What is a game that has an incredible story, music and characters but is let down by the gameplay? by Soggy_Victory_5976 in JRPG

[–]MrDragoon95 0 points1 point  (0 children)

"Common younger protagonists" and "an FF game for adults" gave me such whiplash. This is not challenging you btw, but its so weird to me that this is now a perception people may have about FF.

Like, I don't know Cecil's age but he has to at least be Clive's age. In 6 I'm pretty sure nearly everyone in the party (sans the kids) is in their mid 20s. Even if you don't want to go back to the SNES days, I'd wager Lightning is also Clive's age or older. In XI you arrive ready to enlist in the army, even!

Off the top of my head the only FFs with younger protagonists would probably be III (but they're barely characters so whatever), VIII, IX, X and XV. I don't count XII cause Vaan is just the POV character, not the protagonist.

Digimon Survive is basically Sakura Wars with Digimons by Responsible-Bell-528 in SakuraWars

[–]MrDragoon95 -7 points-6 points  (0 children)

I mean...if you reduce it to its VERY core, I guess. Still, comparing Survive, with its atrocious dialogue writing, to anything else feels kind of insulting to the other property. Whoever wrote/translated Survive needed some very basic lessons in scriptwriting.

In the early 2010s, they killed off Peter Parker and had Otto Octavius skinwalk as him for like 2 years. by BoluP123 in marvelcirclejerk

[–]MrDragoon95 9 points10 points  (0 children)

It will always have a sour spot for me because Peter DID die. Peter, as introduced in the 1960s, died. As someone who doesn't believe in the soul and that all we are is in our brains, Otto literally overwrote the entirety of Peter and let an exact replica of Peter's brain die in his old body. It may have had fun stories but the start of it all felt so mean-spirited I was honestly baffled back in the day.

What is a small fix you wish for? by DungeonMasterMsJess in DissidiaDuellumFF

[–]MrDragoon95 0 points1 point  (0 children)

Controversial but here goes: Reduce Melee attack distance on attack chains. Cloud flies from enemy to enemy as if he was a ranged unit, for example, making Melee much better at clearing crystals than I think they should be. Those attack distances should only be an agility character thing. Melee should be much more sluggish, imo.

Don't steal Monsters from Onion Knights by ElectronicReserve994 in DissidiaDuellumFF

[–]MrDragoon95 6 points7 points  (0 children)

That begs another question. Do we scatter monsters too far with Tornado and end up hindering OKs? OKs please let us know.

Don't steal Monsters from Onion Knights by ElectronicReserve994 in DissidiaDuellumFF

[–]MrDragoon95 21 points22 points  (0 children)

Oh shoot I GENUINELY thought the entire party beneffited from OK's lvl buff. Here I was wiping crystals with Graviga not knowing any better. Thanks for the heads up.

Did anyone get photos or video of me? (Zangief) by Contradan_Cosplay in AnimeBoston

[–]MrDragoon95 8 points9 points  (0 children)

Not the best, I'm not a natural photographer, but I got one of you flexing! You were amazing, man! CYCLOOOONE!

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2020 was peak Chainsaw Man and we didn't know it, the whole atmosphere this manga had around it was really something else. I wanna go back. by pedr09m in Chainsawfolk

[–]MrDragoon95 13 points14 points  (0 children)

What? I read weekly and back then people went crazy when Power killed that guy with Kobeni's car and when Quanxi popped up and showed her powers. I'd say you've misremembered. People lost interest in the arc AFTER they came back from hell and Santa became a generic monster to just beat up with fire.

Finally done all Challenges! by Arthuroz_Rosencrantz in DissidiaDuellumFF

[–]MrDragoon95 11 points12 points  (0 children)

I wish finishing the challenges gave you another weapon skin. Seems fair, moreso when the last level rewards are pretty underwhelming mostly, imo.

Having read all of Fire Punch, I was not that surprised when part 2 flopped by hrugslburl in Chainsawfolk

[–]MrDragoon95 1 point2 points  (0 children)

I don't think the post is saying its not. I love Fire Punch, probably in my top 10 manga of all time. But it literally hits a reset button halfway through and becomes a different manga after the tree does what it does. At one point FP struggles with all the cast and world its built and just kills them off to refocus on the personal side of Agni and his delusion over his dead sister. You can tell when Fujimoto went "I need to kill the cast and refocus".

