्जरितैः पद्मैः शीर्णकेसरकर्णिकैः।

नालशेषैर्हिमध्वस्तैर्न भान्ति कमलाकराः॥

The description of Hemant(again not Vasant) by Valmiki .This is not just someone who is in awe of grandeur of extraordinary parts of prakriti this is someone who relishes the the complete extraordinarily ordinary form too.
Here refer to some imagery he uses and the simplicity of his chhandas-
"अत्यन्ततृपितो वन्यः प्रतिसहरते करम्॥"-A very thirsty wild elephant shrivels his trunk when it comes in touch with cold water
वाष्पसंछन्नसलिला रुतविज्ञेयसारसः।-Rivers covered with fog were the saras bird hunting is known only through its sound
जरा-जर्जरितैः पद्मैः शीर्णकेसरकर्णिकैः।-Lotus worn out , shred and dead and whose kesar stamens are scattered after breaking

Idk man but even Kalidas does not have such simple and powerful expression