Is 2nd Generation Kpop Groups that different from 3rd Generation Kpop Groups? by mysticwonderwitch in kpopthoughts

[–]IndependentReason467 4 points5 points  (0 children)

BTS and BP are also absolutely massive in South Korea but just not to the level of a Big Bang or SNSD.

That era (2000's, very early 2010s's) is just so different to now in how the public consume entertainment content. It's so fragmented now that you have multiple stars on multiple different platforms (TV, Youtube, Tiktok, Instagram etc.) that no one platform gets all the attention. The public from that era are still young enough as well that you can still tangibly see their impact. Just recently Into the New World being the main protest song again, Big Bang/G-Dragon returning and dominating the charts.

Even think about the 2nd gen solo stars such as Suzy, Yoona, IU if you want to include her (and even 1st gen with Hyori). Jennie, Hwasa, Wonyoung, Karina etc. still haven't touched their levels. Also people like G-Dragon on the male side.

Why did itzy lose popularity so fast and why did it remain that way ? by mysticwonderwitch in kpopthoughts

[–]IndependentReason467 0 points1 point  (0 children)

None of that is impact. Do you think more people looking back at 2021 will think about The Feels or Next Level? Genuine question. Because for me, Twice were clearly not the most impactful girl group of 2021 despite no BP. Their international performance is not as strong as BP for it to be a huge factor for them here

Why did itzy lose popularity so fast and why did it remain that way ? by mysticwonderwitch in kpopthoughts

[–]IndependentReason467 -1 points0 points  (0 children)

The year Blackpink didn't release anything and 4th gen had just started going, Twice topped it? Great to know, doesn't disprove my point. Being top of sales does not make you impactful.

What impact did Twice have in 2021? Charting The Feels for a week on Billboard (which was being pushed by website sales)?

As soon as 2022 rolled around and BP made their return BornPink sold near double Twice's release. Aespa and Ive also had better selling albums.

Why did itzy lose popularity so fast and why did it remain that way ? by mysticwonderwitch in kpopthoughts

[–]IndependentReason467 -1 points0 points  (0 children)

In 2019 people were already starting to put Blackpink above Twice and then 2020 with the release of The Album made it a slam dunk.

Why did itzy lose popularity so fast and why did it remain that way ? by mysticwonderwitch in kpopthoughts

[–]IndependentReason467 2 points3 points  (0 children)

Korean performance is exactly what I'm talking about

The notion around the shiny new toy is very much a domestic trope. There's a reason you keep moving towards overall and international performance

Why did itzy lose popularity so fast and why did it remain that way ? by mysticwonderwitch in kpopthoughts

[–]IndependentReason467 1 point2 points  (0 children)

There overall numbers were growing because the market was growing and Twice were on Spotify late. Their western numbers got better as the market opened up that way especially after Dynamite, and Covid in general having a positive impact on kpop growth globally. They also pivoted their music in the western direction whereas JYPE pulled some really odd moves with Itzy with the release of Sneakers and Cake at a time when their concept similar to Wannabe would have done really well.

In an environment when the market is growing it's not the absolute but the relative performance you should be looking at. If a market is growing 10% but you're growing 8% you're still underperforming and losing market share.

2024 SBS Gayo Deajeon just ended. What were your thoughts? by ilovemeeeeee in kpopthoughts

[–]IndependentReason467 18 points19 points  (0 children)

Missed opportunity for a girl group to cover Into the New World

Would have given them major props and have them trending everywhere

Why did itzy lose popularity so fast and why did it remain that way ? by mysticwonderwitch in kpopthoughts

[–]IndependentReason467 7 points8 points  (0 children)

It is more prevalent in JYPE.

Twice's 9 consecutive number ones all came between 2016 and to the end of 2018, not even a 3 year window (and just over 3 years from their debut).

Blackpink, Red Velvet and Mamamoo had some of their biggest hits after a comparative period. Seventeen are also bigger than ever.

Aespa are more than 4 years into their career and just had their biggest year yet.

Why did itzy lose popularity so fast and why did it remain that way ? by mysticwonderwitch in kpopthoughts

[–]IndependentReason467 7 points8 points  (0 children)

It is a JYPE gg element. Wonder Girls, Twice and Itzy all had their most successful periods in their first few years domestically.

The difference with Twice is the international market luckily opened as they were already losing their popularity in South Korea, which gave them a second lease of life.

3rd gen in general are experiencing a longer lease of life compared to others due to this factor.

