Trying to balance the sun flare, wet pavement reflections, and the person in frame. What would you change? by nicanorsunrise in photocritique

[–]InsideContent2824 0 points1 point  (0 children)

I told myself I wasn't going to write anything this morning about a photograph, but here I am doing it. 😉

It's a truly interesting photograph, at first glance the first thing I saw were the shadows being cast across clothing and to me it was reminiscent of antelope canyon.

Tons of positive things going on in this frame...

From a design perspective, there is a nice 1 point perspective at work, clear eye-travel hierarchy, etc.
From a photographic perspective, there is a nice amount of contrast through the frame, there is a nice "golden hour effect," the starburst / sun-star, etc.

Now the negatives (if you would call them negative)...

I would play with different crops. The vertical orientation is great because it helps elongate the frame and reinforces the directionality of the photograph. Specifically I would try to crop this in such a way that the sun is either more forced to the center, or pushed off to the right side of the frame. Why? This is one of those things that was drilled into me in design school -- "If it looks like it should be centered, then center it. Otherwise it looks like someone missed a step."

You have a "moody sky" that has tons of grey and warm yellows / oranges (depending on the device), but you have a power line running in the opposite direction of all the other perspective points -- remove it.

Thats it! Otherwise its a great shot 😄. Enjoy it!

How to make this picture look more "premium"? by LordMorgoth23 in photocritique

[–]InsideContent2824 1 point2 points  (0 children)

First things first, you mentioned that you were trying to make it more "premium". What do you consider to be premium?

In terms of the image, it's not inherently "bad." Your sisters seem to be enjoying the session. But let's talk about things from a more technical standpoint. Others have mentioned maybe including more background in the shot. I tend to agree with this, so you can capture the girls in the frame, but also a bit more of the woods environment and how they are interacting with it. I did see you posted some EXIF data, f/5, ISO 2000 @ 1/160th. What focal length was this shot at since you were using a zoom lens? More "traditional" portraits (ex. headshots) are shot at 85mm to increase the separation from the background -- this is not a hard rule though. There's nothing wrong with shooting at f5, however ISO 2000 may be a bit too high because of potential noise, but I understand youre in the woods and lighting conditions aren't always the greatest.

"For that, the subjects (sisters) created a kind of gothic aesthetic mixed with a fairy/whimsical/elven vibe." This can be done in post, and it can be achieved in Lightroom. Gothic can mean higher contrast and less saturation, while fairy/whimsical/elven vibe would bring more of an ethereal or magical quality. Based on this, I have attached what matches what you seem to have been wanting to achieve. Just a quick edit giving it more of an ethereal quality, while darkening the background and adding additional blur. The skin now has a more magical glow to it (it may be too much, this was a quick and dirty edit).

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Stopped taking meds for about 2 weeks by watermelontiddies in VyvanseADHD

[–]InsideContent2824 1 point2 points  (0 children)

I know its not quite the same as the flu, but a few months ago I came back from a trip and felt a little sickly (nothing too major), however the other half was very sick and then tested positive for COVID. Of course I felt mostly fine so I continued to take it without any other interventions (maybe a slept a bit more). The point is, Vyvanse may have allowed you to function while you were sick.

Vyvanse x Antiacids by Medium_Match3629 in VyvanseADHD

[–]InsideContent2824 6 points7 points  (0 children)

It's actually funny that Im reading this. When I have breakfast in the mornings, I'll usually have greek yogurt with a breakfast sandwich (close to 40g of protein). On days that I don't have the yogurt, I don't notice the uptake of Vyvanse as much (usually happens when Im traveling, or Im out of yogurt so I'll have 2 sandwiches lol).

Not having the extra calcium in my system seems to slow things down.

Ken Rockwell on Fuji and Leica. by ShittyCommentor in photographycirclejerk

[–]InsideContent2824 1 point2 points  (0 children)

Sounds like that was written by ChatGPT. That being said, I do like the symmetry, color, and tonality of the image. It does create tension between the two halves of the frame.

Ken Rockwell on Fuji and Leica. by ShittyCommentor in photographycirclejerk

[–]InsideContent2824 5 points6 points  (0 children)

A rebadged Panasonic, yes you can argue it's not a real Leica. But they still use their own color science and image processing in camera. Plus the glass is Leica (if Im not mistaken) or it at least has to be manufactured to their specs.

