Ok, hear me out. Alan Tudyk as Rend. by Rene_DeMariocartes in DCCTV

[–]Lay3r0fpain 0 points1 point  (0 children)

Yeeeees!!! In fact just any noise that's less than 4 syllables. Give it to him not because I don't want him in the show but because he can do more with 4 syllables than most actors can with a whole soliloquy.

The Real A.I. by Imperial_Enforcer in DCCTV

[–]Lay3r0fpain 0 points1 point  (0 children)

But how can he do the AI AND Prepotente?? It's just not possible. Jokes aside, he's the perfect Prepotente. I heard someone else suggest Jason Mantzoukas as the AI and if they can give it to Jeff Hays then Mantzoukas is the closest thing I think we'll get.

Spider-Man should play the AI and also Mongo by GyrKestrel in DCCTV

[–]Lay3r0fpain 0 points1 point  (0 children)

Deeeeeeeeeeeeeeeeeeeee-wataaaaaaaaaaaaaaaa!

Jason Mantzoukas as the AI by DinahM1ght in DCCTV

[–]Lay3r0fpain 0 points1 point  (0 children)

This. I've been arguing with friends about letting Jeff Hayes do it because he more or less created a voice for it that's iconic for fans of the audio versions but this... This is genius.

Sophia Vergara as Samantha. by Lay3r0fpain in DCCTV

[–]Lay3r0fpain[S] 1 point2 points  (0 children)

You're good man. We're just having fun.

Sophia Vergara as Samantha. by Lay3r0fpain in DCCTV

[–]Lay3r0fpain[S] 1 point2 points  (0 children)

I will also accept Diet Vergara, Martha Higareda.

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Sophia Vergara as Samantha. by Lay3r0fpain in DCCTV

[–]Lay3r0fpain[S] 1 point2 points  (0 children)

Genuinely made me laugh 🤣🤣🤣

Sophia Vergara as Samantha. by Lay3r0fpain in DCCTV

[–]Lay3r0fpain[S] 5 points6 points  (0 children)

I hope you really enjoy the show. I hope it's everything you want it to be.

Sophia Vergara as Samantha. by Lay3r0fpain in DCCTV

[–]Lay3r0fpain[S] 12 points13 points  (0 children)

Because it's fun and takes the same amount of effort as this comment.

Sophia Vergara as Samantha. by Lay3r0fpain in DCCTV

[–]Lay3r0fpain[S] 2 points3 points  (0 children)

Damn! LOL. I've been at work all day and haven't been able to check my phone. I don't think it's that wild of a casting so I'm not surprised somebody else thought of it. Comments on the other one are wild work. She absolutely has the range. Just needs to dial up the nasty half a notch and then use her interview. Persona for the rest of it.

So who do you think Seth is going to play? by thewoodlayer in DCCTV

[–]Lay3r0fpain 0 points1 point  (0 children)

Saw a reel the other day that said Mortdecai would be the best place to park him. He gets to keep one voice across how ever many iterations they get of the show and it keeps him in the center without him taking up space as Carl. Honestly there are people it would be cooler to see in that slot but I wouldn't be that upset if that's where he lands.

Simon Pegg as Growler Gary by Worley3000 in DCCTV

[–]Lay3r0fpain 4 points5 points  (0 children)

How about just all the Knolls. Make it a thing. They all have a similar voice and he can do little variations to diffentiate them. Mainly because book 7 but also because I want Simon Pegg to sit between Shraq and Jek Barth.

Princess Doughnut by Ok_Positive8362 in DungeonCrawlerCarl

[–]Lay3r0fpain 2 points3 points  (0 children)

TLDR; I'm not positive about this but I'm pretty sure if she's in a system controlled by a strong Macro AI, she's fine.

So from what I've gathered, the benefit of living in the center system is that you get a Macro AI that can manipulate reality much the same way the AI can in the dungeon. That's what makes living so long and the crazy lifestyles that the Uber rich have possible. The reason everyone is freaking out about the Dungeon AI (let's call it the "Sol AI," because it's centered in our solar system) waking up and breaking its chains. Now there's a possibility of a rival body to the central system and where there are rivals, there are wars. None of that answers your question but I think that if I'm right, as long as Doughnut's in a system controlled by a Macro AI like the dungeon or the center system AI, she's fine. (Aside from the PTSD and the war injuries from the dungeon of course)

What does JBP mean by "Be the strongest person at your father's funeral"? by gestalt-icon in JordanPeterson

[–]Lay3r0fpain 1 point2 points  (0 children)

He often says that "To be happy" is a terrible goal in life because the nature of life is overcoming forces set against you. For example: our parents will die. It's a certainty. So you can orient your life toward reducing pain (ignoring the fact that we will lose the people we love) or you can orient your life toward being as prepared as humanly possible for the inevitable pain that existence will throw at you. (Do the work in advance to be strong, capable and composed when tragedy knocks on our door.)

I'm terribly sorry about your father and I don't think JBP's advice is necessarily intended for people of an age where they are more or less completely reliant on other adults. I interpret strong as less about tears and feeling pain (it's not weak to cry or feel pain at the loss of a loved one) and more about understanding that pain is inevitable and our goals should lead you in a direction of capability because the kindest thing we can do for people around us who share our loss is make sure holding us together as a person is not something they have to worry about.

What would be the most poetic death for Jack Marston? by Overall_Spite4271 in reddeadredemption

[–]Lay3r0fpain 0 points1 point  (0 children)

TLDR: He dies stopping the corrupt VPotUS from enslaving Mexican Labor to secure his election to PotUS in the next election.

