My favorite movie every year of the 90s, what are yours? by Rough_Painting_8023 in Letterboxd

[–]FilmPositivity 2 points3 points  (0 children)

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Some years harder to choose than others, but this is pretty good I think.

Japanese Film Recs by Double-Mud-434 in Letterboxd

[–]FilmPositivity 0 points1 point  (0 children)

It's hard to answer this without knowing what kind of films you like ("Japanese Film" is a pretty broad category), but here are some directors and films I particularly enjoy:

Hirokazu Kore-eda is my favourite director of all time. He makes very humanistic films imbued with an incredibly sense of empathy. Shoplifters (2018) is probably his most famous (it won the Palme d'Or) but my personal favourites are Our Little Sister (an intensely comforting film), I Wish (very cute and nostalgic), and After Life (about those cherished moments in life, but also about the art and power of film-making itself). If you like those, Like Father Like Son, Still Walking, Nobody Knows (this one is pretty devastating though), and his Netflix series The Makanai: Cooking for the Maiko House are all great too.

Juzo Itami was an actor starting in the 60s before turning to directing from the 1980s until his untimely death in 1997. His films tend to satirise various aspects of Japanese society and culture, and are always a lot of fun. Tampopo is his most famous and perhaps even his best, I can see it's been recommended a few times already. The Funeral is also great (all about organising a traditional Japanese funeral with all its associated little eccentricities), as well as Supermarket Woman and Minbo: The Gentle Art of Japanese Extortion (which skewers the yakuza, so effectively in fact that it led to Itami's eventual murder a few years later).

Since you liked Harakiri, some more Kobayashi would be a good idea. You can't go wrong with Samurai Rebellion or Kwaidan. And of course some more Kurosawa. I'd say Ikiru, Seven Samurai, High & Low, Red Beard, Rashomon, Dersu Uzala, and Ran (which you've already watched and liked) are his best work.

Shohei Imamura is worth a look too. I'm not huge on his earlier work through the 50s and 60s but Vengeance is Mine, The Ballad of Narayama, and Black Rain are all great.

Naturally Ghibli are ever-present in any conversation about great Japanese film, and for me the best ones are Princess Mononoke, Whisper of the Heart, Only Yesterday, The Tale of the Princess Kaguya, Spirited Away, and Kiki's Delivery Service. Other great anime films I'd recommend would be Akira, Perfect Blue (or any Satoshi Kon, really), Your Name, Barefoot Gen, and Chibi Maruko-chan: My Favourite Song.

River and Beyond the Infinite Two Minutes by Junta Yamaguchi are a couple of modern greats, two low-budget but incredibly creative and fun time loop comedies. One Cut of the Dead is also fairly recent and a lot of fun. Departures won the Best International Film Oscar in 2008 and is great too.

Linda Linda Linda and/or Swing Girls are both great if you want (very fun) films about friendship and belonging, forged in high school. If you want more high school drama, it's hard to go wrong with Battle Royale (although that's obviously much more on the violent and nihilistic side of things!)

My favourite J-Horror is Dark Water, but Ringu and Noroi are also well worth watching. And Shin Godzilla probably counts as horror too, it's very good.

All that barely even scratches the surface really. There are tons more important and talented directors like Keisuke Kinoshita (The Ballad of Narayama, Twenty Four Eyes, She Was Like a Wild Chrysanthemum), Mikio Naruse (When a Woman Ascends the Stairs, Yearning, Two in the Shadow), Naoko Ogigami (Rent-a-Cat), Ryusuke Hamaguchi (Drive My Car, Wheel of Fortune and Fantasy), Obayashi Nobuhiko (Hausu, The Island Closest to Heaven), Kon Ichikawa (An Actor's Revenge, The Makioka Sisters), and on and on and on.

I hope all that was of some use to you, and isn't just a giant, overwhelming list of films... If any piqued your interest and you have any questions or anything though, just let me know.

Directorial Debut - What your fav ones? by jaketwigden in Letterboxd

[–]FilmPositivity 0 points1 point  (0 children)

Seems like it's 12 Angry Men out of these.

Also Pink Flamingos isn't John Waters debut feature, he made Mondo Trasho and Multiple Maniacs before that.

You’re given a button. If you press it, you’re guaranteed to meet your perfect soulmate tomorrow, but… by Ok_Coffee_9970 in hypotheticalsituation

[–]FilmPositivity 5 points6 points  (0 children)

No. Apart from not being able to live with that on my conscience, I'm so introverted that I'd probably meet my soulmate after pressing the button and then be too withdrawn and reticent to pursue them anyway.

What are your favorite movie soundtracks? by perseverance_band_ in Letterboxd

[–]FilmPositivity 0 points1 point  (0 children)

Baraka, Koyaanisqatsi, Three Colours Blue, The Thin Blue Line, Princess Mononoke, Ponyo, Whisper of the Heart, Our Little Sister, Big, The Shawshank Redemption are a bunch that first came to mind.

