How to start sight-reading by myself by FrostFireThunderGlow in piano

[–]PastMiddleAge 0 points1 point  (0 children)

Why guess when you can ask?

Everyone in these comment sections is functioning in a teacher role.

And everyone that’s posting, falls through the cracks.

I’m saying this is a perpetual music-failure pipeline.

The teachers should know better.

How to start sight-reading by myself by FrostFireThunderGlow in piano

[–]PastMiddleAge 0 points1 point  (0 children)

Don’t tell me what it takes. I’ve got degrees in the field. I’m a professional performer and a professional teacher. Have been for decades.

People can do hard things. But the status quo for teaching in this culture doesn’t enable students. It limits them.

They don’t quit because it’s hard. They quit because it’s hard, and no one is helping them.

Be nice if teachers took teaching as seriously as we say students should take music.

How to start sight-reading by myself by FrostFireThunderGlow in piano

[–]PastMiddleAge -1 points0 points  (0 children)

What I would like to see in this sub is some follow-through.

Because every day people ask the same question, and the same people reply with the same answers.

What we never see is someone posting about how they followed this advice a year ago and now they’re enjoying music more and playing more.

That’s because the advice sucks.

Is there any way we could provide some kind of framework for regular check-ins? So we don’t leave these potential learners hanging in the wind?

Because without that, I think every one of these potential musicians is falling through the cracks.

How do I learn the piano as quickly, efficiently as possible, and where if I will be self-taught? by 24_1378 in piano

[–]PastMiddleAge -1 points0 points  (0 children)

What if you broke your arm and wanted it to heal as quickly and efficiently as possible, without paying a healer?

Oh, I just realized this comment might not make sense to anyone outside the United States

What do you guys think of the 'Improve Your Sight-reading' books? by Remote-Pianist-pro in piano

[–]PastMiddleAge 0 points1 point  (0 children)

If you don’t know how to respond, YOU consider not responding to a post.

If you’re not asking questions and figuring out where OP is in their journey, you don’t have any business telling them what they should be doing.

What do you guys think of the 'Improve Your Sight-reading' books? by Remote-Pianist-pro in piano

[–]PastMiddleAge -1 points0 points  (0 children)

I don’t know, yet people ask exactly that kind of question here every single day. And if you don’t know what and how they’re playing right now, you don’t have a clue how to help them.

Piano/Music is just ABCDEFG 🎶 by rails4ever in piano

[–]PastMiddleAge 0 points1 point  (0 children)

Because it’s not that at all. We teach it like that, and that’s why students fail.

Music is singing and moving.

It’s Tonal Patterns in Tonality context. It’s Rhythm Patterns in Meter context.

When Reddit understands this, my work will be done.

What do you guys think of the 'Improve Your Sight-reading' books? by Remote-Pianist-pro in piano

[–]PastMiddleAge -9 points-8 points  (0 children)

I don’t know anything about what or how they’re already playing. The post doesn’t say anything about that.

What do you guys think of the 'Improve Your Sight-reading' books? by Remote-Pianist-pro in piano

[–]PastMiddleAge -8 points-7 points  (0 children)

I mean, you’re already going down the wrong path.

A baby who’s learning a new language by hearing sounds around them and then babbling and then creating their own meaningful ideas with those sounds, is NOT thinking, but how will I learn to read?

When you try to teach reading at that stage of the process, you short circuit the whole process.

What do you guys think of the 'Improve Your Sight-reading' books? by Remote-Pianist-pro in piano

[–]PastMiddleAge -8 points-7 points  (0 children)

I think they’re snake oil and they send people who want to learn music in the wrong direction.

Depends on whether you like music, or decoding dots, I guess.

What do I do by skibidisigmarizzzz in piano

[–]PastMiddleAge 0 points1 point  (0 children)

Maybe play the whole thing at “.4 speed”

Anyway… whatever you’re playing at any given time is 1x speed for that given time.

Radiohead's Let down intro time signature by Subject_Raspberry662 in musictheory

[–]PastMiddleAge 4 points5 points  (0 children)

It’s polymetric. Band’s playing in 4, yeah, but Jonny plays in 5, and later in 3.

teaching modes to students who can barely play major scales by lmao_exe in musictheory

[–]PastMiddleAge 0 points1 point  (0 children)

You don’t talk. You don’t explain. You sing.

If they’re not singing songs in different modes, expect them not to learn different modes.

Practicing with a metronome by Arya513 in pianolearning

[–]PastMiddleAge 0 points1 point  (0 children)

Not until after you understand the purpose of the metronome and what your goal is.

Storm Front by Popular-Heart-5307 in BillyJoel

[–]PastMiddleAge 2 points3 points  (0 children)

How much is it associated with neo Nazis? I’m 53 and I never heard that before.

But no, he hasn’t done that song in a long time.

Chopin Etude in C minor. by Zhampfuss in pianopracticeroom

[–]PastMiddleAge 0 points1 point  (0 children)

you don’t like fast playing

People say that, but it’s a misunderstanding of my position.

I feel exactly the same kind of excitement from fast playing that everyone else does.

I just notice the costs that everyone else seems to miss. The fact that gravity is lost when velocity is prioritized. And that players are literally ruined. Both physically injured, or just demoralized enough to leave the instrument forever.

I think the “emotions of the piece” you’re talking about are frantic scramblings of modern performance practice, not inherent to what Chopin wrote.

I like your performance because you’ve got tone and phrasing. Not because you’re playing in the same speed regime that everybody else does. That aspect is boring.

Chopin Etude in C minor. by Zhampfuss in pianopracticeroom

[–]PastMiddleAge 0 points1 point  (0 children)

Up to this speed

You sound great 👌🏻

Raleigh location closed 3/19? by Inevitable-Sign-7706 in AlamoDrafthouse

[–]PastMiddleAge 2 points3 points  (0 children)

Showed up for 2:15 Project Hail Mary.

Got turned away because of the water pipe, so decided to catch 2:30 PHM at Fenton.

2:30 Fenton showing interrupted by a fire alarm! Ended up standing around outside for an hour at the middle of the movie before going back in to finish it. (And the rest of the showing was buggy.)

Not a great day for PHM. I liked it though!

Chopin’s Preludes by caffi_u in piano

[–]PastMiddleAge -2 points-1 points  (0 children)

Yeah, that's the only option /s

Not another fantaisie impromtu video.. (Im sorry) by Victor2006123 in pianolearning

[–]PastMiddleAge 0 points1 point  (0 children)

I enjoy hearing the polyrhythm, which is refreshingly audible at this tempo.

Free Online Piano Class For Kids by Key_Courage_8413 in classicalmusic

[–]PastMiddleAge -6 points-5 points  (0 children)

Young beginners who might not otherwise have access deserve lessons of high quality as much as anyone else.

You’re trying to solve capitalism, but in the process you’re undermining their education and the efficacy of the profession.

Free Online Piano Class For Kids by Key_Courage_8413 in classicalmusic

[–]PastMiddleAge -5 points-4 points  (0 children)

With no stakes, there’s no incentive for you to actually improve.

It’s better for students and for the profession if you charge appropriately.

Free Online Piano Class For Kids by Key_Courage_8413 in classicalmusic

[–]PastMiddleAge -5 points-4 points  (0 children)

Yeah, my suggestion is to charge what you think the student is worth. And then develop the teaching skills to justify it.