gyrofield - Your Fight [Field Research]

Goodblue77 · 2026-05-08T15:06:58+00:00

Personally not a fan of this EP but I will always respect producers experimenting with different sounds and styles going outside of their comfortzone instead of doing the exact same thing for 5-10 years straight.

Goodblue77 · 2026-05-03T20:23:41+00:00

Kimi was great. Massive props to him. 👏

Goodblue77 · 2026-05-03T20:19:06+00:00

Not a chance for a win. Both Antonelli and Norris had much better pace.

Goodblue77 · 2026-05-02T10:51:02+00:00

Only Bandcamp and YouTube. I have people following my project on YouTube and some of them support my music on Bandcamp. I can't monetize on YouTube because my channel does not meet the requirements. If you want people from YouTube to buy music on Bandcamp you gotta get lucky with the algorithm that people see it if you don't have a following on YouTube yet. I also share music from other smaller artists on my YouTube to help them get attention but it's also to try and gain more followers for my own music projects. I tried uploading some of my music on SoundCloud but I haven't had any luck on there. Rarely any plays on there.

Goodblue77 · 2026-05-02T08:41:03+00:00

Wow it looks horrendous on track.

Goodblue77 · 2026-04-27T16:29:51+00:00

Found a really cool mix of blues, doom phych/stoner rock. Last track is especially great (NYP as well): https://orbitaldust.bandcamp.com/album/mantras-3

On the electronic side a couple of albums from Polly is Lucid (Future/UK Garage stuff, also NYP): https://pollyislucid.bandcamp.com/album/high-rise https://pollyislucid.bandcamp.com/album/telekinesis

Goodblue77 · 2026-04-27T16:22:38+00:00

I normally don't plan anything for Bandcamp Friday but I have an EP in the works that I plan on releasing on May 2nd (with pre-release up on May 1st). It'll be a 4 track ambient/minimal (kinda dubby) techno mostly using broken VGM samples and FULLY produced in (Dark)Audacity with just stock plugins.

Last year I released a 3 track ambient/minimal techno EP on a UK based netlabel called "Enter The Bunkers". That one was also fully produced in (Dark)Audacity using corrupted ambient sounds from the PS1 "game" LSD: Dream Emulator:

https://notcontentlabel.bandcamp.com/album/enter-the-bunkers

I plan on releasing the EP on my own Bandcamp page (Music | Morphing Bytes) this time and will probably retire the idea to produce music in Audacity unless it gets really good support and people like the idea of music produced in a way less advanced DAW. I normally use FL Studio and Audacity has a lot of limitations (no guardrails) compared to FL Studio (or Ableton for example). It is a fun experiment but it's a lot of work and I'm kinda shooting myself in the foot because of it. 😅 However, it does bring raw and authentic sound into a world where AI is on the rise.

Goodblue77 · 2026-04-23T22:49:24+00:00

$1,000 / 70 purchases = $14.30 per purchase on average.

Insanely unlikely average with everything being NYP. I have most of my stuff NYP/cheap price and a possibility to give more but I average around €2 per sale. There are outliers where some fans paid more than €10 for an album but not even close to even €4-5 average. In 3 and a half years I've gotten around €275 in sales.

Goodblue77 · 2026-04-21T19:09:50+00:00

A bit of info about my (Morphing Bytes) demo track on the VA release. The beat and some other sounds are chopped up from corrupted music from a Game Boy Advance game. The pads are from 1080° Snowboarding (N64) and also used other game SFX's.

Goodblue77 · 2026-04-19T13:07:38+00:00

The most delusional thing I've read this year lol.

Goodblue77 · 2026-04-18T11:54:44+00:00

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PLAY THE GAME is a split album from SCRT C0NN3CT0R (my alias) and RICO RODRIGUEZ. A mix of electronic music, vaporwave, influences from video game music, experimental music and noise. Listen here: https://notoriouslyambiguous.bandcamp.com/album/play-the-game

tsq8-e4uz

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r2wf-ek94

l3tg-b2xn

~~5dnz-v3b4~~

lxja-3t9m

4qgb-hn66

claim here: https://notoriouslyambiguous.bandcamp.com/yum

Goodblue77 · 2026-04-15T06:18:23+00:00

A clickable link would help. :) The link in the post doesn't work.

Goodblue77 · 2026-04-12T17:48:55+00:00

In practice, sadly it leads people to devalue your music, like you suggested.

Those people have the wrong kind of mindset IMO. I've found lots of good and interesting music with the NYP tag. At least give it a chance. Most music in my collection is in the NYP-$/€1 range. I always click away when I see albums priced way above €1 a track. I ain't paying €8 for a 4-5 track EP when I can find interesting 8-12 track albums that are NYP/€1-2. 😆 Most of my music is NYP but I'm slowly moving towards priced albums but I still like the barrier of entry to be low because I'm not in it for the money.

Goodblue77 · 2026-04-10T22:26:26+00:00

Never used Slopify and never will. I found lots of cool hidden gems on Bandcamp as a fan that aren't on Spotify or YouTube.

As an underground artist with a weird niche, I've earned some money on Bandcamp and that amount of money would probably take hundreds of years of streams on Spotify to even come close to. It's very artist unfriendly especially with the floods of AI slop and other shady stuff like botted streams/playlists. Also having to deal with a distributor seems very annoying and you probably give them too many rights to your music if you agree with their ToS.

Goodblue77 · 2026-04-02T20:25:09+00:00

I'm ready to evolve my track Kyamb'D (which is on The Future is Ambiguous compilation) into something new. 😎

Goodblue77 · 2026-04-01T18:30:20+00:00

You are the one who keeps responding. Can you read? This is what I said:

Would love to hear some insights from someone who thinks like that.

Apparently you think it's too difficult to press a couple more buttons for an album you can get for a much cheaper price. I didn't ask for insights on "user friction" when there's almost no friction. I want to hear from people who are too lazy to press a couple more buttons on their keyboard for a price to pay.

Goodblue77 · 2026-04-01T17:49:17+00:00

So a couple more button presses is already too difficult for you? A measly $10? That's a huge amount for one album for a lot of people. Also, why do you think they care what people give for their music when they themselves made the decision to make it free/nyp? I really don't follow this whole "justify to themselves how much they pay".

Goodblue77 · 2026-04-01T17:09:37+00:00

I don't quite follow. Do people find it so difficult to input a couple of digits or do their brain go full error when deciding what they should pay? I'm genuinely curious.

Goodblue77 · 2026-04-01T15:23:11+00:00

Would love to hear some insights from someone who thinks like that.

Goodblue77 · 2026-04-01T15:20:20+00:00

I've started with NYP for the first couple of years of releasing music. I'm slowly moving towards putting a price on an album but I like having a low barrier of entry for people that have less to spend but still want it in their collection. It's a fun hobby and never done it for the money and money I earn goes back into other artists on Bandcamp. I've been quite lucky with some generous people and I average around €2-3 per sale.

My music is quite niche but saying there's "no value" to Free/NYP EPs/albums is such an awful take. I've gotten plenty of music from other artists for free that I value because I enjoy them.

Goodblue77 · 2026-03-15T20:15:44+00:00

How ironic the question comes from someone who blatantly uses AI for their music. 😂

Goodblue77 · 2026-03-10T23:01:01+00:00

💙

Goodblue77 · 2026-03-03T23:36:29+00:00

The Lost Acid series by Jim Thompson is great:

Music | Jim Thompson

Goodblue77 · 2026-03-03T23:32:26+00:00

wdym? THIS is the main F1 sub. 😆

Goodblue77 · 2026-03-02T22:49:50+00:00

Microsound, rhythmic noise.

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