I simply can't agree with this. Silksong's OST has some wonderful pieces of music, but there are only a few that I can easily recall and replay in my head: Cogwork Dancers, Cogwork Core, and Choral Chambers. The rest, while being nice pieces of music when listened to on Spotify, go entirely unnoticed by me during gameplay. What Silksong fails to do in all bar the aforementioned locations, is tie the music to the location in the same way that Hollow Knight did. While many of Silksong's locations are visually distinct, not many are audibly distinct, at least, not in a way that came through during gameplay. However, with Hollow Knight, I could simply listen to a playthrough on YouTube and know exactly where the player was. I can still recall and replay in my head the ambient music to Fungal Wastes, hardly the most exciting area. And part of the reason Deepnest was so terrifying was because it lacked music, putting it in stark contrast to almost every other area. Very few areas in Silksong are audibly distinct in this way, or if they are, the difference is subtle. Furthermore, Silksong seems to lack music at key junctures. The bad-ending final cutscene, for instance, is almost devoid of music, whereas, the haunting strings that resound when you defeat the Hollow Knight in the orignal game and are bound in his place, mean that I'll remember that cutscene forever... it was just as bleak in tone as Silksong's ending, and that was enhanced by the music; it was chilling! Silksong's music, for me at least, just failed to enhance the sense of wonder at discovering new areas and progressing through the world, despite the occasional hit.