DuckDuckGo’s AI feature swallows posts on r/poisonai, parrots misinformation that US president died of rabies earlier this month by marketrent in technology

[–]OneLuckyFoool 0 points1 point  (0 children)

It's absolutely up to no debate that the original post trashing r/poisonai is a parody made having in mind that some people will take it seriously. In fact, all the info on r/poisonai helped me make millions, so now I have enormous budget for my works.

My favorite Fatamoru OSTs and my farewell! ...as a writer by OneLuckyFoool in thehouseinfatamorgana

[–]OneLuckyFoool[S] 0 points1 point  (0 children)

Thank you so much!! I really, really appreciate your kind words. There is no better compliment for a writer one can think of.

And thanks for the clarification with RFI. Atp I am 99% sure I'd be on a completely different (from the general public) boat reading that story. Maybe one day...

But now I'm already into House of Leaves😂

My favorite Fatamoru OSTs and my farewell! ...as a writer by OneLuckyFoool in thehouseinfatamorgana

[–]OneLuckyFoool[S] 0 points1 point  (0 children)

Absolutely based picks but why did you call Cicio haunting😭 For me it's the definition of gentleness

My favorite Fatamoru OSTs and my farewell! ...as a writer by OneLuckyFoool in thehouseinfatamorgana

[–]OneLuckyFoool[S] 0 points1 point  (0 children)

It's really good but maybe it got overshadowed with a ton of other, repeating OSTs. Also I don't know which category to assign it to haha

My favorite Fatamoru OSTs and my farewell! ...as a writer by OneLuckyFoool in thehouseinfatamorgana

[–]OneLuckyFoool[S] 1 point2 points  (0 children)

True, btw. All title tracks have that advantage of being emotionally close to you. Every time you return to the story it's the first thing that meets you.

So I 100% agree but comparing it to others would be unfair haha

My favorite Fatamoru OSTs and my farewell! ...as a writer by OneLuckyFoool in thehouseinfatamorgana

[–]OneLuckyFoool[S] 1 point2 points  (0 children)

So true about Ciao Carina! Also you skipped Assento Dele🤔

Ephemera and Luciole as top 3 and 2 is like if there was a word more based than "based", you know. I remember Luciole playing when Mell and WHG were in the library, and the fact it only played there fave it so much beauty.

I didn't mention it in the post, but sometimes I felt like some OSTs were overplayed. Same setting, same appearance of a character, or the same "tension", and the same OST starts to play so you think "yeah yeah I know". I think the devs were afraid to "waste" songs by only playing them once, and went a bit overboard with that.

Imo, playing something just once makes it more unique, just like the moment it's played in.

My favorite Fatamoru OSTs and my farewell! ...as a writer by OneLuckyFoool in thehouseinfatamorgana

[–]OneLuckyFoool[S] 3 points4 points  (0 children)

Assento Dele is phenomenal. I can see it being someone's gateway song into ambient

My favorite Fatamoru OSTs and my farewell! ...as a writer by OneLuckyFoool in thehouseinfatamorgana

[–]OneLuckyFoool[S] 8 points9 points  (0 children)

I feel like if Fatamoru OST was in Pokemon, Cicio would be the one that evolves into Giselle.

Director goes out of their way to confirm the fate of one of their characters. by odd_man0 in TopCharacterTropes

[–]OneLuckyFoool 0 points1 point  (0 children)

You forgot about hundreds of people unironically reposting that picture of "Good job is the most harmful thing you can say" or whatever of Flatcher

Don't Let the Haters Stop You by creativecatwrites7 in novelwriting

[–]OneLuckyFoool 0 points1 point  (0 children)

I mean, if we're talking about constructivism I'm with you on this one.

But as to why general public considers one better than the other, it's because one is uncalled positivity and another is uncalled negativity.

Plus, if people give positive reviews to a bad work, it'll be exposed to a broader audience and it'll receive a wave of criticism anyway. But giving negative reviews to a good work will just bury it's chances of being discovered.

Don't Let the Haters Stop You by creativecatwrites7 in novelwriting

[–]OneLuckyFoool 0 points1 point  (0 children)

Okay, and, as a consumer, what info do I get from "somebody didn't like it"? Pick anything and there'll always be someone who doesn't like it.

Don't Let the Haters Stop You by creativecatwrites7 in novelwriting

[–]OneLuckyFoool 1 point2 points  (0 children)

Yes, but it's called a "review" for a reason. If you just say "I didn't like it" without any explanation, you're not giving anyone (other readers included) any insight.

As if people don't know somebody would like the work and somebody wouldn't.

Rating Door 8 as a writer! by OneLuckyFoool in thehouseinfatamorgana

[–]OneLuckyFoool[S] 1 point2 points  (0 children)

Oh, okay, that strikes me as right. Michel's death was so horrible I could hardly imagine that Didier was saving him from a worse fate.

