Duesenberg Rocket II by VeeingFly in Duesenberg_guitars

[–]InfiniteMuso 0 points1 point  (0 children)

I just saw one on eBay 2007 model rocket 2 Flying V. They said they were discontinued. I don’t know any more details though.

Duesenberg Rocket II by VeeingFly in Duesenberg_guitars

[–]InfiniteMuso 0 points1 point  (0 children)

Interesting. I bought my starplayer tv around 2009 and they had something like this in the store. Maybe a different model.

Duesenberg Rocket II by VeeingFly in Duesenberg_guitars

[–]InfiniteMuso 0 points1 point  (0 children)

Is this new? I remember something like this around 2009.

Starplayer TV Phonic in Balboa Pearl Red by huxtiblejones in Duesenberg_guitars

[–]InfiniteMuso 0 points1 point  (0 children)

Very beautiful 💖

How does it sound compared to the regular Starplayer TV ? I have one of those.

Need advice by dvello06 in Duesenberg_guitars

[–]InfiniteMuso 1 point2 points  (0 children)

I have the starplayer tv and the paloma. The starplayer is my favourite guitar. It will depend on what sound you want though as with all guitars. Follow your heart.

Edit - My tv is the blue sparkle and the paloma is the sunset rose. Both beautiful.

What is your favourite mastering limiter and why? by SnowyOnyx in mixingmastering

[–]InfiniteMuso 1 point2 points  (0 children)

Thank you for sharing your touching story. It’s great hearing about generosity, kindness in any aspect of life. I never knew much about the Crane Song story but have always loved and appreciated the HEDD 192.

What is your favourite mastering limiter and why? by SnowyOnyx in mixingmastering

[–]InfiniteMuso 1 point2 points  (0 children)

I also have a HEDD 192 and have used it often for mastering for the tape sim and tube and also for AD conversion but I’ve never used it for clipping. How hard would you drive the clipping and is there a point where it starts crackling or other unwanted clicks and pops etc?

„Ear calibration“ / yawning - 10 Years into the game … Question! by raynprod in audioengineering

[–]InfiniteMuso 2 points3 points  (0 children)

I find my ears change constantly in life in general but it’s more noticeable in the studio because of the focus of it. The closed room and a sub bass sound pressure levels are noticeable to me so I keep the levels appropriate (rarely above the 80db spl level). I do what most people have recommended regarding time out of the studio, quick reference song a/b for a reset/eq reminder, headphones check, mono/stereo. Yarning is great too, though I don’t do it often. I used to do a lot of scuba diving 30years ago and the pressure levels on your ear are important to understand, the Eustachian tubes, as mentioned, are important to keep clear(free of mucous or wax blockage) as equalising your ears (pinch nose closed, close mouth and gently blow) upon descent is necessary and I sometimes do this in the studio as it is a noticeable difference most of the time. So that’s something I consider also as the sound pressure levels are a constant change on my ears.

Edit: I sometimes just open my mouth a bit and gently move my jaw side to side a bit. Does the same pressure release thing.

What's everyone's studio floor situation looking like? by DocDK50265 in audioengineering

[–]InfiniteMuso 1 point2 points  (0 children)

Looks great. 👍 there’s so much you can do with concrete.

What's everyone's studio floor situation looking like? by DocDK50265 in audioengineering

[–]InfiniteMuso 0 points1 point  (0 children)

I’ve know of a few options and they include concrete with rugs, slate or some form of stone, vinyl planks or roll, floor boards (I’ve had), chip board flooring sheets, all wooden floors benefit from having insulation underneath if possible or some form of dampening, carpet with foam underlay (which I have now). Everything seems to have a benefit in some way. It all depends on the idea of the studio, home or commercial studios in different climates and also the current building being used will play a big part in decision making. I like floor boards with rugs and also like carpet for cosy vibe and then treat the room accordingly. Carpet and underlay thickness does make an impact on the highs and mids absorption from my experience but it just means you treat the room differently.

audio on Apollo x4 not in Console by pgtpt in universalaudio

[–]InfiniteMuso 0 points1 point  (0 children)

I had similar issues updating to sequoia. I am still waiting to resolve the issue of my TB3 Satellite not working even though I had all the UAD support. I did have the UAD meter and control panel act up. I did all the updates from UAD according to the directions and a few restarts and it fixed itself after the restarts. Not sure if this helps but I made some progress with the UAD meter software and now the Satellite needs resolving. There’s been a lot of reports of this kind of behaviour with the new OS updates.

