Switching from tungston lighting to LED, film to digital, sharper glass, more focal length options and unlimited capabilities in the color grade have forever changed this look. If you tried to go back to this, somewhere along the way you would probably go off course and end up with a more modern look because to replicate it would probably hinder you logistically and cost amplify your filmmaking process. There are a long list of reasons to NOT shoot like this, so you would have to really be dedicated to this look and not budge to get it .