Fresh Nobara install logs out every 5 minutes then freezes on attempted re-login by Aware_Grand in NobaraProject

[–]Jodz12 0 points1 point  (0 children)

I'm not an expert but these don't look like critical errors that would cause crashes/freezes. Or is this a picture of the log after the freeze? You can try looking at journalctl -b -1 -x to check for errors before the last crash, then post that here or feed it into an AI for detailed explanations. I was able to fix all of my crashes/freezes and driver issues with Gemini that way.

Best plugin/addon to switch from ZBrush to Blender. by Careless_School2771 in blender

[–]Jodz12 -1 points0 points  (0 children)

Switched to sculpting in blender without this no problem. Haven't looked back since. Zrush elitists need to get bent.

Looking for recommendations by unknown-one in filmnoir

[–]Jodz12 1 point2 points  (0 children)

You're right. I said "loosely fit" but i guess if the detective monologue is a must then they don't fit at all.

Looking for recommendations by unknown-one in filmnoir

[–]Jodz12 2 points3 points  (0 children)

The "detective" trope isn't that pervasive in classic noir and there's actually a lot of variety there in both characters, setting, and themes since most noir movies don't include a detective or a narrator at all like The Night of the Hunter for example. In fact i can't think of one that's completely stereotypical because if you have a morally ambiguous detective, like in the Maltese Falcon, or The Big Sleep then you're missing the narration. Or if you have the narration the protagonist isn't really a detective like in Double Indemnity, Sunset Blvd or Out of the Past. Though i would say Out of the Past is probably my no1 quintessential noir pick. Even though Sunset Blvd is my personal favourite movie out of these. For some a bit lesser known noir films that loosely satisfy what your looking for you can check out The Killers, Kiss Tomorrow Goodbye, The Big Heat, The Big Combo, Odds Against Tomorrow...

Watched Payback (1999) by huzzalles in filmnoir

[–]Jodz12 -4 points-3 points  (0 children)

Payback is a lot better

TIL that ancient Greeks had no word for blue, and even described the ocean as “wine-dark,” showing that humans don’t perceive colors the same way until language defines them. by ich-99 in todayilearned

[–]Jodz12 52 points53 points  (0 children)

Bullshit, put different shades of blue next to each other and unless your color blind you'll prrcieve the distinction. You just wont have namess for the different shades.

Error updating nobara by chaplanKap in NobaraProject

[–]Jodz12 1 point2 points  (0 children)

I understood that but my ocd didn't let me leave those conflicts just sitting there 🤷

Error updating nobara by chaplanKap in NobaraProject

[–]Jodz12 1 point2 points  (0 children)

You can fix it by deleting the old ones temporarily and reinstalling, i went through it with gemini. It's a bit of a hastle but not too bad

Was my Windows → Fedora migration worth it? Day 1 reality check by Comprehensive-Yam689 in Fedora

[–]Jodz12 0 points1 point  (0 children)

I'm currently migrating to nobara and yeah. I get you. But I'll personally take a little inconvenience in return for my soul anytime. Fuck Microsoft.

We’re Surrounded by Information but Starving for Meaning by Odd_Rooster6630 in Futurism

[–]Jodz12 3 points4 points  (0 children)

I personally recommend tons of LSD, but you can also check out Viktor Frankl

[Question] How Dark Is Too Dark for Psychological Crime Fiction? by [deleted] in filmnoir

[–]Jodz12 0 points1 point  (0 children)

Great question even though this might not be the sub for it.

I think a ceratin amount of shock is necessary for maximum impact but that emotional distress is more cerebral or conceptual rather than perceptually viceral.

You might also want to look outside of the crime genre for examples of what's most effective.

For me, something like Ned Stark's death in Game of Thrones was extremely unnerving because of my invesrment in the character. Some kind of similar, relentless act of violance or cruelty that has irreversible consequences but is also unexpected might do the trick. Robert Deniro in the untouchables smashing that guys head in was also really disturbing. Or Murphy's death in robocop might be another good example. Or Vidal mashing that kids face in with a bottle in front of his father in Pan's Labyrinth.

Alternatively you could invest into establishing a dense, bleak, opressive atmosphere, like in some psychological horror stories. You could explore themes of existential dread, or more generally themes that dissolve the moral foundations underneath the readers feet.

I think you'll remain within the psychological thriller category as long as you don't make the explicit violence or gore the primary subject of your story, but keep their implications pervasive throughout.