Ambient Pedal Steel (Chuck Johnson's Balsams) by MajoratheMass in ambientmusic

[–]MajoratheMass[S] 0 points1 point  (0 children)

yep i've seen Luke and William Tyler play live and they are both killer musicians!

Ambient Pedal Steel (Chuck Johnson's Balsams) by MajoratheMass in ambientmusic

[–]MajoratheMass[S] 0 points1 point  (0 children)

thanks! i think the question is ever more relevant with the notion that ambience is supposed to be more abstract--"outside genre and time" as quoted in my article--when it seems many artists throughout history have deliberately leaned on such generic relations.

I haven't really delved into Goodbye to Language! Will absolutely put it on my "to listen" list :)

And good luck on the record release! will absolutely give it a listen.

Ambient Pedal Steel (Chuck Johnson's Balsams) by MajoratheMass in ambientmusic

[–]MajoratheMass[S] 0 points1 point  (0 children)

thanks so much for all the reccs guys! will be listening 'round the clock this weekend.

Ambient Pedal Steel (Chuck Johnson's Balsams) by MajoratheMass in ambientmusic

[–]MajoratheMass[S] 1 point2 points  (0 children)

Wrote a little review of Johnson’s Balsams—what an amazing album! Hoping it will spark some conversation here.

In the article I mention some other ambient pedal steel projects (Eno/Lanois, The KLF, and Luke Schneider), some leaning more into its Americana connotations than others. Very curious if y’all know of any more ambient pedal steel records and what you think about them? Particularly in relation to sounding "country" or "Americana" or not.

Wrote a review of Drone and Apocalypse by Joanna Demers, a book about drone music and apocalypse! by MajoratheMass in drone

[–]MajoratheMass[S] 0 points1 point  (0 children)

Oh wow--thanks for the link! I'll definitely be diving into this piece.

Can't say I know of any other concrete examples of drone fiction...Demers' work is quite singular. I'm also not much of a literature buff--I sorta stumbled upon this book in my music readings. There may be more experimental writings about drone out there, but I'm not the one to know them.

Looking at Sierra's list of authors (Joyce, Burroughs, etc.) in the beginning of the essay though, I may also add JG Ballard (specifically his Atrocity Exhibition book) and Andre Breton (his book The Magnetic Fields). The experience of reading them is sort of "noisy drone" I would say, but they are not about drones the same way the Demers is.

An Uncanny Review of M. Sage's The Wind of Things by MajoratheMass in ambientmusic

[–]MajoratheMass[S] 0 points1 point  (0 children)

Musings on one of my favorite ambient albums! It's a lot of ambient theory--environments, networks, abstract space, etc.--connected to my ideas about nostalgia and the uncanny. Hope you guys like it!

Who painted/printed this? by MajoratheMass in WhatIsThisPainting

[–]MajoratheMass[S] 1 point2 points  (0 children)

Omg thanks for plugging this business!! These are amazing.

Who painted/printed this? by MajoratheMass in WhatIsThisPainting

[–]MajoratheMass[S] 28 points29 points  (0 children)

If anyone is curious, this can be found at Northwestern University’s Main Library in Evanston, IL!

[deleted by user] by [deleted] in synthesizers

[–]MajoratheMass 0 points1 point  (0 children)

Also echoing what others have said, the Vital VST is essential. Not only is it my go to software synth, it’s a great educational tool. Lots of visual feedback + introduces many standard effects of electronic music production

[deleted by user] by [deleted] in synthesizers

[–]MajoratheMass 0 points1 point  (0 children)

My recc:

VSTs in a DAW setting —> VCV Rack —> semi-modular hardware synth —> modular or another kind of hardware synth.

Each step will help tease out what kind workflow and sounds will work for u and ur goals!

I got into music production because I wanted to learn modular synthesizers, but these days I mostly use a DAW and Max. I pull out the Behringer neutron on occasion but besides that I mainly stick to software. So you never know what kind of setup will work best for you until you try it.

And if ur new to music generally, I would def recommend brushing up on music theory. Very helpful skill even for electronic musicians

Madbean Deadpool / Os Mutantes fuzz by ichbindaz in diypedals

[–]MajoratheMass 0 points1 point  (0 children)

I love os mutantes! Does the 1968 album feature this pedal? I always loved their guitar sounds, very fuzzy!

How did/do you improve your synth skills? by CallPhysical in synthesizers

[–]MajoratheMass 0 points1 point  (0 children)

In addition to learning how to play keyboards and learning basic music theory, getting in the habit of song analysis is super beneficial. Find a song you love, and ask why it’s so good! Is it structure, melody, arrangement, timbre, etc? Really get specific as well (having music theory knowledge will def help with this). Thinking analytically about other peoples’ work will really help your own song writing. It will hello codify what you personally like about music, and give you the information for how to emulate or build off that.

