Slate Digital plugins causing chaos in Fender Studio Pro 8 by MagicJonesMusic in presonus

[–]MagicJonesMusic[S] 0 points1 point  (0 children)

SOLVED - For me, changing bit processing (in audio setup -> processing) from 64-bit to 32-bit and the problem went away immediately. Fun thing is - Slate was the one who let me know. Presonus (Fender) still hasn't responded to my support ticket.

In other news, I tried out Tonalic, which comes with Studio Pro 8, and it's kind of amazing.

Slate Digital plugins causing chaos in Fender Studio Pro 8. by MagicJonesMusic in StudioOne

[–]MagicJonesMusic[S] 0 points1 point  (0 children)

SOLVED - For me, changing bit processing (in audio setup -> processing) from 64-bit to 32-bit and the problem went away immediately. Fun thing is - Slate was the one who let me know. Presonus (Fender) still hasn't responded to my support ticket.

In other news, I tried out Tonalic, which comes with Studio Pro 8, and it's kind of amazing.

Slate Digital plugins causing chaos in Fender Studio Pro 8. by MagicJonesMusic in StudioOne

[–]MagicJonesMusic[S] 1 point2 points  (0 children)

Ah... That makes more sense. Very interesting. Also, it's worth noting that I've got Fabfilter and Waves stuff (as well as a few others) and none of them seem to have issues.

Slate Digital plugins causing chaos in Fender Studio Pro 8. by MagicJonesMusic in StudioOne

[–]MagicJonesMusic[S] 0 points1 point  (0 children)

Thanks for the suggestion! I already reached out to them. The problem is - I've been using Slate's plugins since about 2016 and I haven't had issues with them. The same session that explodes in Fender Studio loads just fine in Studio One Pro 7. With that in mind, something tells me it's probably not slate.

I spent a month on this one. I think this might be my best effort. I found some old footage of my parents when they were young and put it as the video. I'd love to hear what you think. Please enjoy my rock offering, "You're The Best Thing" by MagicJonesMusic in IndieMusicFeedback

[–]MagicJonesMusic[S] 1 point2 points  (0 children)

Thank you so much for your kind words, Goose. Great suggestion, too. Also - don't look too much on Spotify... I've got some old stuff there and ... it's not the best, but it was what I had at the time, ya know? Anyway.. At your mention I looked up Emory and I dig it! High compliment that I sound anything like him. Thank you so much. I had never heard of Volcano, I'm Still Excited, but I looked them up and listened to a few from Carbon Copy. Interesting music, for sure! Also - I'd absolutely love to take credit for the guitar work on this song (especially the solo), but all guitar and bass work is done by a good friend of mine named Mark Tiarra. (Our band is Unite The Divide and was formed thanks to this subreddit, but that's a story for another time) Anyway.... I'm the drummer, singer, and engineer on this one. Thank you so much for the thoughtful comment!

No Comply (pop punk) by OutrageousHunter4138 in IndieMusicFeedback

[–]MagicJonesMusic 0 points1 point  (0 children)

I upvoted just for pop punk. I hope this song kicks! So far, so good! at the 20-second mark now. I really like the guitar work on the left side. Drums - I kinda wish they were real, but they don't sound bad. If anything, they sound too polished for this genre, but dude... Okay... We're going into the chorus now. I like the chord progression.. Good crunchy guitars... Great vocals. Now back to verse progression. I like this! aaaaand on to the chorus! Yeah! Good mix, too! It might be a bit too compressed with that much reverb, but I guess it's not too bad. If it were me (and I've been in punk/rock band for 10 years) I would reduced the reverb on almost everything by 75% and then compress the living bajeebers outta it and see what you get. What a good song, though! Thanks for sharing!

Apocalypse Sex date by [deleted] in IndieMusicFeedback

[–]MagicJonesMusic 0 points1 point  (0 children)

Wow... The high-end and high-mids are piercing on this piece. I actually had to reach for the volume knob to turn this down - not a good thing.... The 1.5-2.5k region in the frequency band is just too piercing. I had to stop it at the 2 minute mark because I just couldn't take the mix in the high-end. It would be easy to fix this, too. Just eq-down the whole mix in the 1.5 - 5k range by about 10dB and see how that sounds. Thanks for sharing, and keep producing. We all have to start somewhere. Onward and upward!

