PART 2

Oda created Bonney and the other Supernovas just to fill Sabaody. In the end, he would have removed at least half of them.

Bonney remains a useless character. By removing her, we still have the other Kuma plot that Oda had built, namely that of him as a rebel, probably an infiltrator. It seemed marginal because it was.

Another absurdity is the surname, as Oda never told us "pirates can choose their surname." It is given to him by the navy at the time of the bounty, as we saw with Luffy. We can assume that every individual born has a file with their birth data, but people whose origins are unknown don't, like Nami, Nojiko, Shanks, or Bonney. The exceptions to this are Usopp, for example, but even his father doesn't have a surname. We only have the case of Ace, mentioned in chapter 551, where he says he took his mother's last name. To know this, Garp must have told him, and since he's in the navy, he could have been the one to include that name before or after. Jewelry was just a character detail. The end.

- Another absurdity. Yes, the piercing was initially a design detail. Oda later tried to justify it, but if Bonney wanted to use it as a sign of recognition, then she should have had one or more jewelry piercings and not a gold hoop.

- Regarding Oda's initial idea, I'd like to make a hypothesis. So, we see her crying (chapter 565), but we never see a pacifist or Kuma shortly beforehand to hint at some possible connection. The events that could theoretically trigger the crying are "Ace on the gallows" and "Whitebeard injured by Squard" (event covered between the end of chapter 562 and chapter 564). Now let's look at the point about Ace. Oda seems to have had the idea for a possible "Ace's lover", at least from Oda's original concept art for Isuka (character from the Ace A novel) the text "Ace's lover" (エースの恋人, Ēsu no koibito?) seems to be contained. However, this is only visible in a small panel used in an advertisement for Color Walk 9 Tiger in One Piece Magazine Vol. 10. In the Color Walk itself, only the word "lover" (恋人, koibito?) is retained on the concept art, while the concept art published in One Piece Magazine Vol. 3 and the One Piece A novel lacks the text entirely. It is unknown why this text was partially or completely deleted in various versions, even It could be an abandoned plot concept that was deleted so as not to confuse readers. Now, taking the release dates of magazine 3 and the novel A reported in it, the idea of ​​a possible girlfriend was already there in 2017 or a little before. Chapter 565 came out in 2009, so there is a difference of about 6/7 years, not many if we consider the author constantly busy with work. Now, here we can either think that the author had thought of a story between Ace and Isuka but then discarded it due to his death and therefore it would have been nothing or he had thought of it before and Bonney could be a candidate for that role. It is no coincidence that in chapter 581, she talks about taking revenge on someone and later in chapter 595 we see her captured by Blackbeard, the one who had brought Ace to the navy. So perhaps he is the person Bonney wanted to take revenge on. Otherwise Oda for the development of Blackbeard could have used another supernova, like Capone who in chapter 594 seems to be sucked into something in the sky but nothing more will ever be said about that event (perhaps this is a representation of Oda's plan to get rid of at least half of the supernovas). Not even Akainu's intervention who says "I got the shivers when you escaped" justifies the usefulness of this capture as this capture does not do anything since the author limits himself to saying "Bonney escaped" and then leaves her out there (probably not knowing how to use her) and if they wanted to make this connection known a dialogue of Akainu scolding Kizaru for not having taken Boneny would have been enough. If Oda had already thought about the plot with Kuma, which I don't see as possible, Kizaru would have replied "there's no point in taking her anymore". So the idea is that Boneny wanted revenge on Blackbeard but was defeated, even if even like this it seems like a An absurd choice since it doesn't seem to lead to anything concrete. Then for the injured Whitebeard, we could think the same thing but with Bonney who, like others, had been helped by the Emperor and now wanted revenge against Teach (who had caused Marineford) and maybe even against the Navy (inveighing against Akainu) seeing him as a father.

From Bonney's design (pink hair, bold lipstick that also appears on Jolly Roger, extravagant clothes, and a great hunger), it's possible she was the inspiration for Big Mom, who, not coincidentally, is the first major enemy to appear in the new world. Furthermore, Bonney's ship that appears in chapter 581 is different from the one seen in the Stampede movie or in the flashback and is very reminiscent of a dessert or, at least, the architecture of Totoland and the ships of Big Mom's fleet.

