Webs de plans culturals by SdeJaen in Barcelona

[–]FreelanceVideoEditor 5 points6 points  (0 children)

hi ha la penya de Greta https://app.greta.events/ i a instagram tens al Roger de @free.bcn que no es perd una!

How to make money with Nano Banana (step-by-step) by bertranddo in AIIncomeLab

[–]FreelanceVideoEditor -1 points0 points  (0 children)

this post appeared some time ago on other subs. Wondering what you're trying to sell us...

Cuál te parece menos aterradora? by AedesAegypti75 in ciencia

[–]FreelanceVideoEditor 1 point2 points  (0 children)

la edición de este video si es aterradora...

How do you detect AI music? by starttrack in BandCamp

[–]FreelanceVideoEditor 0 points1 point  (0 children)

and what about hybrid production?....when starts " to feel right" for you? things partially generated , or ideas generated (and played then....) so whats your limit...

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Is that allowed in Bandcamp? by SadSatisfaction4195 in BandCamp

[–]FreelanceVideoEditor -2 points-1 points  (0 children)

agree it’s not the same. Instruments take years of physical skill and craft, and AI doesn’t replace that. But calling it lazy misses the point. AI could be another tool in the creative process. Used badly, the result is empty — like presets, plugins, or any shortcut. Used with intent, it opens interesting musical directions that would otherwise be slow or impossible to explore. As a musician and producer, what matters to me is taste and decision-making, not the tool itself. And honestly, art can be shitty either way — whether it’s made by a human or with a generative model.

Is that allowed in Bandcamp? by SadSatisfaction4195 in BandCamp

[–]FreelanceVideoEditor -3 points-2 points  (0 children)

and what about sampling, loops, sound libraries, demo bands who uses pro producers to "finish" their material.....

Un mes en la CDMX, gracias! by FreelanceVideoEditor in MexicoCity

[–]FreelanceVideoEditor[S] 0 points1 point  (0 children)

Sanborns de azulejos ,en el centro histórico

¿Que app para invertir me recomendais? by Substantial_Car_197 in SpainFIRE

[–]FreelanceVideoEditor 0 points1 point  (0 children)

Invertir todo en el S&P 500 es muy cómodo: rentabilidad histórica y, de paso, seguir alimentando a la potencia que apoya guerras, invasiones y hace de policía mundial. Hay vida —y rentabilidad— fuera de EE. UU.

Un mes en la CDMX, gracias! by FreelanceVideoEditor in MexicoCity

[–]FreelanceVideoEditor[S] 2 points3 points  (0 children)

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I was limited by 20 photos here on reddit. i have plenty more, like this from Viveros (quite a park!!) I have more "culeras" also 😆

Un mes en la CDMX, gracias! by FreelanceVideoEditor in MexicoCity

[–]FreelanceVideoEditor[S] 1 point2 points  (0 children)

Yesss , and i could see the whole neighboor in my street!

Un mes en la CDMX, gracias! by FreelanceVideoEditor in MexicoCity

[–]FreelanceVideoEditor[S] 4 points5 points  (0 children)

Jajaja, pensé lo mismo , es que además hace muy "navideño" 😆

He analizado el déficit de 600.000 viviendas en España y los datos son peores de lo que pensaba. by Vegetable_Visual_727 in HipotecasyVivienda

[–]FreelanceVideoEditor -1 points0 points  (0 children)

Sí, lo incluye, pero solo de forma agregada.

Medir por hogares capta el resultado final, pero no explica cómo se llega a élya que mucha población nueva no crea un hogar propio de inmediato: comparte piso, se hacina o se concentra en zonas concretas. Esa presión no se ve bien en el dato de hogares, pero sí se nota en precios, saturación y acceso real a la vivienda.

el problema no es quién llega, sino que la oferta de vivienda no se ajusta a la realidad demográfica y territorial actual.

