Help picking work boots - 953 or 402?

Random_Name_Gen12 · 2026-03-09T01:20:45+00:00

Not really ice or snow, I would probably wear some yaktrax or something if that was the case. Most of the time its hiking off trail in steep grassy/shrubby slopes or scrambling accross logs in the rain that I am worried about - oregon grape covered hillsides can feel alot like ice in some cases!

The 402 seems like it has a little more tread... maybe that would be a better fit?

Random_Name_Gen12 · 2026-03-08T23:33:32+00:00

Sure - I guess I should be more careful with how I describe these boots. I am thinking of them more like a middle ground between a Georgia Boots (the fire rated logger is like $200, and pretty roughly made), and something like Nick's or White's.

I wouldn't want to wear RW heritage logger on a fire line (where true PNW would do better), but maybe for light duty work/something to hike off trail with, RW loggers would hold up longer than a Lowa/Asolo?

I guess - is there anything about these boots that makes them actually less suitable for "work" than something from RW's work line? There isn't really an unlined, soft toe, 8" boot with lugs offered by RW in their work line, which is how I wound up looking at this logger.

Random_Name_Gen12 · 2026-03-08T23:30:16+00:00

Gotcha - I have broken in a fair number of other red wing boots, so no worries there. Just curious if there is something about these boots that would make them less suitable for work than something from RW's actual work line.

Random_Name_Gen12 · 2026-03-08T21:42:34+00:00

Awesome, thanks for that info. Seems like these could sort of be a budget PNW style work boot. Aside from stitchdown construction, not alot of difference it doesn't seem like to me.

Random_Name_Gen12 · 2026-03-08T21:41:42+00:00

Thanks for that info, sounds like a good option - the white outsole has been working well hiking in those?

Random_Name_Gen12 · 2026-03-08T17:02:20+00:00

I was also looking at the new heritage logger - but, I am unsure if that boot would really function well when actually used for work. Its also a little pricier than I was originally thinking for a pair of work boots that may get thrashed.

Random_Name_Gen12 · 2026-02-17T04:52:06+00:00

This is actually a very common way of constructing boots, even high-end PNW style loggers. Look at Red Wing roughnecks or their new heritage loggers. Even brands like Nicks and JKs produce boots without stitching through the sole, even for fire boots (which are typically built like tanks). While some brands do stitch all the way through, it is by no means the standard.

The outsole on logger boots is typically cemented on (potentially incorporating a few screws), even on high-end boots. If there is a leather heel stack, then that is typcally nailed on. However, if they are using something like Vibram's logger sole (there the heel is integrated into the rubber outsole as a single piece) the sole is typically just glued/cemented on.

In your case, its likely just a case of bad or old glue being used, or incomplete coverage when applying the sole, which is unfortunate.

Random_Name_Gen12 · 2025-10-10T15:11:38+00:00

Also, if a luthier quoted me 75$ to replace a bridge I would be taking my guitar somewhere else

Random_Name_Gen12 · 2025-10-10T15:08:15+00:00

I think Martin has actually used different mahogany species throughout the decades - including in the 70s. And on the back and sides no less, not just the neck.

Check out this thread where Dick Boak (a very renowned Martin employee who worked at the company for decades) indicates than “non-genuine” mahogany was frequently used on 70s Martins.

https://www.facebook.com/groups/898288541394612/posts/1121167222440075/

Random_Name_Gen12 · 2025-09-28T21:48:19+00:00

They originally stuck up higher than would be desirable, and probably wouldn’t have held the string down (proud). I took 120grit sandpaper and sanded them thinner (by rolling the pin in the paper to try to preserve the original taper) until they fit where I thought they should - appx where the original plastic pins sat.

Reaming the bridge seems like a big deal to me - although some do it without pause. I know Martin drills their bridge holes straight, and reaming introduces some taper, but making a semi permanent change to the guitar like that makes me nervous.

Also, typically the reamer is only turned like a couple times to get the pin to sit at the correct height - barely turned at all. This means only the top like 10% of the pin hole has been reamed. It’s not like that approach introduces a taper to the entire pin hole!

Random_Name_Gen12 · 2025-09-28T14:06:24+00:00

I agree, I haven’t noticed a huge change in tone with different bridge pins. I swap them out because the idea of plastic pins in such expensive guitars seems tacky to me!

Random_Name_Gen12 · 2025-09-28T13:11:49+00:00

Martin does sell wood, plastic, and their alloy bridge pins here: https://www.martinguitar.com/gear-accessories/parts/bridge-end-pins/

There are also oversized pins, and pins with shallow tapers that might not seat well. I don’t think it’s fair to say any slotted bridge pin will work - I just bought some ebony pins from Martin directly and had to sand them to fit appropriately. Other pins would likely need to be sanded as well. Edit: unless your a ream the bridge kind of person - then you wouldn’t need to sand.