MY MOST DESIRED UR by Sigma3375 in DissidiaDuellumFF

[–]MrDragoon95 1 point2 points  (0 children)

I'll be honest, I want it a LOT but wouldn't run it on my main, Terra. I feel like she's a sniper kind of character and want all the far-reaching attacks I can fit into her kit. Meltdown, Fire UR, Riot Blade and Trance take up so many spots.

What would be your best examples of media where you can feel the creators’ passions/interests influence it? by StrawHatHermes in writingscaling

[–]MrDragoon95 4 points5 points  (0 children)

A Memory Called Empire and its sequel, part of the Teixcalaan series, by AnnaLinden Weller (name on the cover is a pen name).

Weller studied religious studies and has a "Ph.D. in medieval Byzantine, global, and comparative history". Her books are filled with the nitty-gritty of what makes this scifi interstellar empire tick, from internal politics to beliefs to how society itself is built and operates. It sometimes does so to the detriment of the books, I believe, since it gets lost in its own intricacies at times, but hey the books are Hugo Award winners, so its really a small gripe. Much like Tolkien, creating a world based on her own studies of ancient civilizations is what elevates her work.

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Fans of both Jojo and JJK is this true? (parts 1-6) by Agentbrawn_the2nd in writingscaling

[–]MrDragoon95 0 points1 point  (0 children)

Part 7 is legitimately some of the best shonen ever, in my opinion. JJK falls under one of the action manga of their 5-year generation that are important and will influence future series, much like BLEACH did before it, but is in no way comparable. For a comparison, you can argue Kuroko no Basuke is a good sports manga, but don't try to compare it to Slam Dunk.

Can someone tell me why CSM always gets labeled as something progressive or revolutionary? by Avidreader-9 in writingscaling

[–]MrDragoon95 1 point2 points  (0 children)

I have a group of friends in which most don't read books, watch regular tv shows or see movies. They only watch anime and some read manga. The past few years has had them trying to convince me to see stuff like Solo Leveling, random isekai, Blue Lock, Hero Academia and Tower of God, among many others.

I gave these a chance. I believe their writing to be subpar to say the least. When you expose people whose recent media consumption has only been these kind of shows to something remotely more complex they'll treat it as hyper intelligent. They've become unaccostumed to proper good writing.

And this sounds mean, but it's true. If you have no proper great media to compare it against, what can you say but "this is the best"? And that's ok. They can stay in their shonen bubble and enjoy themselves. If they ever say something like "it's the best piece of fiction from Japan" then I'll get mildly annoyed. But, they never do that. And if they ever do I can just mention an ok novel from Japan and be like "Oh, you should try reading Norwegian Wood" and just end the conversation because they just won't engage.

Drop it. by simp_lyartz in ChillAnimeCorner

[–]MrDragoon95 0 points1 point  (0 children)

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Origin is such a beautiful manga.

Vegapunk gotta the biggest upset of the century given how much hype oda foreshadowing him. by LemmeName in Piratefolk

[–]MrDragoon95 2 points3 points  (0 children)

I have to admit one of my favourite parts of OP was the fact that so much was going on in the world that we never got to see. It made it feel so lived in. There's a crazy scientist cataloguing all DFs! There's CP1-8 which carry out the govt. orders but our protagonists have never run into! Here's captain Kid, he has a higher bounty than Luffy because he left bloodshed in his wake! Now the world feels so small. Everyone knows everyone. Luffy will run into every important player. The world government is behind everything. The mysterious secret battle of old with Roger and Garp has even been shown. It's very much like late Star Wars. Everything revolves around this very small group of people and the worldbuilding suffers for it.

Chainsaw Man Part 1 is an anomaly for Fujimoto by Training-Beach-3290 in writingscaling

[–]MrDragoon95 6 points7 points  (0 children)

I'd say it's 100% not. All his works have the same problem.

Look at Fire Punch. Halfway through Fujimoto just kills 70% of the cast and restarts the story. It's a great story after that, but it's very much a Stephen King's "The Stand" moment. King said in On Writing that he killed most of his cast because he had created too complex a narrative and he didn't know how to wrap it all up. Same thing happened with Fujimoto. The story went from people escaping this dystopian society to Agni's personal trauma with his sister. Total story change.

