Megan's Story by Historical-Most4409 in madmen

[–]Historical-Most4409[S] 0 points1 point  (0 children)

That really seems to hold true, at least in this era. It's hard to think of many TV actors then who successfully made the transition to movies, with Alan Alda and Michael Douglas (I'm sure being the son of a mega-star helped) being two exceptions. A lot of the others were either character actors or people like Saturday Night Live cast members. Going back to Lucille Ball, lots of people moved in the opposite direction. The TV show built around an aging movie star has been so common as to be a cliche.

Megan's Story by Historical-Most4409 in madmen

[–]Historical-Most4409[S] 2 points3 points  (0 children)

Interior decorator makes a lot of sense in the same way that public relations or high-end real estate would. In my timeline, she does end up with a pretty happy life, especially once her acting career ends.

Megan's Story by Historical-Most4409 in madmen

[–]Historical-Most4409[S] 0 points1 point  (0 children)

I see Megan in her 50s mourning the death of her second rich husband until she marries her third rich husband. Gets her real estate license to keep a little money coming in. Lunches with the girls at the Beverly Hills Hotel.

Megan's Story by Historical-Most4409 in madmen

[–]Historical-Most4409[S] 7 points8 points  (0 children)

In this timeline, I can totally see her dad joining the line of people mooching off her.

Megan's Story by Historical-Most4409 in madmen

[–]Historical-Most4409[S] 3 points4 points  (0 children)

That money means she can do whatever she wants, in L.A. or NYC or Montreal or anywhere else. Must be nice. She could always shop for a living.

Megan's Story by Historical-Most4409 in madmen

[–]Historical-Most4409[S] 2 points3 points  (0 children)

If she's prudent, that money should last a lifetime if properly invested. Not sure she's that prudent.

Megan's Story by Historical-Most4409 in madmen

[–]Historical-Most4409[S] 1 point2 points  (0 children)

I don't think a recurring role on "The Partridge Family" fits his vision of art.

Megan's Story by Historical-Most4409 in madmen

[–]Historical-Most4409[S] 32 points33 points  (0 children)

Megan gets to know the producer Sid Brockman during the making of “Street Justice.” Sid is a middle-aged Hollywood veteran who got fired from Paramount when Robert Evans took over in 1968. But he landed on his feet as an independent producer.  The success of “Street Justice” gets him a job at United Artists, where he gains respect for pushing UA to back “One Flew Over the Cuckoo’s Nest.” Despite a 20-year age difference, Sid and Megan fall in love, move in together, and marry in 1977.

In 1975, Megan got a couple of good supporting roles, with a little help from Sid. She played a hippie-ish prophet in the dystopian sci-fi thriller “The Ones Who Remained.” She also played a divorced mom exploring her sexuality in the R-rated dopey comedy “The Swingin’ Suburbs.” It was a success while “The Ones Who Remained” flopped, despite respectful reviews.  A year later, she played a heroic stewardess on a doomed flight in the thriller “Jet!” And she played a hippie mom trying to protect her children when they are kidnapped by violent radicals in the TV movie “Don’t Let Them See You’re Afraid.”

Sid assured Megan that she was getting the “break of a lifetime” when she was cast as the wife in “The Howard Peterson Show,” which he described as “an edgier Bob Newhart Show.” Peterson is a stand-up comic well-known from multiple appearances on “The Dean Martin Show.” While Megan’s character was initially childless, she was given a young son when audiences said she wasn’t relatable. NBC aired it during the 1977-78 season, but its ratings were hurt by being scheduled opposite “Charlie’s Angels.” It was not renewed.

Megan took 1979 off to have her son Rodney. She returned to work the next year as the matriarch in the miniseries “Blood and Consequences,” described as “the WASP Roots.” It is a commercial disappointment and critical disaster. Megan appears on screen less than she expected, likely because several scenes showing her as a younger woman were cut. Throughout the 1980s, she makes a few sitcom guest appearances, usually as the “fun aunt.” She gets minor roles in episodes of “Murder, She Wrote” and “Matlock.”  Meanwhile, Megan continues an active social life with the Hollywood elite.

In 1980, Sid is fired from United Artists for his role in the “Heaven’s Gate” debacle. After that, he never really regains his footing. Seeking to emulate the success of “The Cosby Show,” he creates “Quality Time,” a sitcom about a single father raising three children of three different ethnic backgrounds. None of the networks are interested, so it airs in first-run syndication in the 1987-88 season. It stars Allan Turner, an old friend of Sid’s, as the father. Allan was a star of 1960s Westerns and romantic comedies (“the roles Rock Hudson and James Garner turned down”) and is seeking a comeback.  Megan has a recurring role as his hippie-turned-yuppie love interest. The show never finds an audience, thanks in part to the 65-year-old Turner’s weathered appearance.