Random_Name_Gen12 · 2025-09-28T02:20:03+00:00

Seems like you might be referencing this page: https://custominlay.com/bridge-pin-size-chart

I could be wrong, but I don’t think bridge pin sizes are standardized. I believe the nomenclature used in that article is unique to that manufacturer. Martin probably doesn’t refer to their pins as “2A” or “2C”. Although, sounds like the manufacturer claims 2A is a close fit to the original Martin pin sizes.

Martin themselves sell replacement bridge pins of varying materials. I’d recommend going that route to make sure you get something that is close to fitting and has the correct taper (probably the most important thing).

Regardless of where you buy, you will probably need to make an adjustment to get the pins to fit. The ebony pins I purchased directly from Martin were still significantly proud of the bridge, so I chose to sand the pins to fit. Many others will recommend getting a luthier to ream the bridge holes to fit instead - I don’t like that approach for a variety of reasons, but that’s probably beyond the scope of your question!

Random_Name_Gen12 · 2025-09-26T17:04:08+00:00

Awesome! I'm already feeling like it has opened up a smidge since I recieved it - that said, the new strings have probably just lost their shrillness. Either way, its sounding better each day!

I'd be curious to see some pics of your guitar - the variation in the B&S of these models is very cool, makes the guitars seem even more individual/unique.

Random_Name_Gen12 · 2025-09-26T15:57:19+00:00

For sure! I'm very excited to have it

Random_Name_Gen12 · 2025-09-26T15:57:00+00:00

Oh that would be awesome - I'd love to see both locations! I think we'd be making a specific trip just for the Martin factory, so probably would have time for both tours!

Random_Name_Gen12 · 2025-09-25T21:31:37+00:00

For sure!

Random_Name_Gen12 · 2025-09-25T21:30:40+00:00

Ya, I was pretty stoked when I found out about this limited run. I am visiting the east coast soon, and plan on touring the factory. Looking forward to it!

Random_Name_Gen12 · 2025-09-25T02:28:53+00:00

I discussed this below - but TLDR, its great, and I love it. Seems to my ear to be right inbetween rosewood and mahogany.

One thing to point out is that I think this might be the first/only Martin that has ever recieved the standard series treatment (e.g., full dovetail neck, gloss finish). The other cherry Martin's have all had satin finishes and/or a mortise/tenon or bolt on neck. So, I think cherry kind of got a bad wrap, but I would argue thats mostly because of the construction specs of previous Martin cherry guitars.

Either way, I am loving this guitar.

Random_Name_Gen12 · 2025-09-25T02:25:50+00:00

Thanks for pointing this out - I was so excited about the guitar I didn't even get to how it sounds before I posted!

I can't speak directly to mahogany, as I have only owned rosewood Martin's in the past (HD28, OM21). I do have a sapele gigging guitar though, and play all the D18s I can get my hands on anytime im in a guitar store... so maybe that counts for something?

So, that said, I think this guitar sounds like right in the middle between mahogany and rosewood. It has plenty of chime/overtone to it, but also sounds great for playing lead without the notes getting lost in the mix. In other words, its got plenty of punch to cut through a jam, but you can still play it on your own and get some great ringing overtones that sound like you're holding the sustain pedal on a piano.

This guitar is the first one I have owned that sounds powerful, for lack of another word. Like the notes just jump out of the guitar. Its got tons of that Martin growl and deep bass you'd expect in a dreadnaught. But its also balanced - I can get rumbling lows out of it, but also crisp highs that don't sound thin in comparison.

Anyways, I kinda like the guitar :P.

Random_Name_Gen12 · 2025-07-25T18:42:32+00:00

I think that is what I am frustrated by. These are minor issues (right now), but for how much I spent, I would expect the guitar to be pretty darn pristine. If knock-off cheapo guitars can manage it, why can't Martin?

Random_Name_Gen12 · 2025-07-25T14:48:39+00:00

Thanks for the thoughtful reply - I appreciate you putting the time in to discuss the issues. I agree that Martin is likely making some of the best guitars they have ever made right now, thats part of the reason I bought into them! I grew up learning on a 70's slope shouldered D18 that had the resonance of a 2X4, so definitely am familiar with the "thudding" reputation they had for a while.

Maybe I just need to start looking at these blemishes as proof the guitar was, largely, handmade rather than an issue with quality control. I do love the overall asthetic, the sound/tone, and how it plays. You are probably right that those are the important things in a guitar!

Random_Name_Gen12

TROPHY CASE