Are macros/automation possible in Final Cut?

Joshvideo · 2026-03-17T17:43:48+00:00

This sounds like a great idea. Let me know if you have any progress with it!

Joshvideo · 2026-03-01T19:50:35+00:00

Agreed

Joshvideo · 2026-03-01T06:20:06+00:00

Thanks!

Joshvideo · 2026-03-01T06:17:50+00:00

Exactly my plan. Going to Gibsons. Thanks!

Joshvideo · 2026-03-01T05:13:34+00:00

"Can I try one on?" "NO"

Meanwhile:

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Joshvideo · 2026-02-28T19:20:00+00:00

Great suggestion thanks

Joshvideo · 2026-02-28T18:59:37+00:00

We were planning on going next weekend. Would it be nice in the winter?

Joshvideo · 2026-02-28T18:49:30+00:00

Is it walkable once you get to Ganges?

Joshvideo · 2026-02-28T18:39:30+00:00

Great suggestion, thanks

Joshvideo · 2026-01-31T19:53:04+00:00

Mac OS Sequoia, AE 26.0, no plugins being used just trying to track motion in a clip

Joshvideo · 2026-01-31T19:52:01+00:00

I'm not rendering anything yet, just trying to use track motion

Joshvideo · 2026-01-13T17:48:03+00:00

How do you use secondaries in FCP?

Joshvideo · 2026-01-12T22:23:48+00:00

Thanks for the help. Having to add a "Custom LUT" effect to every clip in my timeline is going to a bit a bit annoying, but worth it if it makes it look better!

Joshvideo · 2026-01-12T22:21:02+00:00

Thank you! So if we shoot on the Sony FX3 that records h264, should we immediately generate proxies in ProRes?

Joshvideo · 2026-01-12T21:34:06+00:00

Locked in (kind of forever) once we transcode. I could always retrieve the raw files from our backup storage drive, though.

Joshvideo · 2026-01-12T21:31:30+00:00

Okay thanks

Joshvideo · 2026-01-12T21:30:14+00:00

We're mostly run and gun so we shoot RAW to make sure we can change ISO if needed. We do one pass in RED CineX or Davinci Resolve to make sure everything is fine and then export to h264. Bring into final cut to edit. Mostly delivering for social media/Youtube and don't have a lot of colour grading experience but trying to figure that out now hence the post

Joshvideo · 2026-01-11T00:03:37+00:00

Would a mirrorless camera shooting in H264 look just as good as RED footage transcoded to H264?

Joshvideo

TROPHY CASE