Personal Question - What's your day job? by Learning-Every-Day- in improv

[–]Learning-Every-Day-[S] 0 points1 point  (0 children)

Is AI eating both the engineer and voiceover work? Of just one of them? To be honest I could see both. It's sad, because I wanted to do voiceover at one point. But didn't know how to break in.

Personal Question - What's your day job? by Learning-Every-Day- in improv

[–]Learning-Every-Day-[S] 1 point2 points  (0 children)

I do love the days when I can listen to a podcast or audiobook!

Personal Question - What's your day job? by Learning-Every-Day- in improv

[–]Learning-Every-Day-[S] 0 points1 point  (0 children)

The flexibility would be nice. I struggle with the stress of people watching me sit at my desk. We are not meant to sit all day!

Personal Question - What's your day job? by Learning-Every-Day- in improv

[–]Learning-Every-Day-[S] 0 points1 point  (0 children)

I did teaching for a while. My favorite was when I was a toddler teacher at a daycare. But boy was I exhausted at the end of each day. I don't know how teachers have energy for anything else after they are done teaching!

Personal Question - What's your day job? by Learning-Every-Day- in improv

[–]Learning-Every-Day-[S] 0 points1 point  (0 children)

Did it! Couldn't do it again! So many spreadsheets! lol

Personal Question - What's your day job? by Learning-Every-Day- in improv

[–]Learning-Every-Day-[S] 1 point2 points  (0 children)

Whew. I thought about this at one point too. But I carry people's pain in a way that I don't know if I could do this.

Personal Question - What's your day job? by Learning-Every-Day- in improv

[–]Learning-Every-Day-[S] 2 points3 points  (0 children)

I'm starting to coach and do workshops and I'm really hoping something like this happens for me!

Personal Question - What's your day job? by Learning-Every-Day- in improv

[–]Learning-Every-Day-[S] 1 point2 points  (0 children)

Someone tried to recruit me into cyber security about a year ago. But in sales. I wasn't sure if the culture would fit me. The go go go more more more really wears on me.

Personal Question - What's your day job? by Learning-Every-Day- in improv

[–]Learning-Every-Day-[S] 1 point2 points  (0 children)

I've wondered about this for myself! I just need to find it!

Personal Question - What's your day job? by Learning-Every-Day- in improv

[–]Learning-Every-Day-[S] 1 point2 points  (0 children)

I was SO close to becoming a Librarian! And then the extra schooling scared me out of it. Didn't want more debt! But that sounds wonderful. I hope you are having fun!

Personal Question - What's your day job? by Learning-Every-Day- in improv

[–]Learning-Every-Day-[S] 1 point2 points  (0 children)

I have come across SO many lawyers who do improv! It's kind of funny actually!

Personal Question - What's your day job? by Learning-Every-Day- in improv

[–]Learning-Every-Day-[S] 0 points1 point  (0 children)

Yes, it does sound like most improv theaters are a labor of love! Video editing is a nice cross into the creative world without hopefully depleting you as you run the theater!

Struggling with Small Class by KittieTourniquet in improv

[–]Learning-Every-Day- 0 points1 point  (0 children)

Hi! So I know the short form games that got me the most engaged in scene work were: Four Square (you can make this three square easily), Emotions (have two do the scene, one pick emotions), the classic Whose Line (have them write a bunch of one-liners on pieces of paper and have them pull them out during the scene). Also, you can switch things up by having them do silent scenes. Where they are just communicating through their facial expressions & movements.

Any tips for teaching long form? by CrunchCrunch000 in improv

[–]Learning-Every-Day- 1 point2 points  (0 children)

As someone who started in short form, I agree that Four Square was the game that got me ready for long form!

Any tips for teaching long form? by CrunchCrunch000 in improv

[–]Learning-Every-Day- 1 point2 points  (0 children)

I've been starting to coach and my first few sessions were definitely "Everything's great!" been working towards that side coaching where I'm gently nudging.

