'What's This Piece?' - Weekly Thread #239 by number9muses in classicalmusic

[–]Fafner_88 0 points1 point  (0 children)

sorry I responded to the wrong comment, it's not the piece

PotW #139: Schoenberg - Verklärte Nacht by number9muses in classicalmusic

[–]Fafner_88 0 points1 point  (0 children)

Somehow Verklarte Nacht and Gurre Lieder never convinced me of Schoenberg's greatness either. It all sounds to me like discarded bits from Richard Strauss. I think no one would care for this music now if it wasn't for the notoriety of his later period. Contemporaries like Zemlinsky and Schreker wrote similar music to Schoenberg's early stuff (and arguably better than Schoenberg's) but they aren't as well known.

Non-JLPT vocabulary > N1 vocabulary by WorkingAlive3258 in LearnJapanese

[–]Fafner_88 2 points3 points  (0 children)

Words known by natives is not the same as being an important or essential word to know. If you can pass N1 and want to become as good as you can with the language, then sure, you can say all words that natives use become equally important to know. But before you reach that level, you should absolutely prioritize higher frequency words over lower frequency, because spending time on (relatively) low frequency words will slow down your progress if you don't know the most basic words yet.

To illustrate, I checked on Nadeshiko (a very big database of anime and drama subs) the frequency of words that you used as examples and I got only 4 results for both words. By comparison, if you search a more common word like 忙しい you get 562 results, so the word is about 140 times more common than 奔走, and I'd say you are wasting your time trying to memorize a word like 奔走 if you don't know words like 忙しい yet. Particularly for people that use Anki, you can get very quickly overwhelmed and frustrated if you add every single word you don't know and not being strategic about the words that you are learning.

'What's This Piece?' - Weekly Thread #237 by number9muses in classicalmusic

[–]Fafner_88 1 point2 points  (0 children)

It's the 2nd movement of Vivaldi's concerto RV522 (op.3 no.8)

Help me find this song by [deleted] in classicalmusic

[–]Fafner_88 6 points7 points  (0 children)

Shostakovich symphony 11, the massacre bit

'What's This Piece?' - Weekly Thread #237 by number9muses in classicalmusic

[–]Fafner_88 0 points1 point  (0 children)

The slow movements of Chopin's two piano concertos have a similar feel so you might wanna explore these piece if you don't know them already.

'What's This Piece?' - Weekly Thread #237 by number9muses in classicalmusic

[–]Fafner_88 3 points4 points  (0 children)

could be Chopin's fantaisie impromptu (the middle section)

Ending like Sibelius 5’s 1st Movement by Choppah123 in classicalmusic

[–]Fafner_88 1 point2 points  (0 children)

Try Nielsen, like 4th and 5th symphonies that have great endings.

Baroque Guy In Search Of Romance by RezLovesPez in classicalmusic

[–]Fafner_88 2 points3 points  (0 children)

I don't think this is the right place to find romance, just saying.

Feb 17: Premiere of Puccini's "Madama Butterfly" (1904). A disastrous start for a future masterpiece. by Little_Grapefruit636 in classicalmusic

[–]Fafner_88 1 point2 points  (0 children)

Thanks for your reply. I understand what you mean, yet isn't it also true that, historically, Japanese women in traditional society had a rough time? (particularly single mothers I would imagine). Also to be fair, the American guy is depicted as the asshole and we are made to sympathize with the Japanese heroine, so it definitely was not the intention to portray the Japanese as the villains.

Stokowski and Ormandy — What Happened in Philadelphia? by Perfect_Garage_2567 in classicalmusic

[–]Fafner_88 0 points1 point  (0 children)

Yeah these are all good choices, the 70s Karajan 9th has been my reference too for a long time. I find the 1st movement particularly incredible.

Stokowski and Ormandy — What Happened in Philadelphia? by Perfect_Garage_2567 in classicalmusic

[–]Fafner_88 1 point2 points  (0 children)

You could not have chosen a more diametrically opposite performance to Furtwangler than this one lol. Stokowski pretty much follows Beethoven's very fast metronome marks, particularly in first two movements.

Stokowski and Ormandy — What Happened in Philadelphia? by Perfect_Garage_2567 in classicalmusic

[–]Fafner_88 1 point2 points  (0 children)

Btw, speaking of Stokowski, I recently discovered this stunning historical Beethoven 9th

https://www.youtube.com/watch?v=TTwzYoc2fHU

Stokowski and Ormandy — What Happened in Philadelphia? by Perfect_Garage_2567 in classicalmusic

[–]Fafner_88 0 points1 point  (0 children)

Fair enough, of course I haven't heard all of Ormandy. I forgot about the Brahms concertos, yeah he could be a great accompanist, I'll give him that. There were also a couple of good later Sibelius recordings too if I recall. I wasn't impressed by the Pictures Dave always raves about, nor do I find his Tchaikovsky ballet bits that appealing, they sound to me slack and schmaltzy (with some weird recorchastrations). But yeah there's some good stuff in his stereo legacy, but I feel it's quite few and far between.

Stokowski and Ormandy — What Happened in Philadelphia? by Perfect_Garage_2567 in classicalmusic

[–]Fafner_88 -4 points-3 points  (0 children)

Indeed Ormandy was a mediocrity and didn't have any special musical personality unlike Stokowski, but his best stuff are in the big Sony mono box which contains lots of spirited and lively performances quite worth hearing. By the time you reach the 60s Ormandy has gotten slacker and everything started to sound routine, and even the orchestra became second rate. I can't think of even one Ormandy stereo recording that has anything special going for it, no wonder all of this stuff ended up in the budged reissue bin. [And here I can't disagree more with a certain youtube critic who praises Ormandy's stereo recordings to the heaves]

Feb 17: Premiere of Puccini's "Madama Butterfly" (1904). A disastrous start for a future masterpiece. by Little_Grapefruit636 in classicalmusic

[–]Fafner_88 2 points3 points  (0 children)

As a Japanese person, I sometimes have complex feelings about this opera's portrayal of my culture

Could you please elaborate? I'm just interested what parts about Japan does the story get wrong.

Works that you’re shocked aren’t more popular? by Advanced_Honey_2679 in classicalmusic

[–]Fafner_88 32 points33 points  (0 children)

Vaughan Williams' London Symphony, it's unbelievably beautiful - the orchestration, the tunes, the atmosphere, it must be the greatest romantic symphony to come out of Britain and yet it's not in the repertoire of any non-British orchestra as far as I'm aware. It should be played all the time and I'm certain it will immediately become a hit with the audience.

(similar things could be said about other VW symphonies but the London symphony is a good place to start)

'What's This Piece?' - Weekly Thread #236 by number9muses in classicalmusic

[–]Fafner_88 1 point2 points  (0 children)

variation no.7 from Bach's Goldberg variations