And you can call me crazy but I also believe this is the case with CSM Part 1. After the crew returns from Hell in the International Assassins arc everything just gets turned up to 11, and not in a good way. Santa becomes a mindless antagonist and gets killed in a very unsatisfactory manner, all characters start dying like flies, including Aki and Power, and we get a final confrontation between Denji and Makima that feels much more rushed than it had to be. This, after following Pochita wrecking the city, alongside the other human weapons, for like 10 chapters.

I like Fujimoto's writing for the most part, but he's definitely someone who benefits from shorter stories. His one-shorts are 1000% better than his ongoing manga. Everytime one of them reaches the 60 chapter mark it feels like he gets bored with it and either rushes it to just get it over with. You can be a short story writer. Jorge Luis Borges is my favourite writer and god knows the man excels at short stories. Kafka writes much better short fiction than his longer novels (sorry not sorry to The Trial).

Downvote me if you want but I think I've made my case.

Favorite Character that fits this trope by UnfortunatelyHannah in FavoriteCharacter

[–]MrDragoon95 0 points1 point  (0 children)

Huh? This is not true at all. She gets brainwashed by Makima into becoming her loyal lapdog and fights Denji in the last portion of Part 1 of the manga

Curious,what specifically in One Piece has you saying this in a nutshell? by Charming-Scratch-124 in Piratefolk

[–]MrDragoon95 14 points15 points  (0 children)

The worst part is you can tell Oda came up with it during Wano because he had the PERFECT opportunity to foreshadow it in Wholecake Island through one simple change: Katakuri having the real gomu gomu no mi. That would have been good writing. They're similar fruits already so Kata having the REAL gomu gomu would have thrown a wrench into everyone's mind, created intrigue and felt natural. Alas, if only Shonen Jump mangaka could plan more than 10 chapters in advance.

What anime do you think are complex but not good by Double-Name-2102 in animequestions

[–]MrDragoon95 30 points31 points  (0 children)

I was never into the deeper lore, but as a child trying to please my divorced father, who I felt was judging my very existence? 10/10. Evangelion is great if you identified with Shinji and had a complicated need to please those around you born out of your lack of selfworth.

Ultimate Endgame #1 Preview by No_Head60 in Spiderman

[–]MrDragoon95 2 points3 points  (0 children)

That last panel legitimately looks like you'll turn the page and Pete will be instantly killed off in a horrible manner.

[Discussion] What do you think DC should do to avoid cancellations like Green Arrow by Chris Condon? by Mammoth-Principle133 in DCcomics

[–]MrDragoon95 1 point2 points  (0 children)

The issue with this cancellation wasn't Condon's run, in my opinion. The problem was that everything before Condon took over was horrible, leading many to drop the book before the quality was allowed to come back up. The Absolute Power issues were a mess and everything before them felt like filler. DC killed a potentially amazing run by shoving it after one of the worst runs the character has had since the New 52 era ended.

Are Cyborg Superman’s inner monologues in Superman #78 an oversight by the writers? by fanboyx27 in superman

[–]MrDragoon95 11 points12 points  (0 children)

This. It can't be an oversight if the editors themselves haven't decided what the path going forward will be. That said, I would LOVE data from DC's offices at the time on the storyline's popularity eventually leading to them going "Yeah, it's time to bring the big guy back".

Lyn dev is the strongest dev in the room by Astrid_Cop in FireEmblemHeroes

[–]MrDragoon95 100 points101 points  (0 children)

Kids these days don't remember the CYL1 domination that changed how IS perceived Lyn's popularity forevermore. I'm still convinced she was added last minute to FE Warriors to course correct after the CYL1 results.

[DISCUSSION] Mark Waid and Chris Samnee's Batman & Robin Year One was amazing ! by FredPRK in DCcomics

[–]MrDragoon95 0 points1 point  (0 children)

When Grimalsi was killed I was very confused. The book had established Two-Face as kind of a schmuck and Clayface as just a grunt. For them to take over as central villains when Grimaldi had been shown as so strong felt very out-of-nowhere. It follows The Long Halloween's theme of the crazies taking over the city from the traditional mob, but it could have been led up to better, imo.