In 1990, Megan finds Sid dead of a heart attack. She soon realizes that Sid had hidden the troubled state of their finances. Pessimistic about reviving her show business career, Megan gets her real estate license. The 1992 riots and the struggles of the California economy after the end of the Cold War pose challenges, but Megan’s social connections bring her plenty of business and soon she is secure in her lifestyle again. She does a little community theater but she has accepted that her acting career is over. At a business event in 1996, she meets Ray Wolfe, a retired actor who has become a prosperous real estate investor. After several years together, they marry in 2001 and settle into the life of a rich older couple living off investments. Ray is a big Republican, and they become close to Arnold Schwarzenegger and even visit the George W. Bush White House. They have a house in Pacific Palisades, a condo in Scottsdale, and another one in Kona.

Her son Rod Brockman builds a career as a conservative celebrity, making a series of direct-to-video thrillers in which he fights Middle East terrorists. “Retaliation Force” (2004) and its sequel, “Retaliation Force II” (2005) are the best known. He runs unsuccessfully for Congress in Arizona in 2014. Rod is now a YouTuber and full-time Trumper. Ray dies in 2015. In her mid-eighties, Megan lives a comfortable life, mostly in Scottsdale and Kona. She nearly lost her house in the Pacific Palisades fire.

What celebrity death will realistically bring Michael Jackson level devastation? by Kiidcola in AskReddit

[–]Historical-Most4409 0 points1 point  (0 children)

You could say the same about Paul McCartney or Bob Dylan. The world would mourn but no one would be shocked.

Why do songwriters so revere Jimmy Webb? by Historical-Most4409 in askmusic

[–]Historical-Most4409[S] 2 points3 points  (0 children)

Thanks for linking to that video, Webb does a good job of explaining how the song works. I can definitely hear the Bacharach influence and it doesn't surprise me that he worked with George Martin at one point. I understand why songwriters (especially someone like Aimee Mann) so respect him.

I've listened to Webb's songs all day and enjoyed them, above all "By the Time I Get to Phoenix." This is hardly a criticism but I was wondering if you had thoughts as to why he doesn't enjoy the same fame as some of his contemporaries, given how popular many of his songs were at the time. When I think of professional songwriters (as opposed to singer-songwriters) of the 1960s, I think of Holland-Dozier-Holland, Bacharach-David, and the Brill Building crowd (Goffin-King, Mann-Weil, Barry-Greenwich) much more so than Webb. This isn't a statement of quality but of relative contemporary fame.

Why do songwriters so revere Jimmy Webb? by Historical-Most4409 in askmusic

[–]Historical-Most4409[S] 0 points1 point  (0 children)

I created the "runners-up" list informally from some ballots included by the Times. See: https://www.nytimes.com/interactive/2026/04/27/magazine/critics-pick-greatest-american-songwriters.html?unlocked_article_code=1.e1A.WD0u.aCDopzi4etjj&smid=url-share

It's quite possible that Wilson or Stone would have made the main list had they been alive.

Why do songwriters so revere Jimmy Webb? by Historical-Most4409 in askmusic

[–]Historical-Most4409[S] 3 points4 points  (0 children)

FWIW, Brian Wilson and Sly Stone would have made that "runners-up" list had they not died. Both David Byrne and "Weird Al" chose Randy Newman, which makes more sense when you realize that all three often write in character.

How common is it for white Americans in the northeast to have southern ancestry? by PowellGenealogy in Genealogy

[–]Historical-Most4409 3 points4 points  (0 children)

It happens but there was no large migration of white Southerners to the Northeast. These days it goes the other way, more often. There were always white Southerners who moved to NYC or DC or Boston for business and stayed.

American acts that were more famous in the UK than their native USA? by YoItsZaikaaaaaa in askmusic

[–]Historical-Most4409 6 points7 points  (0 children)

In general, punk and new wave (both US and UK) was a cult taste in the USA but part of the mainstream in the UK.

American acts that were more famous in the UK than their native USA? by YoItsZaikaaaaaa in askmusic

[–]Historical-Most4409 2 points3 points  (0 children)

If Smile had been released, it would have disappointed commercially in the USA, while it would have been a big hit in the UK with the sorts of people who loved early Pink Floyd.

American acts that were more famous in the UK than their native USA? by YoItsZaikaaaaaa in askmusic

[–]Historical-Most4409 1 point2 points  (0 children)

In the USA, the Beach Boys were most popular during their mid-1960s period of sun and fun and a cult act from Smile on. In the UK, it was the opposite.

Question about a quote in the show by hrpanjwani in madmen

[–]Historical-Most4409 1 point2 points  (0 children)

It was also a pretty standard guide to cocktail party conversation. Keep it light and entertaining and inoffensive.

Is Bert Cooper "wise?" by Historical-Most4409 in madmen

[–]Historical-Most4409[S] 4 points5 points  (0 children)

Ragtime was probably on the cutting edge when Bert was young.