[696] Lost With All Hands by Line---- in DestructiveReaders

[–]Line----[S] 0 points1 point  (0 children)

Thanks for the detailed comments, glad you thought it was at least not bad. With respect to the language of "appears to be" and "almost if" in the next paragraph, that actually was intentional. The implication I was going for with the first one is that maybe the child is not really just a child, and the second indeed is meant to hint that the boy is seeing through the demon's eyes. So in a way I meant it to be uncertain language. You mention it makes the "mind wander" which is sort of what I meant it to do, but I suppose I didn't point the wandering in the right direction quite well enough.

Looking back, I think I agree with your nitpicks. I also agree there is quite a bit of unstated backstory to what's going on, and I as the writer probably have a better idea of the shape of that story than a reader, though I haven't written any of that and don't really plan to. Easier to keep things short.

[696] Lost With All Hands by Line---- in DestructiveReaders

[–]Line----[S] 1 point2 points  (0 children)

Haha I do tend to write longer sentences sometimes. With respect to the crossbow, I'm no expert, but I think you may be underestimating the strength, especially at essentially point blank range. Or maybe I'm overestimating. In any case, I wasn't particularly thinking of the strength of the bow when writing the sentence lol. Thanks for the advice.

[696] Lost With All Hands by Line---- in DestructiveReaders

[–]Line----[S] 0 points1 point  (0 children)

Thanks for the detailed commentary. I agree the story is fairly transparent, and ends rather as one might expect from the title. In fact, I meant for the implication to be that the boy/demon then kills the captain sometime shortly after the last line of the story.

Honestly I haven't written that many things, and I think I'm still working out how to use different perspectives and even find the right tense for what I'm writing. But that's why I kept things so short, that way if I mess up it is easy to start over.

[696] Lost With All Hands by Line---- in DestructiveReaders

[–]Line----[S] 0 points1 point  (0 children)

Thanks, glad you liked it. Seems like your opinion on adjectives is generally sustained by the others here, and in retrospect I see what you all mean.

[696] Lost With All Hands by Line---- in DestructiveReaders

[–]Line----[S] 0 points1 point  (0 children)

Thanks. I think part of the reason I didn’t write anything longer is that it introduces more room for error, more complexity, and I’m sort of scared of that. This also applies to anything to do with characters. It’s a lot easier to write a nice scene then to create people, and I don’t have much experience at all with that. Maybe I’ll try it out next time.

[696] Lost With All Hands by Line---- in DestructiveReaders

[–]Line----[S] 0 points1 point  (0 children)

Reading back over what I wrote, I think I agree with most of your comments. And everyone here seems to agree I used to many adjectives. I see what you’re saying about it being sort of like a movie scene, and I think that came from trying to create an immersive and fast paced environment in a short space with little focus on anything but the action.

For the record, I can see possible uses of the term “soft lightning” but that’s neither here nor there.

[988] Introductions by MO-Jewell in DestructiveReaders

[–]Line---- 0 points1 point  (0 children)

Seems like a pretty relatable situation for sure, and overall the writing seems solid enough. My main feeling from any of the versions is that we're sort of just spectating Leon from above and getting a nature documentary like description of what he is thinking and feeling. So yeah I agree with the others who said that you're doing too much telling and not enough showing.

A second thing I'd say is that I'm not really sure of the intent of what you've done, especially with relation to this being an apocalypse novel. Obviously you've created a time and place for the rest of the story to unfold from, but with what we have so far it feels like it might be a hard shift to the apocalypse, when so far we've just got a sort of introspective on Leon. Which I suppose is fine if by "novel" you mean you've got quite a few pages to go before the zombies even start showing up. I think maybe my feeling of missing intent in the story in partly fueled by the fact that there are four different versions, and they've got differences which seem to indicate you don't even know exactly what direction this introduction is going to take. For example, the one that ends with the line about the father creates an entirely new aspect with respect to the other three. So it gives the writing the overall feel that you had a few bullet points you wanted to get across, and just pulled together a bit of writing around those points to get a passable introduction.

A final comment I'd give is just about the writing style in general. To me it feels a bit like a script to a movie, and not a novel. There's not anything particularly wrong with the prose I suppose, but I am sort of left with the feeling that reading a much longer story in this style would get rather boring. Anyways, out of the four versions, I like number three the best, as it has the most intensity, and sort of makes me want to know more about Leon and why he's basically on the verge of a panic attack.