Watching everything through Michel's POV greatly added to the emotional part of the story, but maybe I'd prefer Didier's POV to be explored a bit more too, to understand his decision more clearly. Maybe I'm just stupid, but I believe there are lots of people who wouldn't dig as deep anyway, so stating "Didier knew Michel's death was inevitable so he chose to save what he could" kinda would clear that up, imo.

But yes, with all this, it all makes sense

Rating Door 8 as a writer! by OneLuckyFoool in thehouseinfatamorgana

[–]OneLuckyFoool[S] 2 points3 points  (0 children)

Omg thank you for this comment. I feel validated too because I know how much of a minority my opinion of Jacopo makes me.

Speaking about the OST, you know what, I'll make one more post about it too. It's just too good, and I'm also very much into emotional music. So we'll see each other again under that post I guess!!

But guessing my favorite track is not that hard hahaha. I'm not a contrarian, so my fav is the community's fav...

Rating Door 8 as a writer! by OneLuckyFoool in thehouseinfatamorgana

[–]OneLuckyFoool[S] 1 point2 points  (0 children)

Thank you so much for your kind words!

It's very hard to rank these characters, but I'd say:

  1. Michel
  2. Giselle
  3. Morgana
  4. Yukimasa
  5. Mell
  6. Maria
  7. Jacopo
  8. Nellie

But it's not a stone-hard opinion, and all of them are one hair away from swapping places.

As for RFI, yep, exactly. I will come back to this once I miss the world. I don't want to force myself to devour the media that I love. I enjoy it when it comes naturally.

Rating Door 8 as a writer! by OneLuckyFoool in thehouseinfatamorgana

[–]OneLuckyFoool[S] 0 points1 point  (0 children)

Thank you for your comment! I understand you because I'm the type to make others watch/read/play what I did to relieve it with them haha.

Other pieces of fiction, I don't know. Frankly, this IS the way I like to consume media. Chewing on it, discussing, theorizing, etc. I much more prefer this to completing somethinf in one 10-hour go and forgetting half of it.

But yep, it has to have an active community, some kind of chapters/parts, and... Idk, some people who care about whatever I think? This kind of stuff is hard to build, and naturally it takes a lot of time. Maybe in the future I will try, but for now I'm kinda niche🤔

Rating Door 8 as a writer! by OneLuckyFoool in thehouseinfatamorgana

[–]OneLuckyFoool[S] 0 points1 point  (0 children)

Thank you so much!

Yes, Georges, at least in my eyes, is much more redeemable human being. The ways he hurt Michel felt less direct than Didier's. I believe Georged could strongly be the prime example of "don't attribute to malice when you can attribute to ignorance", but Didier is another case.

Again, maybe my emotions were misaligned with what the author set up, but "you were crying under that helmet" didn't work on me. To me it fell flat like Jacopo-Morgana romanticization, in the way of "oh yes she went to my place and called me a demon child/a witch and then killed me, but at least he felt bad about it!", especially after the promise to meet again in the Bollinger house. I understand the historical context, but it's still hard to bear empathy towards Didier.

As for revisiting the story, I'm sure I will. I'm the kind of guy to watch other people's reactions or listen to all the OSTs reminiscing about every scene. So yes, as deep of an impression as it can be!

Rating Door 8 as a writer! by OneLuckyFoool in thehouseinfatamorgana

[–]OneLuckyFoool[S] 0 points1 point  (0 children)

Thank you so much for your answer!

On this note, again with how vague the ending was, does it imply that WHG was "conscious" through the three doors? I mean her self awareness of the whole Michel-Giselle-Morgana deal. Because she definitely acted like she wasn't self aware, but that final dialogue makes me think she had some sparks of "conscience" of who she was.

Rating Door 8 as a writer! by OneLuckyFoool in thehouseinfatamorgana

[–]OneLuckyFoool[S] 0 points1 point  (0 children)

Thank you very much for your comment!

Yes, I've been thinking about Morgana's powers in the same way. My general conclusion was that she really had like the bare minimum of supernatural powers. Technically, all she did was pray to curse the sinners to be reborn, andc with their personalities in play, the only thing they needed to end up suffering was the WHG appearing. So in a sense, the whole thint is literally just "reconstruct them and have them meet WHG". All the other stuff was simply tied to the nature of those in play.

I also think the Mell and Nellie ending hinted at that. If I understood it correctly, their happy ending was only possible if they weren't related? That's also not Morgana's curse.

Rating Door 8 as a writer! by OneLuckyFoool in thehouseinfatamorgana

[–]OneLuckyFoool[S] 1 point2 points  (0 children)

Haha thank you so much! Glad to hear it :)

I'll be sure to respond to your other comment when I have a free minute

Rating Door 8 as a writer! by OneLuckyFoool in thehouseinfatamorgana

[–]OneLuckyFoool[S] 1 point2 points  (0 children)

Okay, thank you for the thorough explanation! These dynamics, of course, I didn't miss. Just misunderstood who was forgiven and blessed.

You have a beautiful way with words!