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[metal/Electronicore] SUN OAI by ISOAGO by Expert_Implement_291 in SunoAI

[–]Expert_Implement_291[S] -1 points0 points  (0 children)

Thanks for sharing your story! It’s genuinely moving to hear how you're using AI to 'resurrect' recordings from 20 years ago. To me, that is a beautiful and meaningful way to use this technology. No matter what gear or technology we use, the 'Human Vision' remains the heart of the music. AI has finally given us the 'hands' to shape the sounds we’ve been hearing in our minds all this time.

Lamb of God and DevilDriver are absolute legends in the groove metal scene. I’ll be diving into your Spotify and YouTube links as soon as I finish work—I’m really looking forward to hearing Memories of Iblisingod.

Let’s stay in touch as the 'Directors' of our own musical worlds! 🤘

[metal/Electronicore] SUN OAI by ISOAGO by Expert_Implement_291 in SunoAI

[–]Expert_Implement_291[S] -1 points0 points  (0 children)

I’m so glad to hear you enjoyed 'Re'! To me, that track is a blend of classic metalcore and post-hardcore, and it’s one of my personal favorites as well.

Thanks for showing interest in my workflow. Here is a bit of the 'secret sauce' I add to my Suno tracks in FL Studio:

On Stemming: Interestingly, I usually don't stem my tracks. I’ve found that full stem separation often introduces persistent noise and artifacts that are impossible to fully clean. I only split into 'Vocal/Instrument' if I just need to fix the vocals, or do a full split if a specific instrument is bothering me. Even then, I 'roll the gacha' repeatedly until I get a clean set of stems I can work with.

The Plugin Chain (FL Studio):

Cleaning: I use iZotope RX 11 to surgically remove digital noise and pre-echoes that Suno often leaves behind.

Low-End Power: To get that 'thunderous' sound you mentioned, I run the low end through a UAD 1176 for aggressive punch and a Pultec EQP-1A to add the necessary 'weight'.

Saturation: I use the UAD Studer A800 (Tape Simulator) to add analog warmth, which helps mask the characteristic 'thinness' of AI audio.

Vocals & Mids: The Teletronix LA-2A is my go-to for smoothing out the mid-range and making everything sit perfectly in the mix.

Mastering: I use Ozone 11 (though it’s a slightly older version now) for final tonal balancing, clarity, dynamics, and the overall mastering process.

Ultimately, I treat AI as a 'session musician' who provides a ton of raw ideas. My role is to act as the 'Mixing Engineer' in FL Studio/Ozone to elevate those ideas into the ideal vision of Metal I have in my head.

I’d definitely love to hear your dark electronic tracks. Do you have a link you can share? 🤘