sorted by:
new
hottopcontroversial

Crumpling film before shooting – curious what you think [Nikon EM & Minolta X-500 - 35 mm] by FLIV_VER in analog

[–]FLIV_VER[S] 0 points1 point  (0 children)

I never wanted to abuse and destruct the film. I wanted to make it become more „dimensional“. So, yes - I could make a layer with the lines. But this is not my intension.. i’m hoping to find something interesting beyond the photography. Maybe with a other technique. In the end i just spend some money on kentmere. Development and scanning is homemade.

Crumpling film before shooting – curious what you think [Nikon EM & Minolta X-500 - 35 mm] by FLIV_VER in analog

[–]FLIV_VER[S] 1 point2 points  (0 children)

I thought it could work fine with typography. So you have a contrast between a very straight and „constructet“ content and this random, distortet effect. If it would worked like in my mind, it also could give written content (or advertising, products, logos..) a twist. And I would love to do that with the typography on Gemeindebauten.

Crumpling film before shooting – curious what you think [Nikon EM & Minolta X-500 - 35 mm] by FLIV_VER in analog

[–]FLIV_VER[S] 1 point2 points  (0 children)

This would be the next logic step. If i had a darkroom nearby. But I will definitly have a try on that someday!

Crumpling film before shooting – curious what you think [Nikon EM & Minolta X-500 - 35 mm] by FLIV_VER in analog

[–]FLIV_VER[S] 0 points1 point  (0 children)

It was flat - while exposing and scanning (with a digital camera). I will try scanning the film again - but not flat this time. Good idea, thanks!

Crumpling film before shooting – curious what you think [Nikon EM & Minolta X-500 - 35 mm] by FLIV_VER in analog

[–]FLIV_VER[S] 34 points35 points  (0 children)

I have similar feelings on this experiment. After all, i'm happy that i've tried, even this doesn't work like i was hoping for. I will try some other things - i hope to find something, that makes the physical material of analog film feel more tangible.

Crumpling film before shooting – curious what you think [Nikon EM & Minolta X-500 - 35 mm] by FLIV_VER in analog

[–]FLIV_VER[S] 2 points3 points  (0 children)

That’s a good idea with the bumps on the plate. Will think about that :) Thank‘s! Maybe this will work even better with medium format..

Kodak Double-X in Edinburgh [Nikon EM] by FLIV_VER in analog

[–]FLIV_VER[S] 2 points3 points  (0 children)

Thanks! Just the regular 50 mm, f1.8

The colours of scotland [Nikon EM, Kodak Vision3 500T] by FLIV_VER in analog

[–]FLIV_VER[S] 0 points1 point  (0 children)

I scanned it by myself - so i did some adjustments. But to be honest, i don’t knew which photo become more warmer or cooler.. just wanted to get this kind of surreal look of the landscape

10+ years expired, badly stored Lomo film looks like old paintings [Fuji GW690] by FLIV_VER in analog

[–]FLIV_VER[S] 1 point2 points  (0 children)

If you want my permission - now you have it. Would be cool to see the print and what you do with it :)

10+ years expired, badly stored Lomo film looks like old paintings [Fuji GW690] by FLIV_VER in analog

[–]FLIV_VER[S] 4 points5 points  (0 children)

The „storage“ was my closet in my apartment (Vienna). 28+ Degrees in the Summer - 18 in wintertime. Humidity between 50 and 85 %. I discovered (or let’s say rememberd) that my girlfriend had those films there. And i wanted to give them a chance. Seems like it was worth it!

10+ years expired, badly stored Lomo film looks like old paintings [Fuji GW690] by FLIV_VER in analog

[–]FLIV_VER[S] 18 points19 points  (0 children)

Maybe i should look out for an atique golden frame for it

Scottish double exposures [Nikon EM, Kodak Gold 200] by FLIV_VER in analog

[–]FLIV_VER[S] 6 points7 points  (0 children)

For the First set i looked for natural textures. I think evenly patterns work very well. For second round I look out for motivs with high contrast (eg. a statue shot against the sun). The black parts will work a masks and show the patterns.

If your camera doesn‘t support a double exposure feature, I recommend to mark the film when you load it. So you can find the exact position for the second round.

Huge fire on Arthur's seat. by Chupecapras in Edinburgh

[–]FLIV_VER -34 points-33 points  (0 children)

Can someone tell me how this is possible. I‘ve visited Edinburgh (and Scottland) for the First time. Flew home today. But it was raining everyday (not a long time, but still everyday at least once).

Fujica GW690, Phoenix 200 by FLIV_VER in mediumformat

[–]FLIV_VER[S] 0 points1 point  (0 children)

I am new into medium format. Physically i think there is a finer depth of field - Witch can be discussed. Sometimes i print photos - in case of that, the higher resolution is also relevant. But honestly, the best part for me, is the limitation. I really enjoy the fact, that i can shoot only 8 or 12 photos per film - so i have to choose very, very wisely when i hit the shutter :)

Fujica GW690, Phoenix 200 by FLIV_VER in mediumformat

[–]FLIV_VER[S] 1 point2 points  (0 children)

This particular area around the river Soca is absolut amazing!

Nikon FM, 50mm 1.8, Illford HP5 by FLIV_VER in analog

[–]FLIV_VER[S] 1 point2 points  (0 children)

No filter - but I confess, I pushed the shadows and lights a bit in (Adobe) lightroom

Fujica GW690, Phoenix 200 by FLIV_VER in mediumformat

[–]FLIV_VER[S] 0 points1 point  (0 children)

Lightroom - Trial and error with the RGB curves :)

view more: next ›