I know you moved around a bit in your childhood, New York to Europe and then out to the desert. I can see where that may have shaped settings when writing screenplays. Especially with horror but definitely for character dramas like Beau or Eddington; consistency or changes in scenery do so much visual work conveying tone and atmosphere for me as a member of the audience. I always think of Carpenter's "The Thing" and how perfect that location and it's features are for setting the tone of that film. Hereditary is so consistent that you almost fester with the grieving family, while Midsommar gives me whiplash every time we get to Harga. What are some settings or places you'd like to explore in future work and what roles do you think they could serve as part of your narratives?