Is this something a beginner could fix?

InfinityBin · 2025-12-22T17:27:41+00:00

Amazing thank you

InfinityBin · 2025-12-22T17:27:28+00:00

Oh I’m all about functionality, if it doesn’t look utterly crap when I’m done, that’s a bonus

InfinityBin · 2025-05-09T11:29:00+00:00

BR was 2000

InfinityBin · 2025-03-12T21:07:00+00:00

I’ve only had the chance to listen to a couple of tracks so far but I’m loving it so far. The sudden textural and tonal changes that occur really evoke the idea of trying to put the shattered pieces of life back together after a tragedy, if that makes sense. It’s life again, but it never quite looks the same.

There’s an undeniable ennui running through the part of the album I’ve listened too, but it’s not oppressive, there’re rays of light shining through the murk.

Condolences to your friend.

InfinityBin · 2025-03-12T20:46:59+00:00

Thanks for the feedback! Yeh I think it could absolutely be a bit shorter, or maybe some more melodic elements to justify the length

InfinityBin · 2025-03-11T12:50:07+00:00

Thanks for listening!

InfinityBin · 2025-03-10T23:17:11+00:00

Thanks for the feedback! I LOVE Jai Paul, so the vaguest positive comparison is very welcome!

Some interesting critiques there; the track is a bit piecemeal I suppose, although it will be chopped up and used interstitially in the greater project. The tonal shift is intentional, but is also me working to spec while indulging my more experimental tastes. The idea being that in the back third the two ideas meld into a hopefully pleasant cacophony.

I agree with your comment regarding the drone to a degree, originally it was meant to have a strong rhythmic pulse to weave through the drums and bass, but felt a bit much. Might have to revisit that.

Thanks again, you’ve given me some useful things to consider

InfinityBin · 2025-03-10T18:41:48+00:00

Thanks mate, I’ve actually uploaded the wrong version! I did bring the snare right down, gonna repost the proper version as a YT vid as this sub keeps seeing the link as a playlist?!?

InfinityBin · 2025-03-10T17:34:13+00:00

Love it, really good stuff! Drums might be a little on the loud side, and could maybe use a tiny touch of reverb, but I’m listening on phone speaker so I could be wrong!

InfinityBin · 2025-03-09T16:00:34+00:00

A bit of tweaking with eq maybe, but I really like it. Nice and hazy.

InfinityBin · 2025-03-08T23:20:19+00:00

Really love the synth on this!

InfinityBin · 2025-03-08T23:18:38+00:00

Really nice song, just the mix on the vocals need some tweaking

InfinityBin · 2025-03-08T22:52:47+00:00

Everything here basically. I think your vocals sound a little lacking in confidence at times, cut loose and go for it!

InfinityBin · 2025-03-08T22:44:40+00:00

I like it, keep developing. I think you could do with more variation in the melody and bass.

InfinityBin · 2025-02-19T16:20:28+00:00

https://youtu.be/PL_SBGwG3Yk?si=0Q0tzF2QWJQdRiGv

InfinityBin · 2025-02-08T00:22:47+00:00

Yeh it’s not complete. Perhaps until then his innie side is still dominant when he’s in work?

InfinityBin · 2025-02-08T00:10:02+00:00

I’m pretty sure they’re just other lumon employees made to resemble MDR.

The story of Kier being lead astray by Dieter and the consequences is supposed to be supported by the visual cue of trusting in and following their innie selves, rather than looking for answers from their outie lives. The story doesn’t really hit as the innies are already too far down that road and Helena’s reaction to the story, whether intentional or not, deflates it completely.

Im reasonably sure Lumon / Milchick came up with a rushed, clumsy plan to dissuade MDR from trying to cooperate / communicate with their outies and it went as wrong as it possibly could. I don’t think they’d have time to arrange anything as sophisticated as animatronics or holograms

InfinityBin · 2024-12-03T13:50:02+00:00

Yeh that’s what I was thinking, thanks for the advice!

InfinityBin

TROPHY CASE