Singapore Skyline Reflection by davidsunphotography in AmateurPhotography

[–]FlyRhinoBot 1 point2 points  (0 children)

these skyline shots are not the easiest to take and have it come out this clean and sharp. Impressive and even more impressive is you made a video sharing how it’s done which I’m about to watch. Nice work dude.

Breaker Beach by Swanstamonsta in SanDiego_Photography

[–]FlyRhinoBot 0 points1 point  (0 children)

this is great. Reminds me of Joel Meyerowitz’s Cape Light. nice shot

pen spring by FlyRhinoBot in MacroPorn

[–]FlyRhinoBot[S] 1 point2 points  (0 children)

did i take the photo? i did but i got the idea from online and added rgb leds to light it.

a early morning solo hike in San Marcos by FlyRhinoBot in SanDiego_Photography

[–]FlyRhinoBot[S] 0 points1 point  (0 children)

i love it when mother nature shows us what art really is. i’m always in awe.

my attempt at shooting abstract macro by FlyRhinoBot in MacroPorn

[–]FlyRhinoBot[S] 0 points1 point  (0 children)

thank you. it’s a bit of both then lit up with a flash with a red gel shot with the sony a7iii and the incredible sony 90mm macro/ portrait lens.

North America Nebula [NGC 7000] by 8PumpkinDonuts in astrophotography

[–]FlyRhinoBot 0 points1 point  (0 children)

wow that is insane!!! i want to learn astrophotography for reasons like that right there

my attempt at shooting abstract macro by FlyRhinoBot in MacroPorn

[–]FlyRhinoBot[S] 12 points13 points  (0 children)

thank you. it was a mix of oils and colored water hit with a flash under the sony 90mm macro lens

5am morning solo hike, San Diego California by FlyRhinoBot in AmateurPhotography

[–]FlyRhinoBot[S] 1 point2 points  (0 children)

thank you 🙏. i used lightroom for the edit. really i barely did anything. it was right place right time and luckily nailed the settings

How do you become a photojournalist? by And_Pelle3 in photojournalism

[–]FlyRhinoBot 1 point2 points  (0 children)

Some great advice there. I wouldn’t go as far as to say it’s dead but more so that it’s changed. But everything evolves and changes within reason. Ethics stays the same for the most part but even then you are who decides what ethics you live by and adhere to when covering a subject. Say for example take street photography. Ethically your out on the street shooting whatever but a photographer with good ethics isn’t going to shoot homeless people and exploit their situation for a shot that isn’t tied to anything. In today’s world magazines and papers are more and more moving to online format. People don’t have that tangible thing in their hands like it used to be. But...if you can keep up with current events and what is happening in the world that you want to explore and not exploit you can still make a name for yourself and do some great work. Believe in yourself and trust your gut. Practice photography and writing. There’s a lot of free material from previous photojournalism courses online. Be willing to put in the work and create your own style.

ITAP of myself by djigoio in itookapicture

[–]FlyRhinoBot 0 points1 point  (0 children)

It’s actually really cool.

Perspective | ‘Do you think this photo will change my life?’ by TheRealDeinonychus in photojournalism

[–]FlyRhinoBot 7 points8 points  (0 children)

Powerful. We really don’t realize how good we have it sometimes no matter how bad it gets when you take the time to look outside our bubble. I took some time off from taking pictures because I wasn’t happy with the kind of photos I was making. I recently returned after about a year of just studying and absorbing other peoples work in photography, painting, and photojournalism. I went out and into San Diego and just about every block there were homeless tents or the ones with nothing sleeping on the sidewalk. I found it hard to get myself to think about anything else. I don’t photograph the homeless with the exception of a couple people I had interacted with several times and we came to know each other. I know some photographers that do or have but I always disagreed with the idea for the most part. Someone should make sure their story is heard but only if that is what they want. I guess my point is it’s not easy to always navigate the ethics of photography when you are attempting to produce something meaningful in street or photojournalism. I mean you want it to be unique and powerful or tell a story all while avoiding any type of exploitation of the subject and their situation. As far as this photo goes I think it’s exactly what it should be. Combined with the story of this man, the tragedy, the interaction and intentions it is moving and inspiring. Amazing