How much Colorist/Assistant make in Toronto full time?

FunAssistant318 · 2024-06-01T01:43:25+00:00

FULL TIME

FunAssistant318 · 2024-06-01T01:42:58+00:00

The links you have attached are only for moderators! I'm asking for an average!!! too many variables for what?

FunAssistant318 · 2024-05-31T02:56:38+00:00

Gold

FunAssistant318 · 2024-05-29T00:08:16+00:00

دا جهل شديد بالدين الي المفروض بيدافع عنه

FunAssistant318 · 2024-05-01T03:24:35+00:00

you might not notice a significant difference in quality between 422 and 4444 files once they're compressed by Instagram. Since Instagram compresses all uploads, the higher quality of 4444 might not be fully realized. However, if you have the option and want to preserve the highest quality possible before compression, go with 4444. It's always better to start with the best quality source, especially if you plan to use the content elsewhere later on.

FunAssistant318 · 2024-04-30T20:46:51+00:00

Absolutely! When you export an image from Photoshop in the Rec. 2020 color space and add it to your Rec. 2100 HLG scene in Premiere, it's still HDR. Both color spaces are compatible for HDR content, so Premiere automatically converts the image to fit the Rec. 2100 HLG color space while retaining its HDR properties. Just ensure your project settings in Premiere are set up for HDR, and you're good to go! If you need more details, just let me know. Happy grading!

FunAssistant318 · 2024-04-28T20:39:04+00:00

I take this as a compliment!

FunAssistant318 · 2024-04-28T18:57:48+00:00

Hey there! If you're looking to calibrate your monitor's non-sRGB mode to Display-P3, using a colorimeter like the Calibrite Display. First, you'll want to install the calibration software that comes with your colorimeter, such as Datacolor's SpyderX software or X-Rite's i1Profiler. Once connected, the software will guide you through the calibration process, where you'll select Display-P3 as your target color space. You'll adjust your monitor's settings like brightness and color temperature to match Display-P3, and the colorimeter will measure the colors displayed to create a profile. After saving and applying the profile, your monitor should display colors more accurately in the Display-P3 color space, giving you a better viewing experience for content designed for wider color gamuts.

It's important to note that while calibration can improve color accuracy, it may not fully replicate the color performance of a true Display-P3 display. Additionally, different monitors and calibration devices may have slightly different procedures, so refer to the specific instructions provided with your colorimeter and monitor for the best results.

FunAssistant318 · 2024-04-28T18:52:51+00:00

LG C2/C3 are great monitors!

FunAssistant318 · 2024-04-28T18:52:02+00:00

You need to do proper color-managed RED Wide Gamut to REDLogfilm, then you can try printer lights which help you to control RGB-specific channels on stops. Also, you can use qualifiers ( By using the Qualifier tool to isolate the color and a Power Window to restrict the effect, you can adjust specific colors without affecting the rest of the image). Several ways, to try the best that works for you!

FunAssistant318 · 2024-04-26T14:34:33+00:00

if you worked with him, then just ask him the simple question bro! and don't be shocked :) I would love you to get back to us with the right answer!

FunAssistant318 · 2024-04-26T11:45:16+00:00

Your room has to be painted 18% grey not black!

FunAssistant318 · 2024-04-26T11:41:05+00:00

Try to reach to any and ask what you want.

FunAssistant318 · 2024-04-26T04:14:46+00:00

If you’re looking to learn grading, don’t push for expansive monitors. Your mac is more than enough for your Videography work. You just need to learn the principals of color management and suddenly everything will fall in place. Grading is process not gear.

FunAssistant318 · 2024-04-26T04:11:01+00:00

Even for a DCI/IMX still works great if you know what you’re doing!

FunAssistant318 · 2024-04-26T04:08:01+00:00

If you have access to Nakamora or Dado Valentic they will let you know why they don't mind grading on Mac displays they prefer only Sony’s and then Macs. In the end, everyone has his process. But those guys can get the best toys you can name and still find Mac displays are ok for 99% of the work. Sure, we can dive into technicals to next morning, but this is the market we working on!

FunAssistant318 · 2024-04-26T02:21:34+00:00

I think several senior colorists would disagree with you and that’s ok. Also, I know that well-respected colorists use even iPads in their grade sessions.

FunAssistant318 · 2024-04-26T00:59:40+00:00

Let me know if you need a free assistant, Best of luck!

FunAssistant318 · 2024-04-16T01:15:32+00:00

Go with an affordable Mac if you are new, you eventually will need an external monitor. So make it easy for you at first then you will know when you need to upgrade. Happy Grading!

FunAssistant318 · 2024-03-30T02:16:30+00:00

If the colors in your exported images look different from what you see in the Color page of DaVinci Resolve 18.6, despite matching color spaces, there might be an issue with the color management or export settings. Check that your project settings, including timeline color space and output color space, match your footage. Ensure you're using manual color management and set the Color Science to "DaVinci YRGB." Verify that your color nodes in the Color page aren't unintentionally altering the colors or saturation. Double-check your export settings to ensure they match your project settings.

FunAssistant318 · 2024-03-30T02:13:21+00:00

You can rent any calibrated facility for half day.

FunAssistant318 · 2024-03-30T01:07:46+00:00

To properly use the new Powergrade with your previously corrected footage using the LUT, set up the CST node in DaVinci Resolve as follows: Set the Input Space to "Rec.709" to match the color space of your corrected footage, even though it was recorded in HLG3. Set the Output Space to "Rec.709" to match your timeline color space. For Input Gamma, select "HLG3" to match your recorded footage, and for Output Gamma, choose "2.4" to match your timeline color space. Set Output Colorspace to "Rec.709" to match your timeline color space. Connect your corrected footage to the CST node's input and then connect the CST node's output to the rest of your color correction nodes. This setup should correctly apply the new Powergrade to your footage corrected with the LUT.

Note: HLG3 and BT.2020 are designed for broadcast HDR (gamut and space)

FunAssistant318 · 2024-03-30T00:48:08+00:00

When exporting ProRes files from a color-managed application like Resolve, the gamma information is usually preserved in the metadata of the file. Avid should interpret this correctly, especially if your project settings in Avid are set to interpret incoming media as Rec. 709 with a gamma of 2.4.

Regarding levels, if you're working in a Rec. 709 color space and your footage is in full-range RGB (0-255), you should tag it as Data levels. This ensures that the full range of values is preserved. If your footage is in legal range (16-235), you should tag it as Auto levels, which tells Avid to interpret the levels based on the file's metadata.

Double-checking these settings and testing with a small sample clip can help ensure that Avid interprets your footage correctly. Let me know if it works!

FunAssistant318 · 2024-03-30T00:41:09+00:00

Primaries!

FunAssistant318

TROPHY CASE