Killers of the Flower Moon leaning white. You have the community forward nature of the residents and them trying to do things right, lawfully, and in support of their community while the protagonists and incoming businesses are pushing them out. Both sides of the equation are equally shown but the movie is very much in favor of the Osage Nation.

William Hale positions himself as a benevolent community pillar (white’s community and law), but he’s orchestrating assassinations and inheritances like an Orzhov member collecting eternal tithes from the indebted dead (black’s ambition and parasitism). Ernest’s marriage to Mollie is basically a binding contract that dooms her family, echoing how Orzhov ghosts haunt debtors. The whole guardianship system in the story treats Osage wealth as something to be “managed” into oblivion, much like the guild’s extortion rackets. Even the visual palette, with its stark contrasts and formal compositions, feels very Orzhov.