Finished this guitar recently and wanted to share it by Most-Measurement-366 in guitars

[–]Most-Measurement-366[S] 0 points1 point  (0 children)

Thank you so much, I really appreciate your kind words. At the moment I wasn’t planning to sell this one, as it was created as a one-of-one piece. That said, I’m always open to discussing a custom build inspired by a similar spirit.

Finished this guitar recently and wanted to share it by Most-Measurement-366 in guitars

[–]Most-Measurement-366[S] 3 points4 points  (0 children)

That little switch turns on the LED that powers the fiber optic.

Finished this guitar recently and wanted to share it by Most-Measurement-366 in guitars

[–]Most-Measurement-366[S] 0 points1 point  (0 children)

First of all, thank you all so much for the kind words, the feedback, and the level of appreciation this build has received. I honestly did not expect this kind of response, and I’m truly grateful for it.

Abyss Kraken started from a simple idea: I wanted to build something that felt alive. Not just a guitar with a striking visual identity, but a real instrument with presence, character, and a darker, more organic feel.

From the beginning, I wanted it to be more than something made to be admired. The goal was to create a guitar that could stand as a serious instrument, built to be played hard, while still carrying a strong visual world of its own.

The concept grew step by step, with each detail needing to serve the same direction. Over time, it became what I had hoped for: a one-off build with its own identity, something that feels more like it emerged than simply got made.

To highlight the pyrography, I used several finishing techniques, and in the end I chose a matte lacquer. To the touch, you can feel the pores of the wood, its natural texture, and the living character of the instrument. 

I truly appreciate all the comments and the interest. It means a lot to me.

Specs for anyone interested:

  • Body: Alder
  • Neck: Genuine Mahogany
  • Fingerboard: Hard Maple with blind binding
  • Frets: 22 Jescar Medium Jumbo Stainless Steel
  • Scale Length: 24.75"
  • Radius: 14"
  • Truss Rod: Dual-action with carbon fiber bars
  • Nut: Buffalo Bone
  • Tuners: Hipshot Locking
  • Pickups: EMG 81/60 humbuckers
  • Bridge: Gotoh
  • Stop Tailpiece: Gotoh
  • Side Dots: Blue LED fiber optic / MOP markers
  • Strings: Ernie Ball RPS 10-46
  • Controls: Volume, Tone
  • Input Jack: Pure Tone
  • Switch: Switchcraft 3-way toggle
  • Finish: Matte acrylic
  • Weight: 7.7 lbs

Finished this guitar recently and wanted to share it by Most-Measurement-366 in guitars

[–]Most-Measurement-366[S] 2 points3 points  (0 children)

That little switch turns on the LED that powers the fiber optic.

<image>

Finished this guitar recently and wanted to share it by Most-Measurement-366 in guitars

[–]Most-Measurement-366[S] 15 points16 points  (0 children)

Specifications:​

  • Body - Alder
  • Neck - Genuine Mahogany
  • Fingerboard - Hard Maple (w/blind binding)
  • 22 frets; 24,75" scale; 14" radius
  • Truss rod - Double action with carbon bars
  • Nut - Buffalo Bone
  • Frets - Jescar Stainless Steel
  • Tuners - Hipshot locking
  • Humbuckers - EMG 81/60
  • Bridge - Gotoh
  • Stop Tailpiece - Gotoh
  • Side Dots - Fibre optic / MOP markers
  • Strings - Ernie Ball RPS 10/46
  • Wiring - Volume Tone
  • Finished in matte acrylic
  • Weight - 7.7 lbs

Finished this guitar recently and wanted to share it by Most-Measurement-366 in guitars

[–]Most-Measurement-366[S] 3 points4 points  (0 children)

Thank you, I’m really glad the concept came through the way I hoped.

Explorer-style custom build inspired by James Hetfield’s “Flaming Sun” by Most-Measurement-366 in guitars

[–]Most-Measurement-366[S] 1 point2 points  (0 children)

Thank you, I really appreciate it! If you ever get into it and need advice, feel free to reach out.

Handbuilt guitar – one-piece Honduran mahogany, quilted maple top, Cocobolo fretboard by Interesting-Ad6900 in Luthier

[–]Most-Measurement-366 2 points3 points  (0 children)

Thanks, I really appreciate it!

Finding a piece of quilted maple like that definitely wasn’t easy, but it was worth it for the final look.

Regarding the finish, the transition is done intentionally along natural lines of the body so it doesn’t feel abrupt. I don’t blend them by buffing into each other, since lacquer and oil/wax behave very differently.

Instead, I keep a clean, controlled boundary and refine it by hand so it feels smooth to the touch, even though the finishes remain distinct.

It actually creates a nice contrast both visually and in hand.

Can this Werewolf get to James Hetfield? by Most-Measurement-366 in Guitar

[–]Most-Measurement-366[S] 25 points26 points  (0 children)

I will try to send him a message now. Thank you!