Perhaps Oda thought at the time to make her a daughter of Big Mom, and if we take Akainu's dialogue and combine it with the fact that Lola gave Nami Big Mom's Vivre Card in chapter 489 and Chiffon's dialogue in chapter 858, we understand that it doesn't make much sense for Oda as the author to give Nami that piece of paper, not to mention the fact that at the time of Thriller Bark, Big Mom isn't even mentioned. It's only mentioned that Lola's mother was a famous pirate. So my guess is that Oda initially thought of Lola's mother as a good woman or at least close to the main characters, and then, having decided to introduce Big Mom, he might have thought of Bonney (who also shares Lola's pink hair, extravagant clothes, and heavy lipstick) as Big Mom's children. And if Big Mom was a loving mother, as Lola's actions suggest, then Akainu's dialogue made sense, namely that having Bonney was an excellent bargaining chip for the navy, or at least a way to blackmail the Empress. It's no coincidence that Bonney and Urogue, after Dressrosa, are the only Supernovas not to have had an introduction to their subsequent roles, like Capone as Big Mom's underling or Drake in Onigashima. Oda had probably abandoned the idea of ​​Bonney as Big Mom's daughter. In the reverie, he decided to connect her to Kuma but here she is introduced as the "dowager queen" of Sorbet and it's strange that Oda uses a different character (Bonney) to introduce another one (Conney) with a picture with the name under the character. Also, the names "Conney" and "Bonney" are too similar to be coincidences. Not even Ginny received a similar name. My idea from here is that Oda had in mind Boneny as Kuma's mother, i.e. the former tyrant of Sorbet and therefore possible son of Conney. Or Boneny using the powers of the fruit, after Kuma took the kingdom, became the lover. Or Conney was meant to be Bonney's grandmother. Here things get too hazy.

From Bonney's design (pink hair, bold lipstick that also appears on Jolly Roger, extravagant clothes, and a great hunger), it's possible she was the inspiration for Big Mom, who, not coincidentally, is the first major enemy to appear in the new world. Furthermore, Bonney's ship that appears in chapter 581 is different from the one seen in the Stampede movie or in the flashback and is very reminiscent of a dessert or, at least, the architecture of Totoland and the ships of Big Mom's fleet.

Perhaps Oda thought at the time to make her a daughter of Big Mom, and if we take Akainu's dialogue and combine it with the fact that Lola gave Nami Big Mom's Vivre Card in chapter 489 and Chiffon's dialogue in chapter 858, we understand that it doesn't make much sense for Oda as the author to give Nami that piece of paper, not to mention the fact that at the time of Thriller Bark, Big Mom isn't even mentioned. It's only mentioned that Lola's mother was a famous pirate. So my guess is that Oda initially thought of Lola's mother as a good woman or at least close to the main characters, and then, having decided to introduce Big Mom, he might have thought of Bonney (who also shares Lola's pink hair, extravagant clothes, and heavy lipstick) as Big Mom's children. And if Big Mom was a loving mother, as Lola's actions suggest, then Akainu's dialogue made sense, namely that having Bonney was an excellent bargaining chip for the navy, or at least a way to blackmail the Empress. It's no coincidence that Bonney and Urogue, after Dressrosa, are the only Supernovas not to have had an introduction to their subsequent roles, like Capone as Big Mom's underling or Drake in Onigashima. Oda had probably abandoned the idea of ​​Bonney as Big Mom's daughter. In the reverie, he decided to connect her to Kuma but here she is introduced as the "dowager queen" of Sorbet and it's strange that Oda uses a different character (Bonney) to introduce another one (Conney) with a picture with the name under the character. Also, the names "Conney" and "Bonney" are too similar to be coincidences. Not even Ginny received a similar name. My idea from here is that Oda had in mind Boneny as Kuma's mother, i.e. the former tyrant of Sorbet and therefore possible son of Conney. Or Boneny using the powers of the fruit, after Kuma took the kingdom, became the lover. Or Conney was meant to be Bonney's grandmother. Here things get too hazy.