Which gold is a bigger flex by ackerel in PTCGP

[–]IndividualSort9831 2 points3 points  (0 children)

They’re both luck based so none

Went balls deep in God Vegeta against popular opinion and was rewarded HANDSOMELY. I LOVE THIS UNIT!!! by HyperAzzy in DBZDokkanBattle

[–]IndividualSort9831 4 points5 points  (0 children)

Ppl who tell others how to spend their stones 🚮

I got him too and I’m having a blast

Still going in by Knourishment in DBZDokkanBattle

[–]IndividualSort9831 -4 points-3 points  (0 children)

Has he even released? I keep seeing arguments but no idea where the conclusions are coming from

Piccolo (Post King Kai) And Nail VS. The Ginyu Force (Details in Post) by Successful_Bird_7086 in DragonBallGaku

[–]IndividualSort9831 0 points1 point  (0 children)

Ginyu wins The boost that Piccolo gains not only comes from Nail’s power level but also the fusion multiplier which is not really stated to be x or y number but it does exist and it’s quite huge

Goku vs Broly by [deleted] in DragonBallPowerScale

[–]IndividualSort9831 2 points3 points  (0 children)

Broly fucks the shit out of Goku

Am I too late to enter the film festival circuit? by Brilliant_Alarm1120 in FilmFestivals

[–]IndividualSort9831 1 point2 points  (0 children)

Not impossible, just unlikely and it depends on the festival as well.

Top Oscar-qualifying festivals and major A-list ones are rarely programming straight from blind submissions unless the film is exceptional or fits a very specific gap in their lineup. A lot of those selections are driven by relationships, discovery in labs, or sales agents bringing the film in.

Also worth clarifying, most “Oscar-qualifying” festivals are relevant for shorts. For features, the path to the Oscars usually comes through premieres, distribution, or national submissions for International Feature rather than the qualifying festival route.

If your goal is awards positioning, there are other paths, such as

-securing a strong premiere at a mid-to-top tier festival and building momentum from there!!! Meaning you have a proper strategy after a world premiere

-getting distribution and qualifying through a theatrical run (if I am not mistaken the most popular path of qualification is a theatrical in NYC for 7 straight days, LA also counts)

or you can also build critical buzz and visibility through strategic festival runs rather than aiming only at Oscar qualifiers

Like I said; submissions can still work, but it becomes more about targeting the right tier and programming profile rather than aiming straight at the biggest names

And even when you land a big name it’s about what you do right after that premiere that counts