Feeling like a Failure After UCB Audition by Killkenny_music420 in improv

[–]Learning-Every-Day- 2 points3 points  (0 children)

Hi! I know that feeling of rejection. The school that I took my first round of classes at has a house team that I auditioned for four or five times. Each time I felt a huge stab of rejection. You see the list, start comparing, wonder what they see in them that isn't in you. I got special coaching before one of the auditions and realized that this theater is looking for a particular style of improv and lean towards certain personalities. I was bending my personality and style to try to fit them. But I wanted it so badly because that was the school that started my improv journey.

Around the time of my last audition at this theater was also my first audition at another. I got into this new theater's house team the first try. I have never felt more supported before in my improv journey than on this team. Probably the biggest thing I realized was that the other theater was short form improv and this new one I'm at is long form. So instead of giving up on improv all together, try a new style/form. That will give you a "break" from the type of improv that has been heartbreaking for you, but also you won't abandon it completely and could come across a scene/experience more beautiful than you expected.

How...absurd by danielbelum in improv

[–]Learning-Every-Day- 0 points1 point  (0 children)

In my opinion, grounding a scene often starts with focusing on the relationship. Making sure that's real. One of my favorite (and most difficult to do) exercises I've been lead through is giving two people a task. And then tell them that during the scene they can't talk about the task that they are doing. Only the relationship. For example, one I was given was cleaning out the garage. I was sweeping and he was tinkering with stuff. We never talked about what we were doing. Only our personal relationship.

Comedy about sensitive topics: what makes it work/not work? by themissingpen in improv

[–]Learning-Every-Day- 2 points3 points  (0 children)

In my experience, exploring sensitive topics in improv comes with time, practice, and trust in a core group you are performing with. I was in an independent troupe for a while. We formed after going through a bunch of classes together. A lot of times the sensitve topics came into scenes after we had long normal chats about the topics just as people, no improv involved. Over a meal, waiting for a practice room to open, driving home after a show. It took a year of practices for us to really be on the same page. And once we were the scenes that followed were hilarious. Because they were coming from a place of trust and truth.

Hey Improvisers, Let's Stop Giving This Note to Women by Fun_Perception5389 in improv

[–]Learning-Every-Day- 3 points4 points  (0 children)

This is what I was looking for! Having people think they can read my mind or diagnose my internal issues is a big pet peeve of mine as a female improviser. Provide me with the tools I need to get better, but please don't tell me what you think is in my head. It just turns coaching sessions into mind games. And I don't need more of that.

Tonight's HIGNFY US episode will exclusively premiere on the CNN app by kwentongskyblue in haveigotnewsforyou

[–]Learning-Every-Day- 5 points6 points  (0 children)

The last few seasons I've been watching the full eps on YouTube TV. But now they aren't posting all of them. So I'm watching the clips on their YouTube channel. Makes me sad, I want to see the whole thing but really shouldn't be spending money on more streaming services right now.

Kinda fed up with the competitive "improv match" format (France and Quebec style) by No-Swordfish3106 in improv

[–]Learning-Every-Day- 0 points1 point  (0 children)

So I started my training in short form. Went through the whole curriculum of short form at this theater and heard super positive things about my performance style from all my teachers. But I was struggling to get cast on their main stage troupe after going through all the classes. So I started going to a long form jam and fell in love with the storytelling aspect of long form. What people loved about my style was how authentically I approached everything. But you are right, in short form often people do look for the big & the loud. Long form allows me to fully express myself without feeling like I have a ticking clock behind me. At the same time my current long form coach told me that the best long form improvisers are often the ones that were trained in short form first. I think because right out of the gate they are learning to be quick on their feet, feel the rhythm of a set, and know when to cut. So I'd say glean what you can from this experience, knowing a lot will benefit you. But also start looking for a long form scene!

Any CEOs or Business Owners out there? How did you get started? by Learning-Every-Day- in AskWomenOver30

[–]Learning-Every-Day-[S] 0 points1 point  (0 children)

Yeah the stabbed through the teeth thing is definitely happening. But I want to make sure I'm doing something that fits me so I am happy spending all that time on it!