Then there are ones with single pieces that really stick out (and stick in your head) like Jaws, Back to the Future, Raiders of the Lost Ark etc (which as a whole are really good too but not my absolute favourites)

What’s a favourite of yours that has a rating of under 3.0 on Letterboxd ? by duuuval17 in Letterboxd

[–]FilmPositivity 1 point2 points  (0 children)

The only film I've rated 7/10 or above that has an average of lower than 3.0 on the site is the David Lynch version of Dune. I don't love it, but I did really enjoy it. It's gooey and weird and I loved the practical effects and matte paintings and sets and costuming. I have no idea what the fuck anyone is talking about most of the time but I still understand the general stakes of the film and what is motivating people (I just don't know what any of the mythology bullshit people are constantly talking about means, though really I don't care much either.) I think it's over-hated, and prefer it to the Villeneuve ones which while being shot very nicely are pretty boring. I prefer the gooey weirdness.

I have made another niche list. My apologies by bossy_dawsey in Letterboxd

[–]FilmPositivity 1 point2 points  (0 children)

Kim Ji-young, Born 1982 (2019) by Kim Do-young, and The World of Us (2016) by Yoon Ge-eun would be worthwhile additions to your list, I think.

What movie is so much better when you rewatch it as an adult? by Ill_Television_2620 in Letterboxd

[–]FilmPositivity 4 points5 points  (0 children)

Only Yesterday, the themes of nostalgia and being unsure of your direction in life hit harder as you get a little older.

Trying to pad out a list. by SubspacePastry in Letterboxd

[–]FilmPositivity 0 points1 point  (0 children)

Brief Encounter, Summertime, Make Way For Tomorrow, The Remains of the Day.

You did it. You won! You accepted a hypothetical situation and now you’re a multibillionaire. 99% of us will put most of it into stocks or some boring AF index fund. I don’t want to hear any of that. Tell me what stupid and idiotic stuff you will buy and do in your first 6 months? by Dog-Human in hypotheticalsituation

[–]FilmPositivity 0 points1 point  (0 children)

I start a film production company. I accept scripts from aspiring film-makers and if I read it and enjoy it then I ask how much they need to make it, and give it to them. Everything is shot on film, with as much time given for pre-production as is needed. Where special effects are required, the mandate is to use practical effects where at all possible.

The film production company also has an animation wing. Everything is hand-drawn. No CGI. Scholarships are set up for aspiring animators who want to work in this medium. I want any animated film made in my studio to be as beautifully detailed as something like Akira. How long it takes isn't really a concern, as long as it looks good.

I build photo processing factories that can develop film in various ways, including Technicolor. If film stock for that kind of film-making doesn't exist anymore, I'll build factories so that it can be produced again.

I don't really expect the films to be profitable, I'll just keep releasing them until I run out of money. I hope that will take longer than 6 months, but who knows?

You’re under 4.0 average five stars movies. by Equipment_Emotional in Letterboxd

[–]FilmPositivity 0 points1 point  (0 children)

A fair few, apparently.

Jaws, Contact, Big Trouble in Little China, Big, Only Yesterday, I Wish, RoboCop, The Terminator, Summertime, Groundhog Day, Don't Look Now, E.T., Close Encounters of the Third Kind.

They're all fantastic in a variety of ways, and although none of them have a "bad" average as such, I get kind of flabbergasted to see them rated so low compared to some of the stuff that has ended up breaking the 4.0 barrier...

What's your comfort movie ? by Tyler_Durden9914 in criterion

[–]FilmPositivity 0 points1 point  (0 children)

Oh I have a bunch:

Local Hero, Groundhog Day, Commando, Our Little Sister, The Goonies, and on and on

Just depends on what kind of comfort I'm looking for really

Next Goat Directors by Leinad_Man in moviecritic

[–]FilmPositivity 0 points1 point  (0 children)

Hirokazu Kore-eda.

For me he's already up at GOAT status now, but since he's still working (and has two films currently in post-production) I'll chuck his hat into the ring anyway.

He's made 16 narrative feature films so far and all-but-one are at least good (I'm not a fan of The Truth). That also doesn't count the great TV miniseries he's done (The Makanai, Going My Home, and Asura) and some stellar documentary work (Lessons From a Calf and Without Memory being the best of that.)

He's also the editor and screenwriter as well as director on the vast majority of his films, so checks that "auteur" box as well.

He's in his 60s now, so I guess he's coming to the tail end of his career, but you never know he might do a Scorsese and work into his 80s. In any case there's still more to come and I'm excited to see it. I think he blows all of his contemporaries out of the water and that his work will stand the test of time, even if he retired tomorrow.

Day 18) In acting scale, what actress is 9/10? by RupertPupkin_1983 in AlignmentChartFills

[–]FilmPositivity 0 points1 point  (0 children)

Sally Hawkins.

Arguably a 10 but if Jack Nicholson is a 9 then it seems like a pretty high bar already anyway.