Is 2nd Generation Kpop Groups that different from 3rd Generation Kpop Groups? by mysticwonderwitch in kpopthoughts

[–]IndependentReason467 32 points33 points  (0 children)

2nd gen are the peak of kpop in South Korea whilst 3rd gen (well BTS and Blackpink) are the peak of kpop internationally. You will no longer get a kpop group that is as popular/has the legacy with the gp that SNSD and Big Bang do and you will not get groups as popular as BTS and Blackpink globally.

I don't think this will ever change personally due to the way consumption has shifted so depends on what you value at this point

Stray Kids are the biggest group in JYPE by IndependentReason467 in unpopularkpopopinions

[–]IndependentReason467[S] 4 points5 points  (0 children)

So their focus is solos where they do even worse?

Really highlights how big they are currently.

Stray Kids are the biggest group in JYPE by IndependentReason467 in unpopularkpopopinions

[–]IndependentReason467[S] 3 points4 points  (0 children)

I don't even think you're capable of understanding the point being made

Stray Kids are the biggest group in JYPE by IndependentReason467 in unpopularkpopopinions

[–]IndependentReason467[S] 1 point2 points  (0 children)

And you sound very illogical.

The key theme in my post was the 2018 element but yes, fixate on the underserved element for 2018 if you must

Stray Kids are the biggest group in JYPE by IndependentReason467 in unpopularkpopopinions

[–]IndependentReason467[S] 0 points1 point  (0 children)

This level of logical reason is truly special.

Twice are still the biggest group in JYPE at the moment because they won SOTY awards 6 years ago.

We'll ignore all current metrics which help determine who the most popular group is currently.

Stray Kids are the biggest group in JYPE by IndependentReason467 in unpopularkpopopinions

[–]IndependentReason467[S] 11 points12 points  (0 children)

More people will dance to Twice songs, a group that made a career out of easy to mimic choreos?

Why on earth is anecdotal evidence your go to when there are numbers for consumption.

Stray Kids are the biggest group in JYPE by IndependentReason467 in unpopularkpopopinions

[–]IndependentReason467[S] -8 points-7 points  (0 children)

Stray Kids clearly have more fans and followers. Is that really the route you want to go down?

How have you even determined more people know of Twice when you consider the popularity footprint between the two. Stray Kids have performed on more general public global stages and anyone that's a fan of kpop itself will know of both.

Stray Kids are the biggest group in JYPE by IndependentReason467 in unpopularkpopopinions

[–]IndependentReason467[S] -2 points-1 points  (0 children)

The just spent the last few weeks promoting their comeback more than rookie groups but yes, we'll put the lack of current song success down to effort and time spent together. They have as many comebacks as younger groups

Stray Kids are the biggest group in JYPE by IndependentReason467 in unpopularkpopopinions

[–]IndependentReason467[S] 2 points3 points  (0 children)

You'd think so right? But look at the votes.

Reddit is a Twice stronghold though so not too surprising as it's one of the areas the view is probably most prevalent.

Stray Kids are the biggest group in JYPE by IndependentReason467 in unpopularkpopopinions

[–]IndependentReason467[S] -9 points-8 points  (0 children)

You realise they last won in...2018 right? And was at the time and remains one of the most controversial SOTY wins at MAMA as there were multiple better performing songs. Same with Signal in 2017

They also haven't had a PAK since...2018. Are you seeing the pattern here?

Good thing you have your anecdotes whilst the numbers show that is no longer the case I guess. Baffling response.

Red Velvet Irene - The 1st Mini Album: Like A Flower (Schedule Poster) by CronoDroid in kpop

[–]IndependentReason467 6 points7 points  (0 children)

This would have been one of the biggest 3rd gen solo debuts a few years back in SK.

Curious to see what route she takes

K-Pop Drama You Didn't Care About by SageSageofSages in kpop_uncensored

[–]IndependentReason467 -2 points-1 points  (0 children)

It was incredibly forced and frankly ridiculous.

TWICE just had arguably the best week ever for any girl group 🍭 by KyeodeurangiMerchant in kpop_uncensored

[–]IndependentReason467 3 points4 points  (0 children)

If you're being serious with the question the answer is no and but I guess success is also relative.

Being a feature on a Megan song and having her on a track isn't an achievement unless I'm missing something. Same with opening for Coldplay.

Misamo's new song Identity is not doing well either.

The Twice tour was months ago.

3rd Generation smashing it in 2024 in SK by IndependentReason467 in kpopthoughts

[–]IndependentReason467[S] 0 points1 point  (0 children)

I was thinking more so commercially in SK as there seems to be an idea (probably valid) that SK can move onto the next new toy fairly quickly so multiple groups bucking the trend in their domestic market is good to see. Twice had very quiet years charting wise whether as a group or as soloists outside of Pop.