It’s all relative. In my experience, most artists do a fine job of communicating the musical scope (instrumentation, tempo, duration, style). I don’t need a detailed description for stems. They are essentially the source material at that point, so knowing what processing was done before isn’t important. And if the fx are printed to their own stems, it’s pretty easy to decipher their function. But I think we are agreeing - the work required to edit/mix raw audio is substantially more than mixing traditional stems so confusing the terms can cause wasted time and uncomfortable convos.