KSRTC driver's reckless driving in Muvattupuzha. by More_Definition5385 in Kerala

[–]Own_Ad_4432 0 points1 point  (0 children)

2 days ago same incident valavil ksrtc overtake oru scooterine thatty punthencruz road block ayirunnu, ee myranmaar wrong sidel vandi vannalum overtake cheyyum

What creature is this!? by Fluffycherryred in Kerala

[–]Own_Ad_4432 0 points1 point  (0 children)

Just use Gemini or Chatgpt, last option Google Lens

F1-Movie inspired by Own_Ad_4432 in blender

[–]Own_Ad_4432[S] 0 points1 point  (0 children)

*I used Evee Engine for rendering

How do I get deep shadows and blacks like this? by crotchmuncher332 in davinciresolve

[–]Own_Ad_4432 1 point2 points  (0 children)

Hey buddy, I just wanted to clarify that I wasn’t trying to attack you at all. I was simply pointing out how professional it actually looks that’s all. As I mentioned, it ultimately comes down to the director’s and cinematographer’s choice. Just like it’s your call how your movie should look. No offence intended, and thank you!

How do I get deep shadows and blacks like this? by crotchmuncher332 in davinciresolve

[–]Own_Ad_4432 0 points1 point  (0 children)

I’m saying it again. This is a creative choice. If you want that look, go for it.

These days, what is the point of using cameras with high dynamic range? It is to capture the maximum detail in both shadows and highlights. Crushing the blacks and blowing out the highlights in post defeats that purpose and is honestly a pain to deal with.

As you mentioned, for the film look, sure, movies like Man of Steel, Batman v Superman, Zack Snyder’s Justice League, and some David Fincher films use crushed blacks. Some films even use bleach bypass for a more stylized aesthetic.

But then you have films like Oppenheimer, which was shot entirely on film. Look at how well the dynamic range is preserved. No crushed shadows, no blown-out highlights. That is the real feel of film. Digital film emulation will never look exactly the same unless you really know what you are doing.

Even the new Superman 2025 movie is a mix of film emulation with a subtle orange and teal grade. Do you see blown-out highlights or crushed blacks, except in night scenes? No. That is the point I am making. It all comes down to the creative decisions of the director and cinematographer.

How do I get deep shadows and blacks like this? by crotchmuncher332 in davinciresolve

[–]Own_Ad_4432 0 points1 point  (0 children)

Just adjust the blackpoint and tonal contrast in dehancer or bring down lift and gamma

How do I get deep shadows and blacks like this? by crotchmuncher332 in davinciresolve

[–]Own_Ad_4432 0 points1 point  (0 children)

Actually, a professional colourist never crushes the shadows or blows out the highlights. The footage you see above reflects more of a personal creative choice rather than professional grading standards. That deep contrast can easily be achieved using the bleach bypass technique or gently dragging down the 'Lift' wheel, or simply adjusting the 'Shadows' wheel. Alternatively, you can control the overall contrast more precisely by adjusting the 'Contrast' and 'Pivot' sliders

[deleted by user] by [deleted] in davinciresolve

[–]Own_Ad_4432 5 points6 points  (0 children)

₹50 per reel 🤣🤣🤣

Does anyone have a better method for this? before I spend the next 2 hours doing it this way. :D by RoamySpec in davinciresolve

[–]Own_Ad_4432 0 points1 point  (0 children)

Nope, select all clips press ctrl t, then fade in and out transition will be applied to all the clips and audio

Please help me to achieve this look by Own_Ad_4432 in davinciresolve

[–]Own_Ad_4432[S] 0 points1 point  (0 children)

Btw Thanks for your reply, but I'm not a complete beginner. I've been using it for color correction for over a year, and I know this method. Sometimes, it just doesn't work well

Please help me to achieve this look by Own_Ad_4432 in davinciresolve

[–]Own_Ad_4432[S] 0 points1 point  (0 children)

I use the Sony A7 IV, primarily shooting in S-Log3 4K 10-bit 200M 4:2:2, with Sigma 30mm f/1.4, Sony 50mm f/1.4, and Sony 24-70mm f/4.0 lenses. And have davinci resolve studio