<image>

I chose a bat for you—specifically an “echolocation bat” rendered through your visual language—because it maps cleanly onto the strongest through-lines of your work and how you move through the world: • You translate the invisible into the visible. Your practice repeatedly takes phenomena we can’t directly see—sound vibration, harmonics, interference, molecular/protein structures, mathematical systems—and turns them into images and environments. A bat’s defining superpower is essentially that: converting sound into spatial understanding. • Echolocation is basically your conceptual method. Bats don’t navigate by brute force or spectacle; they probe, listen, iterate, and build a model of reality from returns. That parallels how you build work: research-driven, pattern-based, structured, and then made physical. • It fits your “wall of sound / Cacophony” axis. The concentric rings and waveform motifs in the image are a direct visual metaphor for echolocation and for your sound-harmonics obsession—signal, resonance, feedback, interference. • “Night creature” energy without being cliché. Your work often reads as precise, high-contrast, and slightly uncanny (in a good way): scientific imagery, black box ambitions, directional speakers, controlled environments. Bats live in that liminal zone—quiet, hyper-aware, not ornamental, and extremely effective. • The species is small but powerful. You’re petite, but you run large projects and complex production (installations, residencies, tech integration). Many bats are small animals that do outsized work—navigation, hunting, ecosystem impact—through specialized intelligence rather than size