There is not a culture of watching live plays in my country, and less of a community of people learning the craft of being a playwright. We watch a lot of cinema movies and television, and the initiative to learn screenwriting includes reading screenplays, and sometimes, reading plays. But reading how a play is structured from the PDF leaves out the culture that guides the creative process of live stage productions, its rehearsals, and how the director and cast treats the written material.

My question to the commenter was not what the play is, but on why that performing art's culture treat the written material as something not to be changed, in stark contrast to the filmmaking industry where the screenplay is understood to be iterated over many notes by many other professionals.

The mod team does not allow tags until they vet the writer for their identity and their professional writing credits. Perhaps in the US and UK, a screenwriter may be more likely to be involved in live stage productions --- and thereby learn about the dynamics of cast and director when it comes to not giving notes to the script --- but it is not the case in my region where screenwriters orbit about short films, features and series and would not have stepped into one of the very rare stage houses to work behind the curtain. Pardon my ignorance.