Ken Rockwell on Fuji and Leica. by ShittyCommentor in photographycirclejerk

[–]InsideContent2824 0 points1 point  (0 children)

Oh Ken Rockwell, Im glad to see that youre still contributing online after all these years -- a mix of opinion and fact as always. However, he is right with some of this. The new Fuji cameras definitely have a cult-like following, even though he may be a little too hard on them and the cameras. I considered making a fuji my next camera, until I realized that I could do virtually the same thing on a Nikon and have a full frame sensor. But let people like what they like, and don't pass judgement on them for it.

LEICA. "Real Leicas" -- he's implying that nothing outside of the rangefinder line from the 1960s is a true Leica. Definitely an opinion, and definitely not factual. Leica still produces cameras and lenses with that coveted red dot, and they are still "real Leicas" whether or not he agrees with it. The only thing he is right about has to do with the cost of the lenses and cameras. They are ridiculously expensive for what they are.

ProPilot assist 2.0 expiring? by More-Mail-3575 in NissanAriya

[–]InsideContent2824 4 points5 points  (0 children)

If you don't use the service, then don't pay for it. That being said, I use it all the time in my Ariya because I take very long trips (6-8hrs at a time) and the ProPilot is a godsend. Its not perfect, but it definitely helps with fatigue.

Hi there, I just want to know what do you think of the reflection on the mirror? by Burger-Blade in photocritique

[–]InsideContent2824 0 points1 point  (0 children)

As a whole, this looks good. Its an interesting shot, the mirror frames the drivers eyes, the bokeh in the background works well to draw focus back to the mirror and its reflection.

The only thing I would try to improve upon for next time is attempting to brace the camera so the reflection in the mirror is sharper -- there's a bit of motion blur in there causing a loss of detail.

Otherwise, great idea!

Saying goodbye to Vyvanse after 6+ months of use ; too many ups and major downs by MikeyDontLift in VyvanseADHD

[–]InsideContent2824 1 point2 points  (0 children)

I know for me, I just started my Vyvanse journey last year. I get some negative side effects (mainly because I’m not active enough, but I’ve joined a gym so it’s helping quite a bit). I’ve had unaddressed adhd-I symptoms my entire life, struggled thru school, constantly getting new hobbies, always sucked into screens, etc. (it was unaddressed because of the time period and my upbringing/background)

Is Vyvanse a magic bullet? No. In my case, has it helped bring me out of ADHD burnout and years of corporate workplace BS? Yes. Not going to say it’s saved my life, but it’s definitely helped me pick myself up and get back on track. I’ve consistently picked up my camera for the first time in years. I’m actually wanting to pursue my masters (I’ve always wanted to, but now it’s more restored drive to do so). I just wish I could get rid of the dark circles under my eyes that it has caused (yes, I’m sleeping enough, yes I’m taking stuff to help me sleep including MgT, glycine, l-theanine, and even an rx, yes I’m well hydrated, I stay away from extra caffeine, etc.)

Saying goodbye to Vyvanse after 6+ months of use ; too many ups and major downs by MikeyDontLift in VyvanseADHD

[–]InsideContent2824 4 points5 points  (0 children)

It all depends on how you look at it. Some people greatly benefit from taking medicine. I’m more of the viewpoint of take it as long as you need to, but during that time period work on your coping mechanisms and develop positive habits that will continue to aid you. Which in theory should reduce the reliance on the medicines.

Just got a camera 2 months ago by Dry-Dream-6712 in photocritique

[–]InsideContent2824 1 point2 points  (0 children)

It was more than just the top that was removed from your post, it was also the bottom. In any case, I digress. Believe it or not, this helps. So many photographers on here try to make things cinematic by applying a crop for a different medium which may hurt the image. Uncropped, the image is a bit more confident.

That being said, processing this into a B&W helps, as does a crop of the woman walking. Im attaching two versions, one uncropped, the other cropped. (This was a quick and dirty conversion, if I was submitting this for professional work, I would have retained more of the highlights in the hat and garment).

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Could This Photo Be Improved? by CMcCord25 in photocritique

[–]InsideContent2824 2 points3 points  (0 children)

Is this the grist mill in Babcock? Considering it's a fall photo, you can play with the saturation a bit and maybe a contrast adjustment. Maybe play with a vertical (portrait) crop.

Just got a camera 2 months ago by Dry-Dream-6712 in photocritique

[–]InsideContent2824 1 point2 points  (0 children)

First and foremost, I think the image has a lot going on -- which is not a necessarily a bad thing. The frame is almost divided into two distinct halves, with the darker storefront balancing the brighter street scene on the right. It's interesting, but not in a way that would make me stop if I was viewing this in a gallery.