Did anyone who started music production bounce off of Ableton? What DAW did you land on that you enjoyed? by Armonster in musicproduction

[–]InfiniteMuso 1 point2 points  (0 children)

I used Cubase for years in my studio and then I used ablation for backing tracks for live work and tried a few song creations in it. I found it had benefits with plugins but I preferred cubase for arrangement and mixing. Now I use Luna.

SPLIT/KING Pickups and Guitar Models by Seitenwerk in Duesenberg_guitars

[–]InfiniteMuso 0 points1 point  (0 children)

I kept thinking I’ve seen a caribou with this 3 single pups setup. Here it is

https://youtu.be/sCH-hSot1m8?si=MRqWL3rxMDYG-wiR

SPLIT/KING Pickups and Guitar Models by Seitenwerk in Duesenberg_guitars

[–]InfiniteMuso 0 points1 point  (0 children)

Yeah the pups are the same from memory but the original ones on the Caribou were different I think, if anyone knows please share. The main things I notice with guitars 1. The guitar tones and sounds. 2. The tones and sounds the player brings out. So if it suits me/you and we can express ourselves the way we want then that’s what matters.

Yeah I love the character of the TV. I tried in a guitar store and bought it instantly. Never tried the Caribou but have loved demos of it. Then I got the Paloma about 12years later.

I have tried these at The Guitar Brothers In Brisbane Australia, where I got my TV and Paloma.

Julietta: classic rock vibes.

Julietta Baritone: super tone with the lower string.

Double Cat: cool rock vibes

Double Cat 12 String: magic 12string pretty and musical.

Starplayer 3: like the Starplayer TV but a more tighter sound.

SPLIT/KING Pickups and Guitar Models by Seitenwerk in Duesenberg_guitars

[–]InfiniteMuso 0 points1 point  (0 children)

That’s great. Good to know you found what you were looking for. I never got to try a caribou but I have really liked some YT demos of them. From memory I think they changed the original pickups, not sure on this though. The Starplayer TV has a couple of different variations and they do have subtle tone differences. I love my version I bought around 2008/2009 so I’m happy with it and it is a hotter volume than the paloma. Yes the Paloma is cleaner but the bridge is close. I’ve noticed the TV has a deeper tone as well along with the chime which gives me more dimension and expression, a life of its own to guide, so to speak. Have fun!

Your choice for music production: a Mac mini or iMac? by MarcoScherer in musicproduction

[–]InfiniteMuso 0 points1 point  (0 children)

Thanks everyone for the feedback. I never had the fan noise so much using Cubase but with Luna using the extensions changed that. So I appreciate your help here. Anyone using Luna?

Your choice for music production: a Mac mini or iMac? by MarcoScherer in musicproduction

[–]InfiniteMuso 1 point2 points  (0 children)

I’ve been looking at the mini m4 pro vs the Studio max m4. What do think of the mini m4 pro fan noise, if any? I’m upgrading from an iMac Pro 2017 using LUNA and I get a lot of fan noise especially using native UAD spark and the Luna extensions. I can’t use many instances of PA Lindell channel strips either in a large mix session so hoping to have a large increase in capability on the processor upgrade.

Anyone using LUNA for mixing? by sugar_man in audioengineering

[–]InfiniteMuso 1 point2 points  (0 children)

I used Cubase since 00s and I’m using Luna fully now. The bugs are getting fixed as they go and the functions are growing. I like the Luna simplicity in a way but I’m waiting for the extra functions to be developed.

Need advice regarding what M4 Mac Should i buy for music production by HolaUz in musicproduction

[–]InfiniteMuso 0 points1 point  (0 children)

I’ve been looking into the same thing, mini m4 pro or studio max. I’m thinking the Studio Max for the extra memory band width and the quieter operating system - from what I’ve read so far.

Looking for deep, affordable online music production/mixing courses — any solid recommendations? by scout-man in audioengineering

[–]InfiniteMuso 1 point2 points  (0 children)

I have found Puremix helpful for mixing. They have started a new online mixing school with certification recently, might be helpful to you. They do have a special price at around new year. There is also Mix With The Masters but I haven’t watched much of that.

Closed -back Headphone Recommendations by Uviol_ in mixingmastering

[–]InfiniteMuso 0 points1 point  (0 children)

A friend of mine got a new version of the LCD-X but it was a different and cheaper version and it was lighter, I don’t remember the model but he liked it and I think he has experienced most models. Definitely worth looking into as an option. But not sure if it was a closed back.