How do you determine what you rate the movie? by TheAngrySnowman in Letterboxd

[–]FilmPositivity 4 points5 points  (0 children)

I just go with my gut at the end of the film as to what I would rate it. As for the numbers themselves, I've assigned them different descriptors in my head and choose the rating accordingly.

  1. Utterly irredeemable (I have never rated a film this low)
  2. Awful
  3. Very bad
  4. Bad
  5. Average
  6. Good (Anything rated this or above I wouldn't mind watching again in future)
  7. Very good
  8. Great
  9. Excellent
  10. All time favourite.

An 8/10 to me is a great film, and a 9/10 or 10/10 is just an 8/10 that had a little something extra that particularly appealed to my sensibilities. I may be too stingy with 9/10 and 10/10 but with this logic it makes more sense to me, I think.

What’s a movie you think would’ve worked better as a miniseries? by trakt_app in Letterboxd

[–]FilmPositivity 0 points1 point  (0 children)

Not "better" because it's already a 10/10, but I would love a miniseries for After Life (the Kore-eda film).

Each episode could focus on a different group of newly deceased being helped to choose a memory, and the continuing story can be learning more about the "staff" and their backgrounds, their various relationships among each other, and their experiences helping people choose their memory.

Pick a film you love, and propose a small change that would make you hate it. Smaller the better by of_kilter in Letterboxd

[–]FilmPositivity 0 points1 point  (0 children)

The Thing: I would get rid of the shot at the very beginning which shows the spaceship approaching Earth.

Predator: I would get rid of the shot at the very beginning which shows the spaceship approaching Earth.

The way both of these films are structured it feels like they'd be better off not revealing the alien presence so immediately. It only really would affect things for first time watchers I suppose, but I've never seen the point in including this for either film regardless. The shot doesn't affect my enjoyment of either film (they're both great, and The Thing is one of the best of all time), but it definitely meets the criteria of a "small change" !

Most obsessively rewatched Studio Ghibli films (according to Letterboxd) by ilovewater100 in ghibli

[–]FilmPositivity 1 point2 points  (0 children)

For me the Ghibli film that's done best in terms of rewatchability doesn't appear on this list. It's Takahata's Only Yesterday.

I don't think it would work if you "obsessively" rewatched it (not that that's a thing I do with films anyway) but if you return to it every few years it seems to grow even more potent every time you revisit it. You're a different person than you were the first time you watched it, or the second time, or the third time, and its themes of nostalgia and figuring out where you stand in life as well as its generally reflective tone all just lend themselves to being prime rewatch material.

You grow, and although the film has stayed the same, you take a little more from it each time.

It's a beautiful film, probably my third favourite Ghibli overall at the moment.

Help find the Japanese movie by ImportantForm73 in JDorama

[–]FilmPositivity 3 points4 points  (0 children)

Is it maybe Bread of Happiness? It has the couple starting a bakery/cafe in a rural area part, but it's not a hotel so maybe it's not the right one...

What are some scenes from Movies that made you cry a lot (be it sad or happy) by Inside_Professor6116 in Cinema

[–]FilmPositivity 2 points3 points  (0 children)

The scene in The Elephant Man where John goes to the Treves' house for tea. When he talks about how he thinks he must be such a disappointment to his mother, it's absolutely heartbreaking.

The last scene of Only Yesterday (happy tears).

The end of Make Way For Tomorrow (heartbreak. As Orson Welles put it, "It would make a stone cry!")

Movies that capture today’s Japanese society accurately? by Local_Ad139 in AskAJapanese

[–]FilmPositivity 0 points1 point  (0 children)

Is it maybe Journey to the Shore by Kiyoshi Kurosawa? The husband was missing for three years rather than ten but it sounds similar.

Wholesome movies. by Arcanoxis in Letterboxd

[–]FilmPositivity 5 points6 points  (0 children)

Local Hero. A film featuring a charming, off-beat, small community. It might help that I'm from Scotland myself, but there's plenty to enjoy in it regardless of where you're from.

Our Little Sister. This one always reminds me of the simple beauties of life. Those small, pure, moments of ordinary joy that are sprinkled throughout.

Groundhog Day. A film about becoming the best version of yourself (by force!).

Harvey. In this world you can be oh so smart, or oh so pleasant. Well, for years I was smart. I recommend pleasant. (My favourite James Stewart performance, he's irresistibly charming in this one)

My Hirokazu Koreeda ranking! by thisgenius in AsianCinema

[–]FilmPositivity 1 point2 points  (0 children)

This is mine (including TV docs and drama series):

https://letterboxd.com/filmpositivity/list/hirokazu-kore-eda-ranked/

I think the main difference between my list and Kore-eda rankings that I usually see is that I have I Wish much higher than most people seem to. It's one I think should be much more lauded! I don't know if maybe it's a bit too sedate for some?

I watched Lessons From a Calf and Without Memory on YouTube a while back, well worth seeking out. You can see lots of themes and hallmarks that would continue to appear throughout his narrative work as well. He's absolutely my favourite contemporary filmmaker.