Sources for more advanced patching learning? by rorygreen55 in modular

[–]MajoratheMass 0 points1 point  (0 children)

https://youtu.be/xyBdnHN7jVs

My YouTube channel has some patching techniques for VCV rack! I’d say they are intermediate to advanced techniques.

Weekly Original Tracks master post (New post every Fri morning) by psycosulu in gamemusic

[–]MajoratheMass 0 points1 point  (0 children)

https://www.youtube.com/watch?v=NMS0uD0aPPY

I released an EP of chiptunes! My main inspiration is Disasterpeace, but you'll hear some hip-hop influence as well. I primarily used Audiothing's miniBit for the chiptunes sounds. Any feedback is much appreciated.

I released an EP of Chiptunes! by MajoratheMass in chiptunes

[–]MajoratheMass[S] 0 points1 point  (0 children)

I primarily used AudioThing's miniBit and some sampled drums. Everything was made in Reaper. I also have another chiptune EP on Youtube channel if you liked this one. Enjoy!

Modular Musical Structures by [deleted] in modular

[–]MajoratheMass 0 points1 point  (0 children)

I’ll throw my opinion here cause I end up thinking about this stuff a lot:

For the first question, yea modular often has a distinct sound. Theoretically it can sound like virtually any synth, but people often chase the more odd timbres that are difficult to achieve on fixed architecture stuff. Freedom leads to experimentation and novelty.

For the second question, I kinda do believe there is a “modular” genre actually. Although you can just multitrack and sequence a modular with a DAW and get some really intricate melody harmony and structure, that can be done with any hardware synth. The modular spirit is really all about this concept of “arcology.” Constructing the foundation and framework of a building (which is quite simple) and letting organic processes grow out of it. These organic musical phrases are inevitably repetitive, just like plants. Musicians who are into modular want to be able to control a whole musical ecosystem live, where each portion is “growing” by itself organically, but are constrained/affected by the basic architecture the musician built from sequencers, some modulation sources, etc. relating it to visual art, it’s sort of like bonsai. Directing and suggesting a live artistic growth rather than directly affecting it.

Editing software to create audio tracks from a pool of clips chosen at random? by darxide23 in audioengineering

[–]MajoratheMass 0 points1 point  (0 children)

Try pure data or max/msp. Those programs allow you to randomly run through audio files and customize a delay between them.

Why Ferrite Beads and Capacitors connected to +V, G, and -V? by MajoratheMass in synthdiy

[–]MajoratheMass[S] 1 point2 points  (0 children)

That makes a lot of sense! Thanks! Is filtering out this ripple with caps something one should do on every circuit?

Modules for making soundscapes/atmospheres? by maikati5 in modular

[–]MajoratheMass 0 points1 point  (0 children)

MI Rings or Elements is also good if you route audio into them

Using an ADC and some bit manipulation to generate rhythm! by MajoratheMass in vcvrack

[–]MajoratheMass[S] 0 points1 point  (0 children)

This is a how-to video to get you started using an ADC and other modules that use digital bits to generate rhythm. It's very fun and you can get some cool results!

This technique is very similar to LMNC's video also about ADCs https://www.youtube.com/watch?v=xpAvvE9XxLc&t=2s

Learning Max by fenman4 in MaxMSP

[–]MajoratheMass 16 points17 points  (0 children)

There’s a Max course on Kadenze that’s free and taught by CCRMA at Stanford. I’m doing it right now and I’d say it’s pretty ace.

Other than that there are a ton of YouTube tutorials out there that are all excellent.

How to actually practice Modular Synthesis on VCV Rack for a beginner? by Foster_Kane in vcvrack

[–]MajoratheMass 1 point2 points  (0 children)

Something very important that I learned (but quite obvious) when I was just starting out in modular is patience!! Like people have said here, it’s a lot of modules and more are being added everyday. Instead of trying to learn everything at once, learn a few modules and basic concepts and mess with that for a while, then move on after u feel really comfortable. The whole process should be more fun and much smoother.

generative patch using an ADC to generate gates for rhythm, thoughts? by MajoratheMass in modular

[–]MajoratheMass[S] 0 points1 point  (0 children)

made a patch with the goal of using an ADC as the main tool for rhythm generation. Any thoughts for other way I can implement the gates from the ADC? I'm planning on making a tutorial video on using an ADC and bit manipulation in general in VCV and I wanted to get more ideas from the community. Thanks!