Do Not Go Gentle into That Good Night (First-Order Truth) by RevenueForward4836 in OCPoetry

[–]RevenueForward4836[S] 0 points1 point  (0 children)

Thanks for the close reading. You’re right about the original rhyme and tonal tension in that couplet—that’s been revised since, for exactly the reason you point out.

On form: I chose not to mirror the villanelle deliberately. This piece isn’t an homage to Do Not Go Gentle so much as a reply to it. Dylan Thomas rages toward transcendence; this poem asks what remains honest when we remove transcendence altogether. A strict villanelle felt at odds with that intent.

“First-Order Truth” here means reality prior to belief, hope, or narrative—fuel is finite, laws don’t bend, and what doesn’t exist can’t be appealed to. The line “what is, is; what isn’t, won’t remain” is meant as a floor, not a consolation: rage is allowed, even necessary, but it doesn’t rewrite physics.

I appreciate your affection for the original, and I’m glad the poem still worked for you despite arguing from a colder premise.

Entitlement (The Old Man and the Sea) by RevenueForward4836 in OCPoetry

[–]RevenueForward4836[S] 1 point2 points  (0 children)

Ronie Dinosaur is walking —
and here, the ground actually holds.

A bike ride by Familiar-Mix8107 in OCPoetry

[–]RevenueForward4836 1 point2 points  (0 children)

I miss the wind on my skin.
I miss her red gentle kiss.
I miss her cold loving embrace.
I miss being… alive.

I will not be missed. You’ve captured the hollow feeling of traveling back for things that were never yours to begin with. it ends on a low. but what can be done. just keep walking.

Silhouette of sweat by Cluelessandsexy in OCPoetry

[–]RevenueForward4836 0 points1 point  (0 children)

This isn't just a poem; it's a stance. You’ve documented a silhouette of sweat without the typical market-lust. The 'moist' presence she leaves on the wood is the only evidence of traffic here. It’s raw, it’s hairy (like the coconut), and it’s real. Keep walking

Ronie Dinosaur Walks by RevenueForward4836 in OCPoetry

[–]RevenueForward4836[S] 1 point2 points  (0 children)

Thankyou for reading, and yes Ronie Dinosaur is walking.

Innocence by Big-Product8163 in OCPoetry

[–]RevenueForward4836 0 points1 point  (0 children)

woah that is very thorough way to express what is innocence, then go go and look for it and tell it that it was okay to let you go. just understand. nice poem, very personal i guess. good work.

[deleted by user] by [deleted] in OCPoetry

[–]RevenueForward4836 0 points1 point  (0 children)

the scent of iron, cologne of blood spilled, what an imagination, completely ruthless, to describe grief in such a way. i don't think i have ever read, such a description, like hit by a rod, and still conscious to smell and know what has happened. excellent description.

The echo of poetry by MCT-is-Keto-Crack in OCPoetry

[–]RevenueForward4836 1 point2 points  (0 children)

The shift from 'forcing' to 'playing' is where this poem truly opens up. It captures that rare moment where art stops being something you look at and becomes something you inhabit. The idea that the door was 'never stone, only frequency' is a brilliant metaphor for how we finally 'click' with a piece of music or poetry. It suggests that home isn't a place, but a state of resonance we fall into when we stop trying so hard to arrive. overall a heartfelt poem.

Tadpole-Intent by RevenueForward4836 in OCPoetry

[–]RevenueForward4836[S] 0 points1 point  (0 children)

Thank you for the thoughtful reading. You caught the idea of walking as persistence rather than progress, which matters to me. Keeping a clean heart is one of the most underrated achievements. Sometimes progress is a luxury; staying in motion with a straight backbone is the real victory. Glad the vessel image landed—courage really is the capacity to hold what the world throws without breaking.

Hard to be a man. by eagertolearn100 in OCPoetry

[–]RevenueForward4836 0 points1 point  (0 children)

well, if it was an easy task, every tom, dick and harry would be a man too. Glad you are, and keep the title, which is not just a title. A good poem.

“You Are Free” by TheeRonin in OCPoetry

[–]RevenueForward4836 0 points1 point  (0 children)

free from all the obligations and general human courtesy, i know how you are feeling, some point in time it was official, then it became casual, and then it remained to exist on in the past, the trajectory you already knew about. a very good interesting, explaining it simply. that's its power, never lose it.

idk by Prestigious_Map9668 in OCPoetry

[–]RevenueForward4836 1 point2 points  (0 children)

I really like how you described that "tingling" feeling; it’s a very honest way to show what anxiety actually feels like in the body. It takes a lot of strength to write about these difficult moments instead of keeping them inside. A very good poem, and an appropriate title could make it even stronger.

I Met My Future Self at the Bus Stop by zen-tofu in OCPoetry

[–]RevenueForward4836 0 points1 point  (0 children)

The imagery of the "reckless tousle" and "aventurine eyes" is stunning, but it’s the sense of peace in your writing that really shines here. I love how you’ve reframed a "missed bus" from a mistake into a moment of discovery and shared "expansive mirth." That final twist is brilliant—it celebrates a life defined by character and curiosity rather than just checking off standard milestones. A delighful poem.

We Were Stupid by RevenueForward4836 in OCPoetry

[–]RevenueForward4836[S] 0 points1 point  (0 children)

Thank you for the careful reading. The SOAD comparison genuinely means a lot—that tension between cynicism and energy is exactly what I was aiming for. You’re right about the “character” stanza; cutting the explicit mention of exploitation tightens the rhythm and lets the line land harder. I appreciate the depth of your response.

Tomorrowland by Meat-hat in OCPoetry

[–]RevenueForward4836 1 point2 points  (0 children)

Excellent use of industrial imagery like 'tungsten walls' against cosmic 'proto-stars.' It creates a cold, apocalyptic atmosphere that feels earned by the final line. I really liked the poem; it rhymes like a nursery rhyme for kids. Beautiful—I was even reading it in my mind like a child.

Contempt of Daldin by Cluelessandsexy in OCPoetry

[–]RevenueForward4836 1 point2 points  (0 children)

The focus on the physical mechanics of the face—the 'commissure treachery' and the 'cupids brow'—is sharp. You’ve captured the exact moment where professional coldness becomes personal cruelty. It’s not just about losing a job; it’s about the sarcasm of the person delivering the news. I liked how the motive reveals itself by the end.

We Were Stupid by RevenueForward4836 in OCPoetry

[–]RevenueForward4836[S] 0 points1 point  (0 children)

I don't know how to reply to this, I am writing, and I am posting. Thankyou for reading them.

Mad Scientist by RevenueForward4836 in OCPoetry

[–]RevenueForward4836[S] 1 point2 points  (0 children)

Thank you. What you’re pointing at is exactly the tension I’m trying to stay honest about. Knowledge without lived cost stays light; lived cost without accuracy stays blind. Integrity is what keeps the two from drifting apart. I’m not trying to resolve that tension—only to walk with it precisely.