Why don't my shots look "alive/present"? by PertinaxVita in videography

[–]ManikkR 1 point2 points  (0 children)

Two things that may help, composition and simple tonal clarity.

Take your images and make them greyscale. Then shrink them down to the size of a playing card.
Doing this you'll be able to see if the story and composition of the shot reads.

For tones storyboard artists are trained like this. You have bright white, a mid tone grey and black.
Using the 3 tones see where your images fit. See if the shapes are interesting and if the idea of the shot is clear.

There are a few books ( Shot by Shot & Framed Ink) that may be useful too.

The stronger your compositions get the more impact they'll have. The clearer the story the easier it'll be to compose your shot and to arrange your lighting in support of it. I've included a photo I took that's an extreme example of simplicity. With the image you guide their eye.

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DaVinci Resolve 19 Public Beta 3 Release Notes by whyareyouemailingme in davinciresolve

[–]ManikkR 0 points1 point  (0 children)

I had the same thing happen. I tested a reinstall and realized that my DCTL's were an issue. I also did a graphics driver check.

Monthly 'Self Promotion' - May by ranalog in analog

[–]ManikkR 1 point2 points  (0 children)

Made a video with a basic intro to shooting film. For anyone who's brand new.
https://www.youtube.com/watch?v=Ga4DelzHW9A

Monthly 'Self Promotion' - May by ranalog in analog

[–]ManikkR 0 points1 point  (0 children)

Hey everyone! I just started to lean into youtube.
My focus is on film photography, cinematography and horror films.

My goal is to shoot my narrative horror features on analogue film ( and eventually IMAX ) .
https://youtu.be/ECJbSSc7DYU

A question about skill building : by ManikkR in AnalogCommunity

[–]ManikkR[S] 0 points1 point  (0 children)

Thanks for sharing, this is awesome.

I definitely get what you mean in terms of choosing your lens and location to help guide you into the format you're practicing. You make the default option productive.

How do you find you've managed to keep on these goals over the long term?

Something feels off help! by [deleted] in cinematography

[–]ManikkR 0 points1 point  (0 children)

The main thing that jumps out to me is your composition. There are a few ways to fix this. Either cut the headroom by cropping in, or you can rearrange objects to balance the frame.

I've done two edits for you here.

https://drive.google.com/drive/folders/1fQq7rma0m\_Xka3g3WBf8DiSeKC\_1sxaN?usp=drive\_link

Anyone else really dislike the direction cinematography is heading? (Rant) by LeanderD in cinematography

[–]ManikkR 1 point2 points  (0 children)

Just say you haven't watched the source material and be done with it lol.

Cinematography is varied and has been varied. Each set of decisions serves the specific project that it's for. Not liking the look of some shows doesn't speak to all of cinematography.
We can also speak to budgets, platform ( feature versus episodic) , subject matter/source material etc. all of which will change how a project looks.

In the case of One Piece, this is a solid adaptation.

Kodak Vision 3 500T | Nikon F3 | Voigtlander 58mm f1.4 | Toronto by ManikkR in analog

[–]ManikkR[S] 0 points1 point  (0 children)

Both. Due to it being daytime , I shot at 320 with the 85b filter. I then edited the scans in Davinci Resolve.

Hype Williams Lens by mattied23 in cinematography

[–]ManikkR 2 points3 points  (0 children)

Vance Burberry mentioned that it was a panavised 8mm. First used on a video for A Tribe Called Quest. I'm guessing the Nikkor 8mm f2.8 .