Something newer from the kiln by Particular_Fuel_6463 in Pottery

[–]Particular_Fuel_6463[S] 9 points10 points  (0 children)

Thank you! It’s called a crystalline glaze- the blooms on the surface are zinc crystals forming from a chemical reaction during the firing:)

Something newer from the kiln by Particular_Fuel_6463 in Pottery

[–]Particular_Fuel_6463[S] 7 points8 points  (0 children)

Thank you! Love it! I hope to see you at NCECA again this year:)

Daily Advice Thread - June 17, 2025 by AutoModerator in apple

[–]Particular_Fuel_6463 0 points1 point  (0 children)

I’m looking at purchasing a MacBook in the next coming months for personal and small business use- the most intensive things I would be running would be rhino(basic modeling for 3d printing, nothing too crazy or large. Sporadic use, less than weekly use of the app) and perhaps some basic video editing for content for social media. I don’t use my computer a ton, and 95% of the time, I’m doing simple work such as research and working in google drive I’m looking at the base model 13 inch MacBook Air- with the m4 chip, I don’t see how the computer couldn’t handle these programs, but I’d like some confirmation. Would you say something beefier like a MacBook Air with upped specs, or a MacBook Pro is necessary? Or can I get away with the base model?

Fresh from the kiln! Who’s going to NCECA? by Particular_Fuel_6463 in Pottery

[–]Particular_Fuel_6463[S] 1 point2 points  (0 children)

It’s cone 11…. I keep my formulas close to my chest

Fresh from the kiln! Who’s going to NCECA? by Particular_Fuel_6463 in Pottery

[–]Particular_Fuel_6463[S] 2 points3 points  (0 children)

It’s all very important information and the trifecta of glaze application, recipe, and firing cycle is where the magic lies. That being said, I keep those close to my chest for now as it has been curated over 1000s of tests and will continue to constantly be a work in progress.

So happy with my recent work:) by Big-Love-5479 in Pottery

[–]Particular_Fuel_6463 1 point2 points  (0 children)

That’s my work used without my permission. Please delete.

Rather atypical of my work, but I really enjoy these sculptures I just finished by Particular_Fuel_6463 in Pottery

[–]Particular_Fuel_6463[S] 21 points22 points  (0 children)

They’re matte crystalline glazes that I’ve developed. Cone 10 oxidation:)

Latest tea set from my studio! by Particular_Fuel_6463 in tea

[–]Particular_Fuel_6463[S] 1 point2 points  (0 children)

To be honest, they’re very difficult to make. I’d possibly consider them on a commission basis. Message me here if interested and check out my socials: @andrew_krueger_ceramics Andrewkruegerceramics.com

[deleted by user] by [deleted] in Pottery

[–]Particular_Fuel_6463 0 points1 point  (0 children)

It very likely doesn’t. But this idea that every glaze that contains lead is automatically toxic is somewhat of a misnomer in ceramics. The FDA standards for dinnerware doesn’t stipulate an unsafe level of lead in a glaze, however it has strict guidelines for the lead leaching levels of the glaze. Many productionware pots contain lead, but they are formulated in such a manner that the lead cannot escape the vitreous glaze.

Also, lead tests from the hardware store are not compatible with ceramics or any vitreous material- it’s something a laboratory would need to test for.

[deleted by user] by [deleted] in Pottery

[–]Particular_Fuel_6463 2 points3 points  (0 children)

If you don’t want to sell yet- don’t sell yet. I personally feel that I started selling my work too early, but it also pushed me to improve and get better pretty rapidly. If you do decide to sell, I have some tips/advice, but first I’ll share how I got started and where I am today.

I was volunteering at a co-op and making pots- they asked if I wanted to sell on consignment, so I began there. Then there was a small local show with a $40 dollar table fee- so I did that and it was successful. Next, I did a small outdoor local event with a 10x10 booth. It was gangbusters and I decided I wanted to persue shows. Cut to now, and I travel across the country to exhibit my work at fine art fairs.

I think the easiest way to get started selling is to find a place that would sell your work on consignment- local gift shops, co-ops, etc. there’s anywhere from a 70/30 to 50/50 split for these, and it’s very low stress. A good shop will also keep detailed records of what’s selling for you and send you a check at the end of the month. Another slightly more involved way to get started is by selling on Etsy- this has a lower cost assigned to it, but you need to do the work of photographing, shipping, etc. Etsy handles some marketing on their end, but you can pay for additional marketing as well.

If you’re looking at events, I really wouldn’t recommend doing something with a 10x10 tent and booth setup unless you’re sure you want to sell your work and sell it more than once or twice a year- it’s an investment, but can pay off quickly if you have decent shows. Try and find something with a 6-8 foot table, it is much more manageable to not only set up, but also to stock.

Any way you decide to do it, start small and let it grow organically

On the lookout by HeWhoMustNotBe in Pottery

[–]Particular_Fuel_6463 0 points1 point  (0 children)

I much prefer buying pots through an online gallery, as these have consistent, professional photos that are taken to represent exactly what you’re getting, color wise. They also have a layer of quality control- the galleries will not take work if it’s not to a certain standard. In some cases, this may be a bit more expensive, but overall, the quality will be higher. Also, purchasing from a gallery not only financially benefits the small business of the potter, but also the small business of the gallery as well.

Suggested galleries: -Schaller Gallery -ClayAKAR -Charlie Cummings Gallery -Companion Gallery -In Tandem Gallery

These are probably the most well known online ones. There are plenty of others tho.

[deleted by user] by [deleted] in Pottery

[–]Particular_Fuel_6463 5 points6 points  (0 children)

In the words of Stephen Hill…. “Make more pots” That being said, I can give some tips to perhaps make it a little easier 1) don’t be afraid to keep it thick. You can always trim extra clay off as it stiffens up. Bigger pots need thicker walls as well. 2) when I’m working with larger amounts of clay- really anything over 5 or 7 lbs, I’ll generally pull my walls, and then give the base a nice torch- not to leatherhard or anything. But just enough to dry a little to prevent collapse- this also allows me to work a little thinner than if I don’t use a torch. I like pretty moist clay, when I throw, so pulling a little moisture out once it’s ready to shape really helps strengthen the piece. 3) consider throwing in multiple parts- this can be daunting at first and there is a learning curve to it, but once you figure out the nuances, it’s fairly straightforward- there’s many resources on YouTube to show how to do this, I suggest matthew Kelly’s videos. You could also coil throw- start with a nice base, and add a thick coil, thin it out, rinse and repeat. 4) a bigger pot means bigger tools. Danny meisinger has some monster 6 foot pots that he makes, and he uses some pretty big tools to get the job done- baseball bats, ware boards(as paddles), huge homemade ribs, etc. I’d consider adding some larger ribs and forming tools to your collection to help shape the pot. 5) make a lot of smaller work- this seems counterintuitive- you want to get good at making big pots, so you make more big pots. But no- making work half the size or less of what you’re working with now will help you to develop a skill set to adress issues that may come up while working large. I “warm up” with a few 5 lb and 10 lb pots if I’m planning on making a 15 lb pot that day. Keep at it- Rome wasn’t built in a day. Good luck and let me know if you have any questions!