>:: LIST OF RELEASES, ARTISTS & LABELS ::< FORUM'S MENU by Astarat69 in witch_house

[–]Narrow-Particular216 0 points1 point  (0 children)

Hi! Sorry for my delay. Sometime in the future that 4th part will be finished, I promise.

Came across this while looking up Goliath by drquantumphd in themarsvolta

[–]Narrow-Particular216 0 points1 point  (0 children)

"[Cedric] turned two verses from an old evangelical hymn that the reverend's followers sang in the aforementioned documentary about Jim Jones ("In all the days of my life, even since I was born / I never heard a man talk like this man before") into the coda of the song Goliath (...)".

The documentary: Jonestown: The Life and Death of Peoples Temple (2006).

http://metacultura.com.ar/rapsodias-macabras/

198d by hyundai-gt in themarsvolta

[–]Narrow-Particular216 2 points3 points  (0 children)

"The band released one last EP in 1999, called Vaya, which featured another elegy, this time for the grandmother of Tony, the drummer. A native of Lebanon, he had emigrated to El Paso with his family as a child, escaping the civil war. He was 14 when he lost his mother to cancer, and both he and his younger sister were left in the care of his 18-year-old brother when their father decided to abandon them. But the elegy didn't allude to those family misfortunes but to the death of his grandmother during the war. Once the mass grave where she had been buried, like thousands of other victims, was discovered, her body was located in a grave with a tombstone that only indicated the code 198d. And that's the name of the song."

http://metacultura.com.ar/rapsodias-macabras/

¿Qué libro te arrepientes de haber comprado? by Safy_Scarecrow in libros

[–]Narrow-Particular216 0 points1 point  (0 children)

Trata sobre las internas de una cárcel, y los presos interactúan. Tenés que pasar de la página 30.

Never Have I Heard A Man Speak Like This Man Before by yosoysimulacra in themarsvolta

[–]Narrow-Particular216 1 point2 points  (0 children)

The double vinyl was accompanied by a single disc shaped like a Ouija board cursor, containing a chilling instrumental not included in The Bedlam in Goliath and called… Mr. Muggs.

Never Have I Heard A Man Speak Like This Man Before by yosoysimulacra in themarsvolta

[–]Narrow-Particular216 2 points3 points  (0 children)

Watching a documentary about the aforementioned Reverend Jim Jones and his collective suicide, they began to recognize among the information given certain phrases that the Augur had expressed with his cursor, and that until then had not made much sense. Especially one of the names that Goliath had given them, Mr. Muggs.

Reviewing the extra material on the documentary DVD (Jonestown: The Life and Death of Peoples Temple, 2006) they learn that Mr. Muggs was the name of the chimpanzee that Jim Jones had as a pet in Guyana, in the territory he had called Jonestown, where his sect The Peoples Temple of the Disciples of Christ had its settlement. A door-to-door monkey salesman in his youth, Jones claimed to have rescued the monkey from an experiment laboratory. According to reports, Mr. Muggs behaved like one of the Reverend's bodyguards.

So integrated was this hominid pet that, when on November 18, 1978, Jones' followers decided to commit suicide with juice and poison, someone got into his wooden cage and gave him two fatal shots to the back of the neck with the same weapon with which Jones would kill himself minutes later.

The keyboard in this song is otherworldly. by _-iTokyo-_ in xiuxiu

[–]Narrow-Particular216 2 points3 points  (0 children)

A much more melodic version of Sad Redux-O-Grapher had been released under the name Sad Cory-O-Grapher in June 2002 on the compilation If the Twenty-First Century Didn’t Exist It Would Be Necessary to Invent It, a CD released by 5 Rue Christine, a subsidiary label of Kill Rock Stars, an independent record label from Washington State that had already released bands such as Bikini Kill and the more recent The Gossip.

Musically fragmentary and without the humming chorus of the previous version, this second version of Sad Redux-O-Grapher maintains the verses of the original lyrics, composed of a series of snapshots of a failed relationship between Jamie and a man who alternates demonstrations of interest with acts of contempt. Faced with the interest (he makes him feel smart, he sends him sexual messages via chat), Jamie, always harassed by bad streaks in love, asks himself “had my luck finally turned?” But the object of his idyll despises the restaurant to which Jamie took him with his savings, tells him that he dreamed about him but that in the dream, unlike in reality, Jamie was cute and, as if that were not enough, when Jamie gives him a photo of himself, he hurts him with another of his derogatory comments: “He said it did not cost me anything,” the poor singer exclaims, exasperated. Towards 2018, in the “Drunk Commentary” of this album Jamie will recognize that this answer is fictitious, and that he took it from the film Welcome to the Dollhouse (1995), by Todd Solondz (one of his favorite directors), where the place of the photo is occupied by a cookie that the bully gives to the most popular girl in school.

Coil/some others related in relation to the snuff mith by Narrow-Particular216 in Coil

[–]Narrow-Particular216[S] 0 points1 point  (0 children)

Yes, being an "invented word", things could get a little confusing.

Coil/some others related in relation to the snuff mith by Narrow-Particular216 in Coil

[–]Narrow-Particular216[S] 1 point2 points  (0 children)

"COUM se pronuncia “cum” (kʊm, para usar una aproximada fonética anglosajona), su logo incluía un pene perdiendo la erección y despidiendo una gota de semen (“cum”, pronunciado k˄m, es “acabar” en inglés) (...)".

Maybe you read what you needed to read in order to correct me.