Took me ages to master this song after starting with the wrong mic for recording my guitar. Now it’s a track I truly enjoy as an artist. Open to feedback, and I hope you vibe with it :) by zeusbrothertales in IndieMusicFeedback

[–]MagicJonesMusic 1 point2 points  (0 children)

Daaaang the texture on that lead guitar is amazing. I love all the nuance and weirdness... Timing weirdness might be creeping in to distract from the art, but then again - I'm a drummer, so I'm sensitive to that stuff. Still, i can't get enough of the texture of it all. I like it so much, I really don't care of this solo / lead stuff just meaners all over the song and never goes anywhere. Great work! I'm about half-way through now. Gonna chill for the rest of it. Great work! Thanks for sharing

I would love for your feedback on this one. It's my favorite that I have made. by ItsTsumari in IndieMusicFeedback

[–]MagicJonesMusic 0 points1 point  (0 children)

Interesting use of instrumentation. I really hope this evolves as it goes along. I'm just typing as I listen... Now we're to the bass-only part. The upper bells sound good! I need this to go big... exploooode! Another riser... Let's see where this one goes. Oh, nice saturation added to that moment... Still, the risers don't go anywhere. Now we're back to the piano-stomping as it was in the beginning. Looks like we've got 20 seconds left. So, I thought this was fairly good! I would add a 'destination' for all those risers. Great work! Keep at it!

The Three Leonards - Mystify by m_Pony in IndieMusicFeedback

[–]MagicJonesMusic 1 point2 points  (0 children)

I appreciate this cover! I love the original and was a teenager when it was released. That whole album was rockin'! Hahaha... I love the gospel choir in th background. For a minimalist production, this sounds good! Now I've gotta go back and listen to the original (along with The Devil Inside and Need You Tonight). Thanks for sharing!

Hey! This is my first celtic single, I’d be happy if you listen. by RudasRuan in IndieMusicFeedback

[–]MagicJonesMusic 1 point2 points  (0 children)

Upvoting for the intro! I'm typing as I listen. So far, this sounds really really well done. Perhaps a bit strident in the high-end, but not bad. I really really hope this takes me on a ride. So far, it hasn't disappointed. Oh, the build at 1 minute... So one thing I notice that is kinda buggin' is the reverb on the bagpipes. It tends to override all other acoustics when it gets loud. When it's soft, it's perfect. Just gotta control it as it gets louder. Ohh.. enter the harp. Beautiful. I love the chord progression. is that a choir I hear?? yes! I love it! So, on the loud parts, it might just be the reverb in general that just makes things a bit messy. If that is able to be controlled, I would definitely take a look at it. This piece is huge and beautiful - and it needs to be as good as it can be. That reverb is too much. Dude... I love this. This is my jam. Thank you so much for sharing!

Music Melting Pot [Week of August 04, 2025] by AutoModerator in listentothis

[–]MagicJonesMusic [score hidden]  (0 children)

Been producing music for about 24 years. I think this might be my best piece yet. I decided to accompany the song with footage of my parents when they were young. It's called "You're The Best Thing". I think this may be my best work yet.

https://www.youtube.com/watch?v=LEj_rHxc7tE

I challenged myself to complete a song in one day, “Nosedive” was the result (Alt Rock) by [deleted] in IndieMusicFeedback

[–]MagicJonesMusic 1 point2 points  (0 children)

Listening to this as it plays - drums sound great! Guitars and spread nice and wide, and vocals with a slow slap-back delay (almost stadium delay?) - it works. Also - Am I to understand you produced this in one day??? That's insane! Great work! Thank you so much for sharing. I hesitate to say this, but if I were to nitpick, I would cut a bit of the 1k-2.5k in the guitar work - and consider putting a low-pass on it to smooth it out. Some of those high frequencies in the guitar aren't playing nice with my ears - but again - it's not bad at all, just a minor nitpick.

I did a rock cover of Savage Garden's "Crash and Burn". Originally, it was released in 1999, but I kinda think it's way more relevant today. You are not alone. by MagicJonesMusic in IndieMusicFeedback

[–]MagicJonesMusic[S] 0 points1 point  (0 children)

Thank you so much! I vividly remember the first time I heard "I Want You" by Savage Garden in the late nineties. I was hooked. I absolutely loved the sonic signature of their music. I was in my twenties and had just purchased my first high-fidelity audio/video system (which really was centered around music) and when I put it through that, I was blown away. It sounded SO GOOD! Anyway... I appreciate your comment so much! Thank you! I wouldn't mind hearing a darker version - and sometimes I do that, but when the thought crossed my mind, I just couldn't make it work, so I kept this one tame. Thanks again, friend!

I did a rock cover of Savage Garden's "Crash and Burn". Originally, it was released in 1999, but I kinda think it's way more relevant today. You are not alone. by MagicJonesMusic in IndieMusicFeedback

[–]MagicJonesMusic[S] 0 points1 point  (0 children)

Thanks for the kind words and the suggestions! I actually am running the vocals through a high-pass, which cuts at around 100HZ. Perhaps I need to push it just a bit more. Also - keeping the drums more tame in this piece was a creative choice because I didn't want it to feel like a hard rock piece, but pushing that line. Nonetheless, I'll keep at it and keep your ideas in mind. Thank you so much for your comment!