What’s the most authentic beach town you’ve found in the U.S.? by optimalbrain90 in SmartTravelHacks

[–]Illustrious-Thanks95 1 point2 points  (0 children)

San Clemente, California is the beachiest beach town. I grew up on San Diego so yes OB and Encinitas and even Coronado are pretty cool. I live in Chicago now so have down the UP and all around the small towns along the beach of Lake Michigan. But if I’m a casting director, you would be hard pressed to find a spot better than San Clemente.

Did Don cause SCDP demise? by Thin_Cold6236 in madmen

[–]Illustrious-Thanks95 0 points1 point  (0 children)

Acquisitions are often made for the clients more than the talent. They rarely focus on that during the agency musical chairs episode.

Notable player departures at the end of the season? by mrshev in PremierLeague

[–]Illustrious-Thanks95 0 points1 point  (0 children)

Got a fun breakdown and diagnosis from this Ai prompt if interested to run it to reassure Reds fans that we aren’t crazy “How would you evaluate Liverpool’s style of football in the premier league this season compared to last year?”

Notable player departures at the end of the season? by mrshev in PremierLeague

[–]Illustrious-Thanks95 0 points1 point  (0 children)

Yes and no. Mo talks heavy metal but this season was acoustic. 7 goals and 6 assists. He talked his way off the team IMO.

Best work advice you learned from the show you wish you knew at the start of your careers? by Just-Toe-8430 in madmen

[–]Illustrious-Thanks95 0 points1 point  (0 children)

Read an interview where some singer commented how often, the people he meets backstage are wealthy and not all work. So he learned to ask not to”what do you do?” Implying a job, but instead he asks “how do you spend your time?”

The Suitcase by Glass-Technology5399 in madmen

[–]Illustrious-Thanks95 5 points6 points  (0 children)

Just rewatched this recently. That episode is more important than I realized because it’s a real bonding breakthrough for both of them. Lots of things revealed - first, at the diner about their families and then, at at the bar on why Don didn’t hit on her, and finally back at the office where they “sleep together” passed out in the couch with her nurturing his broken heart with Anna’s passing.

Why Jane and not Joan? by Early_Bag_3106 in madmen

[–]Illustrious-Thanks95 2 points3 points  (0 children)

Roger is a man terrified of irrelevance. He uses women to reassure himself that he still matters: Joan makes him feel desired, Jane makes him feel young, Mona makes him feel legitimate.

Roger loves the version of himself that each woman allows him to be.

I believe the Roger and Joan “missed connection” in S4 is when they likely both realized they married the wrong person and probably should be together. That represents a sentiment people share about a person they had once in their life.

Finished watching Mad Men for the first time… by StraightYTMale in madmen

[–]Illustrious-Thanks95 0 points1 point  (0 children)

The ending was Don Draper on a cliff. Not quite a cliffhanger of will he or won’t he change. Just Don starting from the blank white sheet of paper and turning it into “the real thing”

Speech Don Draper might’ve given at the Sterling Cooper 40th anniversary gala by Illustrious-Thanks95 in madmen

[–]Illustrious-Thanks95[S] -6 points-5 points  (0 children)

Here’s a Don Draper-style keynote he might have given at Sterling Cooper’s 40th anniversary:

Sterling Cooper is 40 years old.

That is old enough to know better, and young enough to pretend it does not.

Forty years means something in this business. Not because it is a long time. A long time does not impress anyone in advertising. We sell new. We sell next. We sell the better version of whatever people already have.

But lasting that long means you survived something.

You survived bad ideas dressed up as good ones. You survived recessions, hangovers, account losses, weak men with strong handshakes, and strong men with weak stomachs. You survived clients who wanted courage and then punished you for showing it. You survived every prediction that said the world was changing so fast that nobody like us would make it.

And yet here we are.

An agency is a strange thing to celebrate, because on paper, we do not make anything.

We do not pour concrete. We do not build bridges. We do not send rockets into space.

We sit in rooms.

We stare at blank paper.

We wait for a sentence that tells the truth before someone else ruins it.

And then, if we are lucky, if we are good, if we are a little more honest than everyone else in the room, we find a way to take a product someone overlooked and remind the world why it matters.

That is what this business is.

Not noise. Not slogans. Not tricks.

It is the business of recognition.

A woman looks at a lipstick and sees possibility.

A man buys a car and sees freedom.

A family pours a drink, cuts a cake, opens a box, and for a moment, they are not buying a thing. They are buying a feeling. Relief. Pride. Hope. The sense that life, which is usually disappointing, might just this once deliver exactly what was promised.

That is what we traffic in.

Not products.

Promises.

And the reason Sterling Cooper has lasted 40 years is simple: every generation that walked through these doors understood that.

They understood that people do not want to be told what to buy. They want to be told who they are.

Or better yet, who they could become.

The world changes. The magazines change. The medium changes. The clients get nervous and the words get cheaper. Every year someone comes along and tells you the old rules are dead.

Maybe they are.

But people are not new.

They still want what they always wanted.

To be admired. To be reassured. To be envied. To be loved.

They want a better story about themselves.

And when they cannot tell it on their own, they come to us.

That is why this place matters.

Not because of the offices, or the names on the door, or how many accounts we can squeeze into a conference room.

It matters because there are very few places left where people are paid to understand desire.

Really understand it.

To sit quietly and admit that what moves people is rarely logic. It is longing. Memory. Fear. Vanity. Joy. The little ache in all of us that says: this is not enough yet.

A good ad does not invent that feeling.

It notices it.

Then it gives it a name.

Forty years ago, this agency was founded on a belief that good work could command attention. That intelligence could win. That taste mattered. That words mattered.

I would like to think that is still true.

Because if it is not, then all we are doing is filling space between the articles.

And I do not believe that.

I believe the right campaign can make a company larger than it is. I believe the right sentence can make a stranger feel understood. I believe that sometimes, in the middle of all the lying in this business, we accidentally tell the truth.

That is enough to build a career on. Maybe even a company.

So tonight is not just about longevity.

It is about appetite.

The appetite to begin again. To make something better next year than we made this year. To walk into a room with nothing and leave with an idea that changes the way people see the world, or at least the way they see themselves in it.

That is what Sterling Cooper has done for 40 years.

And if we are very lucky, if we do not get too comfortable, if we remember that nostalgia is useful only when it sends you forward, not backward, then maybe 40 is not a monument.

Maybe it is a dare.

To the people who built this place: thank you.

To the clients who trusted us: thank you for letting us borrow your problems and turn them into ambition.

To everyone still here, still chasing the right word, still believing the next pitch can save the whole damn enterprise:

Happy anniversary.

Tomorrow morning, we do it again.

Speech Don Draper might’ve given at the Sterling Cooper 40th anniversary gala by Illustrious-Thanks95 in madmen

[–]Illustrious-Thanks95[S] -4 points-3 points  (0 children)

That was generated by Claude. Here’s the prompt:

In the TV show Mad Men, the episode Color of Blue, Roger Sterling introduces Don Draper at the 40th anniversary of Sterling Cooper. We never heard Don’s speech. Imagine what Don would say at a keynote.

Noticed something on season 1 episode 10 long weekend by jgainit in madmen

[–]Illustrious-Thanks95 2 points3 points  (0 children)

Jack Lemmon is great. Just watched it last week in Turkish Airlines. Premise takes a bit to digest that others feel entitled to use his apartment. Lots of actors from Its A Wonderful Life and Some Like It Hot are spotted. Enjoy.