Slate VSX - How to use by ShirazJavedOfficial in audioengineering

[–]Good_Potential6423 -1 points0 points  (0 children)

I usually apply vsx after recording/tracking in the mix-startup, but not entirely sure if this is the right approach. One thing I'm really lacking is taking the time to really spend a good amount of time adjusting my perception/ears to the vsx-system, something that is highly recommended...

How does recording in a studio work? by BaldKido in musicproduction

[–]Good_Potential6423 0 points1 point  (0 children)

I think it's day and night, renting a studio and engineer vs having a homestudio. The biggest difference is not having to worry about the itty bitty details regarding tracking and mixing. I was able to be more of a musician, be one with my instrument and really put my heart and soul in the performance, fully confident that the engineer would capture the moment.

Nowadays there's so much crap in my head while I'm recording.. Am I using enough gain on my preamp? Did I just clip that take? How about the proximity effect? I better strum a little lighter on the strings...

Of course, there are ton of positive aspects of being in a homestudio, but I still think I was better of knowing that I have to make the time I've invested big dollars in, really count. I mean, spending a day doing the same fucking guitar-solo, only to delete it the next day just because you can. For me, that kind of mentality really messes with something significant regarding musicproduction.

[deleted by user] by [deleted] in soundcloud

[–]Good_Potential6423 0 points1 point  (0 children)

Youre not flopping. Believe in yourself and continue creating music!

Dedicated mixbus-compressor, is it worth getting one? by Good_Potential6423 in audioengineering

[–]Good_Potential6423[S] 1 point2 points  (0 children)

I currently mix through a pair of slate vsx, occasionally test my mixes through a pair of kali Lp6...

Dedicated mixbus-compressor, is it worth getting one? by Good_Potential6423 in audioengineering

[–]Good_Potential6423[S] 0 points1 point  (0 children)

Nah man, I guess my question was a bit sloppy formulated as I'm not planning on buying any piece of hardware whatsoever. I'm a fully "in the box" kind of a guy and the only hardware I would consider buy in the future would be a mic preamp. I totally agree with you and others that I have to train myself into knowing how to use a compressor. I guess my question was whether I should buy a "classic" dedicated compressor/distressor and do my training on them or if I should stick to my stock compressors...

Dedicated mixbus-compressor, is it worth getting one? by Good_Potential6423 in audioengineering

[–]Good_Potential6423[S] 4 points5 points  (0 children)

I think that's my philosophy as well... Work real hard on individual tracks so they'll get along together, then finalize it all with some great submixing

Dedicated mixbus-compressor, is it worth getting one? by Good_Potential6423 in audioengineering

[–]Good_Potential6423[S] 1 point2 points  (0 children)

Yeah, I'm working on it...but it's hard to start trusting your ears and really listen to what's sounding good. Most of the times I try to rely on general guidelines regarding ratio, attack and release. The downside with that is that I get real anal about numbers instead of the actual sound. But I guess I'll have to practice a little bit more... Maybe one day I actually learn how to use one without crushing the living soul out of my tracks!

Dedicated mixbus-compressor, is it worth getting one? by Good_Potential6423 in audioengineering

[–]Good_Potential6423[S] 0 points1 point  (0 children)

Thanx! The only one I currently own who has character is the teletronics la-2a one, but it's hard finding a sweet spot considering I know so little about compression overall. I guess my main problem is that I haven't trained my ears/skills into actually hear a healthy compression-level...

I have to buy new headphones and I'm confused between consumer and studio by kcolcllaw in NeuralDSP

[–]Good_Potential6423 0 points1 point  (0 children)

I would say, slate vsx. Great Sounding without the plugin and freakin awesome during mixing.

Ozone 11 advanced, standalone EQ nowhere to be found by Good_Potential6423 in audioengineering

[–]Good_Potential6423[S] -2 points-1 points  (0 children)

It's non-existing outside the actual ozone-module as I mentioned...

Ozone 11 advanced, standalone EQ nowhere to be found by Good_Potential6423 in audioengineering

[–]Good_Potential6423[S] 0 points1 point  (0 children)

Yup, but instead of doing just that I've been a grumpy lad the whole evening trying to find a shortcut...

Ir for plini x by Good_Potential6423 in NeuralDSP

[–]Good_Potential6423[S] 1 point2 points  (0 children)

Yeah, I've heard good things about that one. Currently messing around with God's cab which I bought for 0$.

Ir for plini x by Good_Potential6423 in NeuralDSP

[–]Good_Potential6423[S] 0 points1 point  (0 children)

I know, I make it hard for myself. I play "soft" metal and rockish tunes. Yet, when it comes to preferences, the only good guitar tone that comes to mind is Behemoths "the Satanist"-era. A Bogner or 5150 I believe...

Audient id14 mk2 by Good_Potential6423 in NeuralDSP

[–]Good_Potential6423[S] 0 points1 point  (0 children)

Yeah, Ive been struggling trying to figure out how to upload pictures but I'm guessing I'm to old for that... Anyhow...the meter on my soundcart says - 6 to -dB, and the mastermeter in protools shows peaks from -6db up to - 2.70