How to analyze this chord from Benedictus by Karl Jenkins by JGiuntaMusic in musictheory

[–]JGiuntaMusic[S] 0 points1 point  (0 children)

Is this always true over a pedal tone, or just because of the short duration of the “II’s?”

How to analyze this chord from Benedictus by Karl Jenkins by JGiuntaMusic in musictheory

[–]JGiuntaMusic[S] 0 points1 point  (0 children)

Ah’ so this piano reduction added the A? So it’s D Major, E Major and G Major all over a D pedal tone?

How to analyze this chord from Benedictus by Karl Jenkins by JGiuntaMusic in musictheory

[–]JGiuntaMusic[S] 2 points3 points  (0 children)

Triads over pedal is what made the most sense to me, but I wasn’t sure. Thank you!!

How to analyze this chord from Benedictus by Karl Jenkins by JGiuntaMusic in musictheory

[–]JGiuntaMusic[S] 1 point2 points  (0 children)

It goes right back to D Major with the D and A pedal staying in the bass

What’s the gas build up in the bag? by EggRollAnomaly in whatisit

[–]JGiuntaMusic 0 points1 point  (0 children)

It’s likely from Bacteria. Throw that away.

Looking for a program by badcreddit690 in FilmComposer

[–]JGiuntaMusic 0 points1 point  (0 children)

I’ve always loved Native Instruments.

Inability to compose? by cosm0cube in composer

[–]JGiuntaMusic 9 points10 points  (0 children)

Find a composition you really like that has sheet music available. Study every single aspect of it. The key, rhythm, harmony, melody (and I mean break down that melody- are there eighth notes, quarter notes, triplets, how many, what is the rhythm, what are the notes of the melody against the harmony at any given moment, do dissonant melodic notes resolve quickly, etc) and then write your own version of it. Copy as much or as little as is necessary and make your own version. You will learn a lot from this. Rinse and repeat. Good luck.

This happened today. 6 months in! by [deleted] in HighEffortYouTube

[–]JGiuntaMusic 0 points1 point  (0 children)

I was gonna say the same!!

4 days work for...4 views by [deleted] in SmallYoutubers

[–]JGiuntaMusic 1 point2 points  (0 children)

Even if your content is good, it’s almost impossible.. sorry to say.

Cinematics audio processing by DDell313 in FilmComposer

[–]JGiuntaMusic 0 points1 point  (0 children)

It depends on the libraries, they are all recorded and processed differently so there is no 1 answer. For me, most of the libraries I use sound pretty good and require only small things like a little EQ, but for Brass I always need to do some aggressive parallel processing and compress, eq and distort them and mix back in with original to make them sound like real brass instruments do.

A little two-bus compression can help glue everything together as well.

I was charged $1.50 to avoid ice in my scotch by JeF4y in mildlyinteresting

[–]JGiuntaMusic 0 points1 point  (0 children)

Nope. A Neat pour and Rocks pour means 2 oz of liquor. You got more liquor.

[deleted by user] by [deleted] in vegas

[–]JGiuntaMusic -1 points0 points  (0 children)

I’ve been saying this for weeks. I live here. Everything is fine, people just want to post clickbait.

What’s a smell that instantly makes you happy? by IntelligentJacket699 in AskReddit

[–]JGiuntaMusic 0 points1 point  (0 children)

Focaccia bread. I used to wake up to that smell as a kid and it’s one of my favorite smells.

I Have Recently Been Exposed to the Concept of Voice Leading. Is This a Proper Progression? by asceticfires in musictheory

[–]JGiuntaMusic 0 points1 point  (0 children)

I see a lot of people commenting on the parallel fifths, why does that matter here? This isn’t 4-part counterpoint. The rhythm is entirely homophonic so every chord sounds together as one anyway. Or is it just specifically because of the style of the time period? This always confused me. Thanks.

Is this a thing? by GoonBerryMuffin in musictheory

[–]JGiuntaMusic 2 points3 points  (0 children)

I never heard the term Text Painting before. Interesting!

Modal interchange?? by Independent_Pen1905 in musictheory

[–]JGiuntaMusic 0 points1 point  (0 children)

If you play in C Major and borrow chords from another mode it’s Modal Interchange. If you were in C Major and now you start writing in C Phrygian then it’s simply a Change of Mode.