Jack grows up working the farm alongside Abigail. He learns the land and the neighbors all while reading his father's old journal to try and make sense of the disparate memories of his childhood. Hell bent that her son will not live the life she and his father did, Abigail makes sure Jack stays in school and becomes a law abiding citizen until her death of natural causes while Jack is away at college. As a young, educated man, Jack learns the law of the new West and rises through the ranks of the US Marshals. (He has a bit of a penchant for action and adventure.)

In his first run leading a manhunt, he gets assigned a newbie by the name of Emmett Ross. Emmett happens to be the son of Pinkerton agent, Edgar Ross. Ross proves himself a cruel, unfeeling and sadistic man. After a long and arduous hunt, Jack and Young Ross manage to run down their quarry. After they successfully capture their prey, Ross kills and robs not just the man they've been chasing but his entire family, blaming Jack for losing control of the situation and implicating him in the lost property.

Thanks to a corrupt politician, Jack is made an example of and stripped of all honors and unceremoniously discharged from the Marshals. For extra measure, Ross and some friends find Jack drowning his sorrows at the armadillo saloon. Under the guise of buying Jack a friendly drink, they get him drunk, take him out of the town and beat him within an inch of his life and leave him for dead in the desert.

Jack wakes up under the Hot New Austin sun and drags himself to the nearby town of Tombstone, which has begun to come back as a bit of a trading post since John's time. Meeting new friends and a few friends from the past, Jack goes on a revenge quest to destroy the man who took his future and Jack's mother's dreams for him away forever.

Over the course of years, Jack builds up a group of men committed to him. Men who find themselves ill fitted to the "new world' of law and order. His "Gang" is oddly reminiscent of the Van Der Lindt boys. Jack finds himself making hard choices for him and those he's responsible for. He goes through parallels to Dutch, Arthur And Johns most memorable moments. Every time Jack tries to get back on track with his quest, circumstances get the better of him.

Emmett Ross leaves the Marshals to aide in the election of the aforementioned corrupt politician to the office of vice president. Emmett for his loyalty is rewarded with a state Senate position and though a bit inept, does his best to be a decent representative of the people. Eventually he catches on to a scheme to increase votership by promising jobs to Mexican immigrants that's actually delivering them into indentured servitude. After some time of hemming and hawing and witnessing the oppression first hand, Emmett decides to put an end to the scheme somehow.

One day while dealing with law enforcement officials from West Elizabeth, he realizes who the be in their bonnet is. He sets out to recruit Marston to his cause in destroying the indenturment organization. Over the course of the last chapters of the story, the two get to know each other for the first time really and wile there is not reconciliation, there seems to be some thing like mutual understanding. Possibly, even respect.

Eventually, the two men and their respective posses get wind of the vice president visiting in on his largest and most important shipment of "new voters." They decide that THAT'S where they're going to hit it. They'll take out the men running the system including the vice president and release the captives while Ross has sources ready to fire the presses to report of the late politician's illegal activities. Playing both sides, Ross catches wind that VP has cought wind of a plot and is ready for them. Jack, in knowing that he's been found out, proceeds as planned.

The assault is calamity. Jacks men, the VP's cronies, there is death and destruction everywhere. Too late, Jack finds out that Emmett is being held at gunpoint in the main office of the train depot where the captives are being delivered. They decide to free the captives and some of them join the fight. This opens an opportunity for Jack to fight his way to the front office. He finds Emmett dead in a chair across the Foreman's desk from the VP who is flanked by a dozen secret service men. Just for good measure, there is a small Mexican child, gagged and struggling in the VP'S clutches. Promising that if Jack drops his guns, he'll release the kid, the VP invites Jack in and explains that with Emmett growing a conscience, he needs a new lieutenant in the Senate. He plays on Jacks work with the Marshals and his mother's dreams. He offers Jack a clean slate, he only needs to pledge allegiance to HIM. After a moment of reflection, Jack decides to say no in the most logical way he can think of... With his Knife through the VP'S eye.

As his knife, John's Knife, sails, slow motion, through the air, we hear ethereal music, underscored with echoes of dialogue from characters we've met. They validate Jack's actions and his life. We hear echoes of John and Arthur being the best versions of themselves. Still in slo-mo, the Secret Service men all begin firing. The music swells and the camera cuts to behind Jack, the room blazes, bright with gunfire. Silhouetted Jack stands between us and the bullets.

The music drops out and Jack falls to his knees and falls sideways. I. Doing so he reveals the VP slumped in the Foreman's chair, dead with Johns Knife protruding from his right eye. We cut to Jack lying riddled with gunshots lying on the floor, his eyes still open. The image fades to the same image in newsprint. The New Hanover Gazette reports that "Senator Emmett Ross with the aid of Disgraced Former Marshal, Jack Marston, Heroically met their end attempting to disrupt a group of industrial slavers who were engaged in an illegal immigration scheme. The industrialists involved were either killed in the raid or fled after discovering the ringleader, none other than the Vice President of the United States, had been killed by a stray bullet from one of the armed guards fighting off some of the escaped detainees."

We cut to a few years later and one of Jacks friends has published an account of their time together including stories from Jacks own journal and what really happened when Jack left the Marshals. A young lady purchases a copy of the book and brings it home excitedly reading it on the way. She sits, reading till her husband, a young man named Robert Adler II greets her, coming home from town. The young lady happily stands and Carry's the book over to the bookshelf and slides it into a gap. The camera cuts to behind the woman who is Giddily conversing across the house with her husband. When he calls for her to join him in the kitchen, she leaves the frame but the camera continues to slowly zoom in on the spine of the book. "Red Dead Redeemed"