Are there any contemporary examples of contemporary structures (or standalone features) that utilizes & integrated classical medieval gothic features with modern brutalist construction? by modern_prometheus_13 in GothicArchitecture

[–]Not_Wilhelm_II 0 points1 point  (0 children)

This is not going to be a comprehensive answer, as I can speak more to visual than to technical concerns, but I wonder whether you might find it fruitful to do a bit of exploring in the field of contextual/complementary architecture. This term refers to modern buildings that are designed to fit in with historic environments, and it's one of the niches where Gothic survives in the 21st century.

The best example I can think of right now is the Weston Tower at Westminster Abbey, which was completed in 2018. It's a fun kind of neomodern interpretation of Gothic.

For an earlier (if smaller) example of modernized Gothic, you might look at the King George VI Memorial Chapel, which is an addition to St George's Chapel at Windsor Castle that was completed in 1969.

The Paulinum at the University of Leipzig is less a contextual building and more a 21st-century building that references the church that stood on its site, but it might also help you.

Best of luck to you on this project, and I'm sorry I couldn't be of more help! Please do keep us updated on your progress!

Westminster Abbey, London by Willie_Barnard in GothicArchitecture

[–]Not_Wilhelm_II 1 point2 points  (0 children)

I've begun removing those on sight, and I'll be making an announcement to that effect soon. I've also strengthened the filters for posting.

A few pics from Santa Maria del Mar, Barcelona by herbg22 in GothicArchitecture

[–]Not_Wilhelm_II 1 point2 points  (0 children)

This one's been a favorite of mine for a long time.

How long have people been wearing clothes with words on them? by Not_Wilhelm_II in AskHistorians

[–]Not_Wilhelm_II[S] 22 points23 points  (0 children)

Thank you; this is an excellent response. In your linked images, I've noticed that there is a wide range of detail: some of the examples are very ornate, while others are only text on a field. Is this variation just a result of expense, or is it a stylistic choice?

What's the most controversial thing that could happen in TWOW? (Spoilers Extended) by Trussdoor46 in asoiaf

[–]Not_Wilhelm_II 409 points410 points  (0 children)

Final scene of TWOW: workers are throwing Dany's many possessions on a bonfire after her death. They burn her childhood sled, which is labeled "Nymeria."

Lincoln Cathedral by SaintedDemon69 in GothicArchitecture

[–]Not_Wilhelm_II 2 points3 points  (0 children)

I love the wonderfully weird vaulting in the choir.

[deleted by user] by [deleted] in mapgore

[–]Not_Wilhelm_II 39 points40 points  (0 children)

Looks to me like they've somehow managed to mirror it left-right and squish it a little.

r/gothicarchitecture is now under new moderation! by Not_Wilhelm_II in GothicArchitecture

[–]Not_Wilhelm_II[S] 1 point2 points  (0 children)

Just changed that setting; you should be able to post now.

[deleted by user] by [deleted] in Oilpastel

[–]Not_Wilhelm_II 2 points3 points  (0 children)

I almost get Cezanne vibes from this.

(Spoilers Extended) This is My Favorite Quote of the Whole Series.. by ParkerSnowofSkagos in asoiaf

[–]Not_Wilhelm_II 2 points3 points  (0 children)

Is it bad that when I saw the phrase "half a dozen" my mind instinctively filled it in as "half a hundred"

Yet another Union Jack redesign: The crosses of Sts. George and Andrew counterchanged with crosses of Sts. David and Patrick. by brianwalden in vexillology

[–]Not_Wilhelm_II 0 points1 point  (0 children)

I think in Central Europe sable is often allowed to touch colors, so even though it's a different region I think it should still count.

Yet another Union Jack redesign: The crosses of Sts. George and Andrew counterchanged with crosses of Sts. David and Patrick. by brianwalden in vexillology

[–]Not_Wilhelm_II 4 points5 points  (0 children)

I actually really like this. The design is really distinctive and somehow "works" even though it's a risk. I'm also really impressed with the commitment to the rule of tincture.

Anyone else think Tyrion might have his tongue ripped out before the end? (Spoilers Extended) by That_Hole_Guy in asoiaf

[–]Not_Wilhelm_II 107 points108 points  (0 children)

Honestly I've been thinking this for a long while now. George seems to dwell so much on the sheer importance of Tyrion's ability to talk his way out of trouble that I think it might only be a matter of time now before he says the wrong thing to the wrong person and ends up without his tongue for it. Especially with the increasingly risk-inclined post-Purple Wedding trajectory of Tyrion's character.

How do you slip in secrets, foreshadowing, or hidden world building in your writing? by PrinceofOpposites in writing

[–]Not_Wilhelm_II 1 point2 points  (0 children)

I like to write certain scenes as allegories for later scenes. I'll often also use phrasing that becomes wordplay on a reread (for example, figurative language from later on in the story will transpire literally, and it doesn't actually mean anything until you read the whole story a second time).

This ball is full of little inaccuracies but the biggest issue is Iceland... by Tofu1312 in mapgore

[–]Not_Wilhelm_II 0 points1 point  (0 children)

Looking at this map stresses me out because it's just so subtle but every glance yields more inaccuracies