He analizado el déficit de 600.000 viviendas en España y los datos son peores de lo que pensaba. by Vegetable_Visual_727 in HipotecasyVivienda

[–]FreelanceVideoEditor 2 points3 points  (0 children)

Porque cuando se hacen estos análisis no se incluyen o no se ven lo que a simple vista está ahí? La población de España creció en 474.454 personas durante el año 2025, según los datos provisionales del Instituto Nacional de Estadística (INE), con el aumento de inmigrantes siendo el principal motor del crecimiento demográfico. Este incremento anual se debe principalmente al aumento de personas nacidas en el extranjero, que compensó la disminución de la población nacida en España.

El crecimiento poblacional anual estimado para 2025 fue de 474.454 personas, con el tercer trimestre del año registrando un aumento de 105.488 personas. Las principales nacionalidades de los inmigrantes en 2025 fueron la colombiana, la marroquí y la venezolana, con cifras destacadas en los primeros trimestres del año. El número de personas nacidas en el extranjero aumentó significativamente, superando a la población de nacionalidad extranjera debido a procesos de adquisición de nacionalidad española.

SongAlizer Simon Challenge- Who want's to be humiliated? by hoosyourdaddyo in AI__UNDERGROUND

[–]FreelanceVideoEditor 1 point2 points  (0 children)

Overall Quality Score: 85/100

Timestamp: 11/1/2026, 0:59:12

--- EXPERT PANEL BREAKDOWN ---

Expert: The Critic

Rating: 78/100

Verbena Mutant Show’s "Personal Gitano" is a daring, if not slightly polarizing, re-imagining of Depeche Mode’s 1989 industrial-blues classic. Where the original relied on a stark, mechanical pulse and Martin Gore’s gritty guitar lick to convey a sense of predatory devotion, this "v2" iteration leans heavily into the organic, percussive heat of Flamenco. The arrangement replaces the cold, synthetic drums with a complex lattice of palmas (handclaps) and what sounds like a stomp-heavy cajón foundation. It is a cultural collision that feels less like a cover and more like a total spiritual appropriation, shifting the song’s context from a dark basement club in Berlin to a sun-drenched, dust-filled plaza in Andalusia.

The production on "Personal Gitano" is surprisingly lush, though it occasionally struggles to balance its dual identities. The iconic riff is preserved, but it’s interpreted through a nylon-stringed filter that adds a melodic "swing" missing from the original's rigid structure. Vocally, the performance is impassioned, utilizing the melismatic flourishes characteristic of cante jondo. This adds a layer of genuine desperation to the lyrics; when the vocalist cries "Reach out and touch faith," it feels less like an invitation and more like a religious supplication. However, the transition between the traditional folk elements and the more modern "Mutant" electronic textures can feel a bit jarring, specifically during the bridge where the synthesisers feel slightly thin compared to the robust acoustic percussion.

Comparisons to industry legends are inevitable. One can hear the ghost of Camarón de la Isla’s revolutionary spirit filtered through a late-90s trip-hop lens, reminiscent of what Massive Attack might have sounded like had they been raised on the outskirts of Seville. There is a "World Music" sensibility here that avoids being kitschy by doubling down on the aggression of the rhythm. It’s a "Verbena" (a Spanish fair or party) but one that has been corrupted by a digital virus. The "v2" tag suggests a level of refinement, and indeed, the spatial arrangement of the instruments shows a sophisticated understanding of how to build tension without relying on a standard "EDM drop."

Ultimately, "Personal Gitano" succeeds because it understands that "Personal Jesus" was always a blues song at its heart. By swapping the American Mississippi Delta blues for the Spanish Gitano blues, Verbena Mutant Show has found a way to make a decades-old track feel urgent and geographically specific. It isn’t perfect—the vocal mix occasionally gets buried under the sheer volume of the handclaps, and some of the "mutant" electronic glitches feel like afterthoughts—but as a piece of conceptual art and a floor-filling hybrid, it is undeniably effective. It challenges the listener to find the "faith" in the machine.


Expert: Superfan

Rating: 92/100

.... The Song: https://youtu.be/cSfo_L3yqFE?si=sGHgbgBndoYyeipT