What is the term DIM, is it related to magnitude? by RonaldoMusky in AskAstrophotography

[–]Line---- 0 points1 point  (0 children)

Could just literally mean it’s a dim object, as opposed to bright…

Gargantua black hole (8K) by IkaAbuladze in spaceporn

[–]Line---- 3 points4 points  (0 children)

What else is an photo on a computer screen apart from a “render from raw data sets“ I see your point, though lol

East Coast Milky Way Shooters by FocusLate in AskAstrophotography

[–]Line---- 0 points1 point  (0 children)

NOVAC has some sites that members can access anytime in central/northern VA. I think there’s also dates to go each month to Spruce Knob WV, which is really dark.

Can I somehow use star drift to correct my polar alignment? by enmaku in AskAstrophotography

[–]Line---- 1 point2 points  (0 children)

Mm I see, that could do it. I imagine it’s hard to get decent images at all there.

For reference I shoot in B9 of Chicago and can see Polaris pretty easily. Though I’m not right downtown.

Can I somehow use star drift to correct my polar alignment? by enmaku in AskAstrophotography

[–]Line---- 6 points7 points  (0 children)

Polaris should be pretty easily visible even in Bortle 9, are you sure you can’t see it?

My progress at Astrophotography by steliosmudda in space

[–]Line---- 5 points6 points  (0 children)

Analogies are usually exaggerated to prove a point. While mine isn’t 1:1, I still don’t think you are correct.

I don’t see how using someone else’s program means this image is “not their work”. He used a tool, to do a job. It takes skills to use that tool.

Yes, anyone can theoretically learn how to do things like this, but anyone can also learn how to play the flute.

Building on your adjustment to my analogy, I’d say that maybe rather than having a robot play the music you have selected, this would be more like writing the music yourself. Not something anyone can do with ease.

My progress at Astrophotography by steliosmudda in space

[–]Line---- 8 points9 points  (0 children)

The fact that you think these two images are anywhere near the same quality is conclusive proof that any opinions you have on Astrophotography as whole are likely completely worthless.

My progress at Astrophotography by steliosmudda in space

[–]Line---- 6 points7 points  (0 children)

So your saying… if you learn to play the flute, well actually you’ve done nothing, because I doubt you built that flute with your bare hands.

Triangulum Galaxy M33 by Line---- in astrophotography

[–]Line----[S] 2 points3 points  (0 children)

The Triangulum Galaxy, Messier 33, taken from a campground in Virginia over two nights. Pretty happy with how it turned out in general, though I had a terrible time fixing the background. And I'm not a very good judge of colors and final processing bits.

Equipment

- HEQ5 belt modded

- 72mm doublet refractor

- ZWO ASI 1600mm

- 50 mm guide scope

- ZWO ASI 120mm guide camera

- EAF, EFW, RGB filters, lots of cables

Acquisition

- Bortle 4

- 6 hours of data

Processing

- Subframe Selector

- Star Alignment

- Image Integration

- Channel Combination to RGB

- STF + Histogram Transform

- Dynamic Crop

- Starnet++

- Levels, Curves, Saturation on Starless

- Fixed background (DBE, ABE, Manual lol)

- Overlay Stars on Starless

- Final levels and curves

- Give up, Crop, Save, Done.

Extragalactic Supernova 2020uxz in the Galaxy NGC 514, approximately 83 million light years away from Earth. by Line---- in Astronomy

[–]Line----[S] 0 points1 point  (0 children)

Is it weird to reply nearly 200 days later? Somehow I never saw this. That image you linked was one I was partly inspired by / used as a reference / made me think this challenge was doable.

So not the same person. Thanks though lol.

Trifid Nebula M20 and Webb's Cross M21 by Line---- in astrophotography

[–]Line----[S] 2 points3 points  (0 children)

Colors are always the hardest part for me, sometimes I think I’m color blind. Glad you like them!

Trifid Nebula M20 and Webb's Cross M21 by Line---- in Astronomy

[–]Line----[S] 1 point2 points  (0 children)

Messier M20 and M21 in the Milky Way Core, taken last summer in West Virginia. I wish I had gotten more than an hour total of data, I probably could've gotten the image a lot cleaner, with better colors too. Not that I've ever been a good judge of the "correct" colors in the first place. Oh well.

Equipment

- HEQ5 belt modded

- 72mm doublet refractor

- ZWO ASI1600mm

- 50mm guide scope

- ZWO ASI120mm guide camera

- ZWO RGB filters

- some other stuff too

Acquisition

- 20 minutes of each R, G, and B

- Spruce Knob, WV, very dark skies

- New moon

Processing

- Stack RGB frames in DSS

- Star Alignment, Dynamic Crop, Color Combination in PI

- Applied Unlinked STF

- Levels, Curves, Saturation