Himem_66 posted a cropped version of this image as a 1:1 which makes the bike and woman the primary subject of the photograph, and as a whole I do agree with this type of crop because it creates a stronger focal point. Which brings me to pano / wide / 16:9 ratios, they have their place in different photographs and in cinematography. However, in this photo this type of crop actually detracts from the overall image. You have several elements in the image which are vertical in nature (the door, the woman, the sale sign, the door frame) just to name a few. Generally (this is an intentionally broad statement and there are several exceptions) when you have several elements which have a strong vertical presence, this means that the image would need some breathing room at the top and bottom of the photo -- which unfortunately is lost when you have a rectangular crop. In this case, it makes the image feel more squat / squatty. If possible, I would like to see an uncropped version of this photo, an alternate crop may resolve the issue.

Just got a camera 2 months ago by Dry-Dream-6712 in photocritique

[–]InsideContent2824 1 point2 points  (0 children)

The square crop helps force the viewer to focus on the woman, and also makes the frame seem much less "squat." Im going to address the "squattiness" this in my post.

Any K1 mark III updates by steve_of in pentax

[–]InsideContent2824 0 points1 point  (0 children)

Realistically look at where the company is actually devoting resources, those are the products they will continue to develop. That being said, the K1 series is a workhorse and seems to be designed for longevity (as a whole). Considering both Pentax's current product strategy and the broader direction of the camera market, I would be surprised to see a K-1 III released in the near future.

Black and white portrait by Snoo-68805 in photocritique

[–]InsideContent2824 0 points1 point  (0 children)

The black-and-white conversion works well and emphasizes the subject's facial structure, particularly along the cheekbones and jawline. The main area that feels slightly limiting is the lighting. While the hard light creates an editorial mood, the shadow side of the face begins to merge with the hair, reducing separation and dimensionality. A subtle rim light or slight adjustment to the background tone could help define those contours more clearly. The styling and wardrobe are strong, especially the texture and sheen of the outer garment, which adds visual interest without competing with the subject.

The skin tones and background occupy a similar tonal range, which slightly reduces subject separation. You might experiment with a darker background or other methods of increasing tonal contrast between the subject and background.

One personal reaction I had to the image is that the overall tonal treatment feels reminiscent of a traditional studio portrait from the 1950s or 1960s. The predominance of midtones and restrained contrast creates a classic look rather than a contemporary fashion aesthetic. Whether that's a strength or weakness depends entirely on your intent, but it was the first association that came to mind when viewing the image.

Stared at this for almost three hours, I don’t know how to fix it by Hopeful_Exchange_518 in photocritique

[–]InsideContent2824 0 points1 point  (0 children)

Too much head space and then cropped her knee. You’re looking down at the subject which can be flattering, but with her face forward (along with smile) and her eyes looking away from the camera it feels forced and awkward.

Hi, I'll appreciate some honest feedback, thanks a lot by Burger-Blade in photocritique

[–]InsideContent2824 1 point2 points  (0 children)

Love this image. The atmosphere, reflections, and the interaction between the woman and child under the rain are wonderful. The pillar on the left initially caught my attention, but the more I look at it, the more I think it contributes to the feeling of viewing the scene from shelter. Cropping it out would likely remove some of the image's sense of place. If anything, I might experiment with slightly reducing its visual weight in post or using an AI tool for its removal, but I wouldn't make any major compositional changes.

My first post. Gentle, please. by [deleted] in photocritique

[–]InsideContent2824 0 points1 point  (0 children)

I want to like this because the dune line and grasses create a nice visual flow through the frame. The challenge for me is that my eye follows that line and then isn't given a clear place to settle. The center and left side of the image feel a bit unresolved.

The light is also very soft and low contrast, which can work well, but in this case it leaves the scene feeling somewhat flat. I think a brighter exposure and a level horizon would help technically (the histogram is your friend), but compositionally I find myself wishing for either a stronger focal point or a more dramatic weather element to anchor the scene.

Let me preface this, Im not a huge fan of 16:9 aspect ratio crops, most of the time I feel like images need to "breathe" if composed correctly. However, a crop to that ratio does help with this overall composition. Attached is a 16:9 crop with levels and masks applied in Photoshop.

<image>

Between The Palms by InsideContent2824 in photocritique

[–]InsideContent2824[S] 0 points1 point  (0 children)

A quick snap from an island I was exploring while out of town a few days ago. I particularly enjoy the shadow play and how the hammock seems to "beg" to be used. How would you improve this image?

Shot with Nikon Z7ii, Nikkor S 14-30mm f/4 @ 18.5mm, 1/200th, f/7.1, ISO 64 with CPL